Tag Archives: art

The Crown auction at Bonhams

Bonhams: The Crown Auction

Posted on by

The Crown AuctionThe Crown AuctionWe are in the era of prestige television.

Historically, T.V. programmes have been looked upon as the lesser relation to cinematic releases – movies traditionally viewed as pinnacle of film making. Today, television shows are often highly respected productions. As series run over weeks or even years, they can capture the public imagination with scores of fans and followers alike. These shows are essential to the success of streaming
platforms – with large budgets and famous casts the quality of productions has improved enormously.

As such the field of Entertainment Memorabilia collecting has expanded with those objects featured in major television series, being broader and highly sort. Production companies have apparently become more aware of the value of these assets. Once filming ceases and series end, auctions of costumes and props are becoming more of a common occurrence.

It is with this backdrop, and several months of planning that Bonhams, London announced they would be holding an auction of costumes, props and designs used during production of the Netflix series ‘The Crown’.

The Crown has done a tremendous job of creating fictionalised accounts of historic events – capturing World Affairs and global politics from the 1930s to early 2000s. The series managed to recreate the costumes and settings enjoyed by the Royal family.

The Bonhams The Crown Auction was arranged as two separate sales – a one day Live Auction including 161 lots and many of the most valuable pieces, held at their New Bond Street headquarters. The second being an Online Auction of the more affordable and decorative objects, closing the following day. Proceeds from the Live Auction are to be donated to the National Film and Television School for a scholarship programme.

The pre-sale viewing for the auction was very popular with over 30,000 people attending – it is not very often that one can be photographed standing in the doorway to Number 10 Downing Street (be it a prop or otherwise – which eventually sold for £10,800 plus BP) or next to so many recognisable costumes.

The skill of the prop makers and set designers for the series was clear throughout the sale. One of the most impressive lots of the live auction was lot 80 – a reproduction of the Golden State Coach.

This is a highly accurate facsimile of the famous original, which has been used at every Coronation ceremony since 1831. The coach is a magnificent achievement in prop making. The replica was
designed and manufactured by specialist team including film horsemasters The Devil’s Horsemen and prop design company Anarchy. To achieve an accurate copy the coach was constructed in part from fibreglass, clay and 3-D printed elements. This stunning lot was sold for £56,280 (inc. BP).

A similarly important prop relating to the Coronation was lot 20 – a reproduction of Saint Edward’s Chair, otherwise known as the Coronation Chair. The chair – central to British history and the Coronation ceremony was predominantly manufactured out of fibreglass and had featured in the 5th episode of series one of the show. This precise replica of the 14th century original, such an important symbol of Royal authority, sold for £25,660 (inc. BP).

Another feat of prop making was lot 158 – a replica model of the funeral procession of Her late Majesty Queen Elizabeth II. According to the catalogue the model had taken between six and eight weeks to produce, being over 12 meters wides, including over 500 Britains soldiers, two hundred 3-D printed models (all having been designed and produced by The Crown team and hand-painted with accurate costume) devised by a group of experts. The selling price here was £53,740 (inc. BP).

As with the props, costume was an important element of the sale with detailed reproductions of famous regalia, evening wear and everyday outfits being included. The highest price achieved for costume in the Live Auction was for lot 21 – a replica of Queen Elizabeth II’s ceremonial Coronation garments. The original was in part designed by Norman Hartnell – the multi element costume worn by Claire Foy sold for £19,200. Also from the Coronation ceremony was lot 22 – a replica of Princess Margaret’s Coronation gown and robe. This time the lot sold for £6,144 (inc. BP).

Lot 238 was a cornelian jewellery suite designed for Vanessa Kirby as Princess Margaret and featuring in season 2. The set was specially commissioned by costume designer Jane Petrie and made by jewellery designer Katy Hackney. The catalogue detailed the inspiration behind the suite, conceived to act as a direct contrast to Her Majesty’s pearls. The lot included ear clips, triple strand
choker, together with original design. This fashionable suite sold for £5,376 (inc. BP).

For the fashion savvy lot 125 – a Christian Dior ‘Lady Dior’ handbag. This example, in black lambskin had been worn by Elizabeth Debicki during Season 5. The bag is closely associated with the late Princess Diana and was named ‘Lady Dior’ after Lady Diana. It is believed she owned the bag in every colour and was regularly seen carrying it, after she first received one as a gift from the First Lady of France in 1995. This bag sold for £10,880 (inc. BP).

Arguably one of the most iconic costumes in the auction was lot 134 – a replica of the black silk and chiffon cocktail dress worn by Princess Diana in November 1994. Dubbed the ‘Revenge’ dress, it had featured in Season 5, Episode 5 ‘The Way Ahead’. Unsurprisingly, one of the most sought after outfits in the sale (the lot additionally included bag and shoes) it sold for £12,800 (inc. BP).

In direct contrast one of the more affordable lots of the sale was 314 – A blouse and dungarees worn by Emma Corrin portraying the young Lady Diana Spencer. This lot costume achieved £435.20 (inc. BP).

Costume designs themselves were also popular with a number being offered for sale. Lot 170 was a collection of three watercolour and pencil designs executed by Michele Clapton for the character
of the Queen. The illustrations, which included fabric swatches and detailed annotations gave an insight into the Emmy Award winning costume designers work. They sold for £5,376 (inc. BP).

Interestingly, many of the pieces featured in the sale were not modern replicas but fine antique furniture and decorative objects. To reproduce the interiors afforded to a Royal household, pieces
had been carefully selected by the set designers. Chimney pieces, toys, ceramics and glass were all available.

Within the The Crown Auction Online Auction lot 168 was a William IV rosewood breakfast table used as part of the Buckingham Palace set. This traditional antique sold for £8,320 (inc. BP).

Lot 200 was a typical lot one might expect to see in a sale of Fine Furniture – a George II chest on chest. This 18th century and later piece of crossbanded walnut had been used as part of the set
for the Queen’s bedroom. With strong bidding it eventually sold for £21,760.

Lot 322 was a French 19th century kingwood, parquetry and cross banded brass mounted liqueur set. The set which is visible in the Audience Room scenes included glasses and decanters. It fetched £5,632 (inc. BP).

The most expensive piece of furniture included in the two auctions was lot 237 – A parquetry and gilt metal mounted cylinder bureau in the Louis XVI style. The bureau, having only been estimated at £2,000 – 3,000 was used by all three of the actresses playing the Queen (Claire Foy, Olivia Colman and Imelda Staunton). The lot was offered with set dressing, including framed
photographs and desk accessories. The piece was important to the history of the show, having served as a prop during the London stage production of ‘The Audience’ in 2013 – the inspiration
for The Crown series. The eventual online selling price was £46,080 (inc. BP).

On a different note, was lot 58 – two Beswick porcelain models of corgis. A common sight in Antique Centres across the UK, they had been chosen by the Set Decorating Department due to their similarity to pieces found in Windsor Castle. Offered together with an Edwardian silver photo frame containing a picture of a corgi – against a pre-sale estimate of £200 – 300 the charming lot sold for £3,328 (inc. BP).

The highest price paid during The Crown Auction Live Auction was for lot 102 – a 1987 Jaguar XJ-SC car – the vehicle had been used as a double for the late Princess Diana’s Jaguar, driven from 1987 – 1991.

The original, now part of the collection of Jaguar Heritage Trust, was adapted from a two-seater to allow Princes William and Harry to be passengers. Elizabeth Debicki as the Princess can be
seen driving it in the show. The car eventually achieved £70,250 (inc. BP).

The Crown auction highlighted the research and detail required when staging a production such as The Crown. This was evident during the online auction, where seven lots from The Crown’s reference library were on offer. Lot 498 included 90 volumes on the Royal Family – the books were no doubt invaluable to the team involved. The footnote detailed how the production used five full time researchers and other full-time staff to achieve historical accuracy – this lot sold for £2,816 (inc. premium).

This white glove sale of over 470 lots eventually realised over £1.6 million.

Old Master Sales December 2023

Posted on by

The December Old Master Sales were rather lacklustre with the three major London salerooms, Christie’s, Sotheby’s and Bonhams reporting combined totals for their five sales of £55.8M, just less than December 2022’s feeble total of £56.3M.

One can hardly blame consignors for not wishing to offer great paintings at auction in the current geo-political climate. These totals would have been nearly 40% lower but for an early Rembrandt of the Adoration of the Magi sold by Sotheby’s to the guarantor for £9.5M and two Canalettos (1697-1768) (not a pair, but part of a set of Venetian views), sold at Christie’s for £8.2M. They had never previously been published and were, therefore, ‘fresh’ to the market.

Interestingly, the Rembrandt at Sotheby’s, had been offered by Christie’s Amsterdam, two years ago, as ‘Circle of Rembrandt’, with an estimate of €10-15,000. It was knocked down to the Sotheby’s consignor for €860,000. So, somebody else had recognised its potential, too.

My favourite painting from all the sales was the most unusual ‘The Virgin in Prayer’, by the enigmatic Flemish artist, Michiel Sweerts (1618-1664).

This is a picture within a picture. Sweerts paints himself, peeping shyly round the edge of a framed picture of the Virgin in Prayer, which he has painted and, which he is showing to you, the onlooker, with a cloudy sky behind him. It is a touching picture, not only for the sacred nature of the central subject, but because here is the apprehensive artist, watching anxiously to gauge your response to his painting. It made a well-deserved £1.4M hammer price, 3 ½ times the lower estimate.

If the market is wary of exposing Old Master masterpieces at the current time, no such worries affected the group of beautiful Rembrandt etchings collected by the discerning Sam Josefowitz. There were some great rarities offered amongst the 70 lots offered in a dedicated catalogue and every print was in excellent condition. This was a collection for connoisseurs and museum curators. Every lot sold, mostly well above the top estimate and 51 world records were achieved for individual subjects. This catalogue and the 5 prints offered in their Old Master sale, grossed Christie’s £10.2M including buyer’s premium. The front cover lot of a Sea Shell, (Conus Marmoreus), which measures 97 x 132 mm and is an etching, engraving and drypoint on laid paper, made £730,800 with buyer’s premium. It is a natural object of profound beauty and simplicity. It was the top price of the sale and proves that whatever market conditions prevail, masterpieces will find their true level.

The Art Market 2023

Posted on by

2023 in the Art Market has been one of readjustment and realignment, but thankfully not collapse – a market correction rather than the much talked about free-fall of the market.

2022 ended on a fever pitch high, with a slew of blockbuster auctions and record-breaking auctions – the Macklowe Collection brought in $922m at Sotheby’s, the Anne Bass Collection achieved $383m at Christie’s, and the Paul Allen Collection achieving just over $1.6b also at Christie’s – taking the honour of being the first sale to top the billion-dollar mark.

Yet even as these records were being made, savvy pundits predicted a gloomier future for 2023 which turned out to be true.

Surprisingly, it was the top end of the market, with its superior quality and strong provenance, that failed to deliver the goods in 2023. It was badly hit in comparison to 2022, generating a little more than half the sales value compared to the previous years. In 2023, the most expensive artworks at auction paled in comparison to last year. The top 100 lots at auction this year totalled $2.4 billion, compared to $4.1 billion in 2022.

Why is this? Experts cite higher interest rates, continued inflations, and the ongoing turbulence in the financial markets as reason for the dip – but economic jitters aren’t the only factor at play. The continuing war in Ukraine continues to negatively effect the global economy, as no doubt, the current Israeli/Palestinian war will too. Added to this, the post-pandemic exuberance of spending that fuelled the market in late 2021 and 2022 has certainly levelled off.

Across every category in the market, sales contracted in 2023 – but some were hit harder than others.

All of this has had a negative effect on the market – spooking all but the motivated seller from consigning their treasures to an increasingly unpredictable and volatile market. Just like the property market, why would you sell in a falling market? As a result, the number of works coming to auction hit a three-year low in the year’s first five months, and the contraction is most extreme on the high end. The May marquee auctions of Modern and Contemporary art in New York were noticeably underwhelming. The three main auction houses grossed an aggregate $1.4bn (with fees), significantly lower than the $2.5bn achieved the previous May, according to data provided by Pi-eX (the Londonbased art auction analysis firm).

Similarly, the up until now extra-hot, speculative/flip led market for young ultra contemporary artists also cooled down dramatically, with demand being far more measured than in 2022. In May 2022 in New York, Sotheby’s The Now sale of 23 recent works by coveted, hard-to-source names had been a bidding frenzy that achieved $72.9m. In stark contrast, just over a year later in June this year, Sotheby’s 14-lot London version of The Now format took £8.7m ($11m). This market had been characterised by heavy speculation and flipping by collectors keen to turn a quick (and often significant) profit on here to untested newcomers to the secondary market. However, market jitters have calmed this market down noticeably – with less activity from ‘flippers’ producing less demand and lower prices.

The biggest decline was in the Impressionist and Modern sector, whose sales plummeted by almost 30 percent year over year. The Postwar and Contemporary category had a slightly smaller dip of 23 percent. Ultra- Contemporary art, once the fastestgrowing category, took a tumble as the froth surrounding the market for young artists began to dissolve. It shrunk by 26 percent year over year. The most stable category turned out to be Old Masters, whose revenue declined a comparatively modest 6 percent. It remains one of the smallest markets by dollar value, second only to ultracontemporary (which covers around two dozen years of artistic production, while Masters embraces nearly six centuries).

Each of the big 3 auction houses saw their sales figures contract in 2023. Christie’s narrowly beat Sotheby’s in the race for the top spot, generating $8.9 million more in fine-art sales by mid 2023. Both houses saw revenue decline in the first five months of the year compared with the equivalent period in 2022. Christie’s was down 23 percent while Sotheby’s was down 20 percent. Hardest hit was Phillips, which reported $255 million in art sales, a 29 percent dip year over year, after reaching a record high in 2022.

In terms of the geographic split of the art market, the top three players stayed the same. The US reconfirmed it preeminence in this regard, albeit with sales down by 25 percent from the equivalent period in 2021, 2020, and 2019. China similarly reconfirmed its place as the second largest market, but in contrast to the US, its total sales spiked by more than 110 percent during the same period. The increase illustrates the continuing strength of the Chinese collector market, but it also reflects a statistical anomaly whereby several Chinese auction houses, including Poly International and Yongle Auctions, postponed their 2022 autumn sales to early 2023 in order to comply with government lockdowns, boosting the country’s spring results.

The UK market experienced a decline in sales of 27 percent but still held third place in the global art market. The impact of Brexit and the increase in overall in logistical and importation costs still continue to effect the profitability of Britian’s historic art market.

During the pandemic and the associated lockdowns, online and digital sales increased out of necessity and market survival and drove global art sales for this period. Now that in-person auctions have fully returned, online fineart sales are hitting a plateau—but they remain far above pre-pandemic levels. A total of $155.8 million worth of fine art was sold in online-only sales at Sotheby’s, Christie’s, Phillips, Bonhams, and Artnet Auctions in the first five months of the year. That’s down 5 percent from the equivalent period in 2022 and down 64 percent from 2021, when many high-profile sales had not yet returned to being held in-person. The 2023 total remains more than 300 percent higher than 2019, when online sales generated just $35.5 million in the year’s first five months. What has changed is the comfort level of collectors to purchase via online routes – the average price in 2023 for an online purchase has dropped to $17,794 which is lower than since 2019.

In conclusion, 2023 – whilst certainly not a bullish year, it has still proved to be a strong market with no collapse foreseen in the near future. Bearing in mind the overall global uncertainties, and the fact that purchasing art is not a survival purchase, this is no mean feat!

Adoration of the Magi and Shepherds

Posted on by

“A cold coming, we had of it, just the worst time of year for a journey and such a long journey”, is how T.S. Eliot’s ‘Journey of the Magi’ begins. Semi-desert can be very cold on a clear night, and we know it was clear, because the wise men were following a star.

No-one knows when our saviour was born, but the early, persecuted Christians, probably celebrated Jesus’ birth on December 25th because the Romans were celebrating ‘Sol Invictus’, the birth of the unconquered sun, and Saturnalia when people feasted, exchanged gifts and did not have time to watch what the subversive Christians were up to.

In 336A.D., when Constantine, a Christian convert was Emperor, the church in Rome began to formally celebrate Christmas Day on December 25th.

As a child, I was fascinated by descriptions of the aftermath of his birth – the Adorations by Magi and Shepherds and started a collection of secondhand Christmas cards of these subjects. What particularly fascinated me was the contrast between the elaborately dressed Magi, a Magus is a wise man, with their extravagant and costly gifts adoring the Christ child and the simplicity and piety of the shepherds in their ragged clothes and offering a precious lamb as a gift.

Two of my favourite treatments of this subject are The Adoration of the Shepherds by Gerrit van Honthorst in The National Gallery and the Portinari Altarpiece in the Uffizi. Honthorst (1592-1656), was a Dutchman from Utrecht, who with two friends visited Rome in the early 17th Century and fell under the spell of Caravaggio and adopted his dramatic use of chiaroscuro (light and shade). He was known as Gherardo dalle Notti, Gerard of the Night, in Rome. This picture was painted there in 1610.

Adoration of the Child by Gerard van Honthorst

The Portinari Altarpiece was commissioned by Tomasso Portinari, a prominent banker, working for the Medici in Bruges, from the brilliant Flemish artist Hugo van der Goes (c.1430/40-1482) around 1472-5. The shepherds have coarse, sunburnt faces, rough hands and grimy fingernails, all of which is accentuated when one looks at the beautiful Virgin Mary, with her pale skin and delicate hands.

Portinari Altarpiece Hug van der Goes

Contrast these depictions of simple, pious shepherds, with Benozzo Gozzoli’s (c.1421-1497) ‘Procession of the Magi’ in the Palazzo Medici Riccardi in Florence.

The richly caparisoned horses, the smartly attired attendants and the exotically dressed Magi exude a sense of wealth and power. Benozzo and at least one assistant completed this miraculous fresco over a few months in 1459.

Procession of the Magi

These paintings remind me of happy Christmases past, and my scrapbook of Old Master adorations.

Winter Landscapes

Posted on by

Have you ever stopped to wonder why, in the ‘Golden Age’ of English landscape painting (1750-1850), there are so few winter landscapes by the major practitioners of the genre. In the 18th Century there are none by George Lambert, Richard Wlson or Thomas Gainsborough and one has to rely on examples by lesser fry such as de Loutherbourg, J.C. Ibbetson and George Smith of Chichester.

In the next generation we have just a handful. ‘A Frosty Morning’ painted by J.M.W. Turner (1775-1851) of 1812, a copy of Jacob Ruysdael, by John Constable ( 1776-1837), who loved Ruysdael’s paintings and owned 4 of them and two by Francis Danby, A.R.A (1793-1861). The Danbys are ‘An Ice Slide’ of 1849, exhibited at the R.A. in 1850 and a study of children skating outside a woodman’s cottage, painted in the early 1820s.

It seems to be very odd there are so few, when one considers how many winter landscapes were painted in the Netherlands in the 17th Century and how prized by collectors and admired by artists in England such paintings were.

I think in large part it is due to studio practice in the late 18th and early 19th Centuries. Artists would go out sketching from Spring to Autumn, when the weather was relatively clement and then work up the sketches into finished easel pictures in the winter.

Constable travelled with a large and a small sketchbook everywhere he went, to record things of interest, including on honeymoon. I would like to hear from anyone who has a better explanation!

12 Days of Christmas

Posted on by

In 2014, Sotheby’s sold a copy of ‘Mirth Without Mischief’ for $23,750, dating from 1780 in which the first version of the famous Christmas carol Twelve Days of Christmas appeared for the first time.

Some historians believe it could be French and could have been created as a memory game, to help Christians learn and remember the principles of their faith. Though this could and has been refuted by some, let’s have a look at what is gifted during the Twelve Days of Christmas.

On the first day of Christmas, my true love gave to me a partridge in a pear tree.

Day 2: two turtle doves
Day 3: three French hens
Day 4: four calling birds
Day 5: five gold rings
Day 6: six geese a-laying
Day 7: seven swans a-swimming
Day 8: eight maids a-milking
Day 9: nine ladies dancing
Day 10: 10 lords a-leaping
Day 11: 11 pipers piping
Day 12: 12 drummers drumming

Someone on the internet has very kindly converted what the cost of all those presents would be in today’s currency and this comes to approximately £35,000.

With this budget, here is my choice for what I would wear during the Twelve Days of Christmas.

The Twelve Days start on the 25th December, and in keeping with the festive red and religious aspect of the celebrations, an early 19th Century garnet and pearl cannetille cross pendant, which sold at Bonhams for £1,500.

On the 26th, with the nights still closing in early, a moonstone necklace such as this Edwardian pendant necklace selling for £995, to shimmer and capture all the starlight.

On the 27th, an emerald and diamond three-stone ring, such as the below selling for £2,950 at Fenton to echo the Christmas tree which might be losing a few needles by now…

On the 28th, it always feel like dates have ceased to matter, so as a special reminder, this Rolex DateJust 1601 in stainless steel, selling for £4,400. Discreet and elegant, it is worn as jewellery.

On the 29th, perhaps a night out in a restaurant dreaming of that sky trip would require novelty cufflinks, as these enamel and silver cufflinks by Francis & Deakin, selling for £315.

On the 30th, one will have a quiet night in before the New Year celebrations. It could be a night to remember and remind that wonderful person just how much you love them with a fancy coloured-diamond ring from De Beers. The below cluster ring is set with a 0.52ct fancy yellow diamond, VS1, within a surround and shoulder set with brilliant-cut diamonds and retails for £7,250.

On the 31st, to celebrate the new year offered to us as a gift, one could purchase these vintage Chanel earrings for £1,370 decorated with bows, like a gift to unwrap.

2024 will be the year of the Dragon in Chinese culture. Dragons symbolise courage, power and protection.

Therefore, to start the year, on the 1st January, let us internalise all these elements and choose to wear a dragonset jewel such as the Fabergé Palais Tsarkoye Selo Red Locket with Dragon Surprise by Fabergé, retailing for £12,000.

The 2nd January calls for a quiet cuppa, and how best to accessorise than with Tea for Two bangle by Hermès £485, decorated with enamel.

On the 3rd, perhaps one is gifting the last few presents of the season and this trio of brooches would make a lovely addition to any jewellery collection, sold for only £280 at Dawsons Auctions a few days ago.

The list wouldn’t be complete without referring to The Princess of Wales jewellery. The Princess is one to reuse dresses and outfits so we could certainly get inspired by her look from last year with the goldplated earrings she wore last Christmas from Cezanne, retailing for £100. No one will notice they aren’t sapphires…!

Finally, as we look to the future and the warmer weather to come, on the 5th January I would recommend the mother-of-pearl Sweet Alhambra bracelet by Van Cleef & Arpels, retailing for £1,300. The butterfly motif reminds us that spring is not too far away, and with it the promise of longer days filled with possibilities…

All these gorgeous gifts bring us to a total of £32,855, well within our budget and enough to splurge on that meal, extra gift or trip away. Best Wishes to all.

Victorian Christmas Paintings: A Glimpse Into Festive Traditions

Posted on by

Much of what we associate with Christmas today, with the exception of After Eights and Christmas jumpers, stems almost entirely from the Victorian era (1837-1901). Prince Albert introduced all of his German family’s Christmas traditions to the Royal household following his marriage to Queen Victoria in 1840. Christmas trees, cards, turkeys with all the trimmings and Christmas stockings were all enthusiastically taken up by Queen Victoria and as the key influencer of her day, her loyal subjects followed and fully embraced all the young Queen’s new and exciting festive family traditions.

Charles Dickens wrote about Christmas and Victorian painters in Europe and America alike brought these Christmas scenes and people to life. Santa Claus was brought to life by the American illustrator Thomas Nast who also invented the Christmas Card, another stroke of Victorian genius that brought a little bit of festive splendour through letterboxes around the world during the festive season.

Here are some common themes and elements found in Victorian Christmas paintings:

1. Family Gatherings: Victorian Christmas paintings frequently feature scenes of families coming together to celebrate the holiday. These gatherings often take place in beautifully decorated homes, with family members enjoying each other’s company.

2. Decorations: The Victorians were known for their elaborate Christmas decorations. Paintings from this era often showcase festively decorated Christmas trees adorned with candles, ornaments, and tinsel. Mistletoe and holly were also commonly used to decorate homes.

3. Gifts and Presents: Gift-giving was an important aspect of Victorian Christmas celebrations. Paintings might depict scenes of children eagerly unwrapping their presents, or the presentation of gifts to family members.

4. Caroling: Christmas carolers, often dressed in traditional Victorian clothing, are a common subject in these paintings. Carolers would go from house to house, singing festive songs to spread cheer.

5. Snowy Scenes: Many Victorian Christmas paintings depict snowy landscapes and scenes, introducing the idea of a “white Christmas.”

6. Feasting: A Victorian Christmas feast was an important tradition, and you can find paintings that feature festive tables laden with roast meats, puddings, and other holiday treats.

7. The Yule Log: The Yule log was a symbol of warmth and light during the Christmas season. Some paintings show families gathered around a fireplace with a burning Yule log.

8. Christmas Cards: Victorian Christmas cards, which gained popularity during this era, often featured sentimental and picturesque scenes. Paintings might show people exchanging or displaying these cards.

9. Acts of Charity: The Victorians placed a strong emphasis on acts of charity and goodwill during the Christmas season. Some paintings depict scenes of people helping the less fortunate, emphasising the importance of giving during the holiday.

10. Father Christmas: The modern image of Santa Claus, known as Father Christmas in the UK, started to take shape during the Victorian era. Paintings might feature the jolly figure of Father Christmas, sometimes dressed in green or other colours, distributing gifts to children.

Prominent artists of the Victorian era, such as John Callcott Horsley (British, 1817-1903) Thomas Nast, (American1840-1902) and Sir John Gilbert (British1817-1897), created Christmas-themed works that have become iconic representations of the holiday. These paintings continue to be cherished for their ability to capture the nostalgia and spirit of Victorian Christmas celebrations.

John Constable and the Stour Valley

Posted on by

I can’t think of a painter who was as influenced by, or devoted to recording the landscape of his boyhood, as John Constable R.A. (1776-1837). He is famously recorded as saying: “Still I should paint my own places best; painting is with me but another word for feeling, and I associate ‘my careless boyhood’ with all that lies on the banks of the Stour; those scenes made me a painter, and I am grateful.”

He was born in East Bergholt in Suffolk and the villages of the Stour Valley were the subjects of his early work. However, as Michael Rosenthal points out in his excellent book ‘Constable, the painter and his landscape’ published in 1983, it was not all plain sailing. Despite the familiarity and love of the place, there were emotional associations that precluded Constable painting certain aspects of his childhood landscape. For instance, he was incapable of painting land owned by his father, Golding, a successful farmer, mill owner and grain merchant, until Golding came to terms with is son’s desire to become a painter. Golding wanted him to join and then run the family business, as John’s elder brother had learning difficulties. By 1799, Golding had relented to some extent, granted his son a small allowance and John then entered the Royal Academy Schools.

In 1808 Golding gave him a small grain store in East Bergholt to convert into a studio, now owned by my friend, Susan Morris. She’s the only one of my friends who has a fridge magnet of her house! Father and son were truly reconciled.

In 1816 he married Maria Bicknell, whom he had known since 1809. Their love was a source of great comfort to Constable, but the union was not approved of by Maria’s grandfather, Dr Rhudde, rector of East Bergholt, who threatened to disinherit her. He thought the Constables were socially inferior. However, Golding and Ann Constable died in quick succession and John inherited one fifth of the family business, which eased the financial pressure.

Now with several children to support, he embarked on an ambitious plan to enhance his reputation by producing large canvases for exhibition in both London and Paris. He returned to his beloved Stour Valley for these and produced a series of ‘six footers’ (the size of the canvas), of which the most famous is ‘The Hay Wain’.

It was exhibited at the Paris Salon in 1824, where it caused a sensation, because of its vibrant technique and colour and its truth to nature. It was awarded a gold medal by Charles X. Delacroix repainted the background of his ‘Massacre de Scio’, as a result of seeing it.

By the early 1820s, Maria was showing signs of tuberculosis and Constable took lodgings in Brighton for her health. He made numerous drawings of the South Downs and Coast, and produced a marvellous oil painting of the ‘Chain Pier, Brighton’, which was exhibited in 1827. Sadly, the sea air did not save Maria and after the birth of their seventh child, Maria died in November 1828. Constable was distraught. He wrote to his brother, also called Golding, ‘hourly do I feel the loss of my departed angel…the face of the world is totally changed for me’.

The period following Maria’s death was a profoundly melancholic one for Constable. He dressed in black and was prone to anxiety. I always think that Hadleigh Castle sums up Constable’s state of mind at this time. A lonely figure and his dog stand beside the ruined castle, whilst a storm approaches from the sea, with just two shafts of light to suggest some source of hope. The palette is subdued but the brushwork vigorous, the product of a troubled mind.

On a less sombre note, there is a charming story that Constable relates to his friend Archdeacon Fisher of Salisbury. He was travelling in the 1820s in a carriage from Ipswich to London with two strangers. By way of making conversation, he pointed out of the window and remarked “Don’t you think this is a beautiful landscape?” One of the strangers said “yes I do, Sir, but you should remember this is Constable country.”

Dale Chihuly

Posted on by

Dale Chihuly is an Internationally renowned American glass artist known for his innovative and intricate glass sculptures and installations. He was born on September 20, 1941, in Tacoma, Washington, USA. Chihuly’s early life played a significant role in shaping his career as an artist, here are some key points.

Family Background

Dale Chihuly was raised in a middle-class family in Tacoma, Washington. His father worked as a meatpacker and union organiser, while his mother was a homemaker.

Early Interest in Art

Chihuly developed an early interest in art and began working with glass in the early 1960s while studying interior design at the University of Washington in Seattle. During this time, he had the opportunity to work at the Venini glass factory in Venice, Italy, which ignited his passion for glassblowing.

Education

After completing his undergraduate studies, Chihuly pursued a Master of Fine Arts (MFA) degree in ceramics at the Rhode Island School of Design (RISD).

Founding Pilchuck Glass School

In 1971, Chihuly co-founded the Pilchuck Glass School in Stanwood, Washington. This school played a crucial role in the development of the American studio glass movement, providing a space for artists to experiment and collaborate with glass as a medium.

Artistic Influences

Chihuly was influenced by various artistic movements and styles, including the Murano Italian glassblowing tradition, Native American art, and the Studio Glass Movement. His work often combines traditional glassblowing techniques with contemporary artistic concepts.

Career Development

Dale Chihuly’s early career was spent in experimentation and innovation in glass art, which resulted in the production of his best-known series of glass sculptures, including the iconic Macchia and Persian series.

International Recognition

Over the years, Chihuly’s work has gained international acclaim, and he has become one of the world’s best known and most prominent glass artists. Here are just six of his most famous and widely recognised works and projects.

Chihuly’s body of work extends far beyond these few examples, and his contributions to the world of glass art are extensive and influential.

Here are some lesser-known facts about Dale Chihuly:

Early Interest in Interior Design:

Before becoming a renowned glass artist, Chihuly initially pursued a degree in interior design at the University of Washington. His interest in design played a role in his creative approach to glass art and sculpture.

Inspiration from Indigenous Art:

Chihuly has drawn inspiration from indigenous art and cultures around the world. In particular, he has been influenced by Native American art, and some of his works incorporate elements reminiscent of Native American basketry and design.

Innovation in Glassblowing:

Chihuly is known for his innovative techniques in glassblowing. He introduced the concept of the “team approach” to glassblowing, where he works closely with a team of skilled artisans who help bring his intricate and large-scale designs to life.

Blind in One Eye:

In 1976, Chihuly was involved in a car accident in which he lost vision in one eye after being struck by a metal rod. Despite this life changing injury for any artist working in any medium, he continued to create glass art and adapted his techniques to accommodate his visual impairment.

Collections in Unusual Places:

Chihuly’s work can be found in some unexpected places. In addition to galleries and museums and private homes his glass sculptures have been displayed in unique locations such as botanical gardens, casinos, and even underwater. For example, his glass installations have been featured in underwater settings like aquariums and also Venice during his “Chihuly Over Venice” in 1996, see 5 on previous page.

After looking at some of the images of Dale’s huge installations and projects you would be forgiven for thinking that owning a piece is only possible for the elite collector with deep pockets and lots of space! Happily, Dale makes some beautiful table size and smaller single pieces that all use the exact same wonderfully uplifting ‘hot’ colours and flowing shapes. The first Exhibition of Dale’s work I saw was at the Halcyon Gallery London in January 2108. I remember being blown away by the vibrancy of his colours and the sheer energy and scale of the larger pieces and the gem like qualities of the smaller works which were all beautifully displayed in elegant glass display cases.

Chihuly’s works come up at auction fairly regularly and also appear on the art selling sites, Artsy and 1st Dibs, I have made a small selection of auction sales with prices and estimates as a guide and some currently available pieces for sale on these two main selling sites, which I hope will further wet your appetite for works by the master of glass, Dale Chihuly.

Andy Warhol’s Birthday

Posted on by

Andy Warhol, born Andrew Warhola, was born on August 6, 1928, in Pittsburgh, Pennsylvania, to Slovakian immigrant parents. Andy was the fourth of five children, his father worked as a construction worker, and his mother was a homemaker and they lived in a working-class neighbourhood in Pittsburgh.

Andy was ‘dogged’ by illness, at the age of eight, he contracted a rare and severe illness called Sydenham’s chorea. This left him bedridden for several months, during which time his mother helped fill his days by giving him drawing lessons, which ignited his passion for art. Andy attended Schenley High School in Pittsburgh, where he demonstrated early artistic talent and where he was recognised and encouraged in these abilities. After graduating in 1945, he went on to study at the Carnegie Institute of Technology (now Carnegie Mellon University) in Pittsburgh.

After completing his studies in 1949, Andy moved to New York City, where he began his career as a commercial artist and illustrator. He worked for magazines, advertising agencies, and retail stores, quickly gaining recognition for his unique and imaginative art style.

By the late 1950s, he had started experimenting with Fine Art and had begun producing paintings, drawings, and prints. He found his inspiration in everyday objects and popular culture, leading him to create many of the works that would become iconic representations of the Pop Art movement and synonymous with Andy Warhol.

In the 1960s, he established his now famous studio space called “The Factory.” It was a hub for creative collaborations, attracting artists, musicians, writers, and celebrities, alike and it rapidly became a centre for the avant-garde in New York City.

Warhol’s fascination with celebrity culture led him to create portraits of many famous personalities, including Marilyn Monroe, Elvis Presley, and Elizabeth Taylor.

Andy Warhol’s creativity extended way beyond painting and drawing and he ventured into film, creating the experimental movies “Chelsea Girls” (1966) and “Empire” (1964), a slow-motion film of the Empire State Building.

Andy Warhol, well known for his contributions to the Pop Art movement and his choice of subjects for his art, was heavily influenced not only by celebrity and popular culture but also brand names, crime and for some reason car crashes. Some of his most famous paintings include the following:

The market for Warhol’s work has existed from day one and interest from buyers is truly international, with his work being sold across the world, where it is both a highlight and a mainstay of all the major and minor auction houses and galleries across the world. His major works continue to change hands for multi-million pound sums and the second and third most expensive Warhol works sold at auction to date are as follows:

Andy Warhol's art and history

Behind the scenes Andy Warhol is just as fascinating, here are a few little known facts about him.

Time Capsules:
Warhol was an avid collector and archivist. He had a fascination with preserving everyday items and created what he called “Time Capsules.” These Time Capsules were essentially cardboard boxes in which he stored various objects such as newspapers, correspondence, photographs, art supplies, and random items from his daily life. Over the years, he filled over 600 of these Time Capsules, which provide a unique insight into his life and the culture of the time.

Religious Devotion:
Despite his flamboyant and controversial public persona, Warhol was a devout Byzantine Catholic. He attended church regularly, and his religious beliefs played a significant role in his life. He even commissioned religious-themed artworks, including several portraits of Jesus Christ.

Art Collector:
Warhol was an enthusiastic art collector and he had his own extensive collection of art, including works by fellow contemporary artists and art pieces from various periods and styles. Following his death, Sotheby’s auction house held a nine-day auction in 1988 where they sold off more than 10,000 items from Warhol’s personal collection, which fetched tens of millions of dollars.

Underground Filmmaker:
As mentioned earlier in this piece Warhol is well-known for his contributions to the visual arts and he was also a pioneer in underground filmmaking. In the 1960s, he produced a series of experimental films that challenged traditional cinematic conventions. One of his most famous films is “Sleep” (1963), which depicts his friend John Giorno sleeping for over five hours. Warhol’s films often explored themes of monotony, voyeurism, and the passage of time.

Wig-Wearing Icon:
Andy Warhol’s signature silver-white wig became an essential part of his public image. He began wearing wigs in the 1960s to create a distinctive look, and it quickly became one of his trademarks. The wig allowed him to transform his appearance and present himself as an enigmatic figure in the art world and popular culture

Cookbook Author:
In 1959, Warhol and his friend Suzie Frankfurt co-authored a quirky and amusing cookbook titled “Wild Raspberries.” The book, which was never intended to be a practical guide to cooking, featured illustrations and handwritten recipes for dishes like “Omelet Greta Garbo” and “Piglet a la Cubist.” This limited edition book is now a highly sought-after collector’s item.

These lesser known facts highlight the diverse and eccentric aspects of Andy Warhol’s life and artistic pursuits. His impact on various forms of art and culture continues to be influential and celebrated to this day.

Throughout his life, Andy Warhol continued to push the boundaries of art, leaving a lasting impact on the art world and popular culture. His early experiences and upbringing shaped his artistic style and many of the themes he explored in his work.

 

Read more about investing in Warhol art here.

To get in touch about a valuation, visit our Contact Us page.