BAFTAs 2026: Heritage Jewels and Modern Icons on the Red Carpet

Posted on February 25, 2026February 26, 2026 by Aurélia Turrall

With so much glamour and style at this year’s Bafta awards, my first focus is on a pair of Cartier Art Déco earrings worn by the Princess of Wales for her return to the Baftas since 2023… You had me at Cartier.

Part of the Royal Collection trust, the stunning earrings are called the Greville Chandelier Earrings. They were designed and crafted by Cartier in 1929 for Mrs Greville, a British philanthropist, daughter of William McEwan, a brewery multimillionaire. They were later bequeathed to Queen Elizabeth in 1942, along with all her other jewels which include a diamond necklace reputedly belonging to Marie Antoinette, a selection of tiaras and a ruby necklace by Boucheron, such as the Greville Tiara. It is said the collection was presented in a black tin box and to this day, the full extent of the collection is still unknown to the public.

In November 1947, King George VI and Queen Elizabeth gave the Greville Earrings to Princess Elizabeth as a wedding gift and quickly became a favourite of hers.

Mounted in platinum, the earrings have undergone several changes since their first conception in 1918. As per the author of Queen’s Diamonds, Hugh Roberts, “Mrs. Greville ordered a pair of fancy-cut brilliant drop earrings in December 1918. In 1922 Cartier provided six marquise and six baton brilliants to extend the length of the earrings. Then in 1929 Cartier again added ten assorted diamonds and the earrings in the present form were formed”.

The Princess of Wales has been spotted wearing these earrings at prior events such as the Crown Prince Hussein (Prince of Jordan) and Rajwa al Saif’s wedding in 2023.

The Greville Earrings may be priceless but it has inspired a replica collection sold by the Royal Collection Trust Shop and sell for only £95, mounted in silver and set with cubic zirconia.

Cartier also adorned Hollywood stars such as Monica Bellucci. She wore a diamond and sapphire necklace by Cartier from their high jewellery collection En Équilibre, first exhibited in May 2025 in Stockholm. The stunning and unique necklace was paired with an off-the-shoulder gown by Stella McCartney. Monica Bellucci has been a brand ambassador since the early 2000s and told Vogue Scandinavia that “Each time I wear Cartier pieces it feels like stepping into a timeless moment”.

Whist Cartier uses exceptional gems they were not alone on the red carpet at this year’s event. Displaying a striking jewel was Teyana Taylor. She wore a citrine, coloured sapphire and diamond Bird on a Rock brooch designed by Jean Schlumberger for Tiffany & Co.

The central cushion-shaped citrine weighs just under 58 carats, the bird’s body is pavé-set with brilliant-cut diamonds and the eyes highlighted by circular cabochon pink sapphires. An identical piece was sold by Christie’s in November 2024. With an estimate of £20,000 – 30,000, it sold for £37,800, including premium. Due to its rarity and desirability, this piece would have an insurance value of £100,000.

Bird on the Rock was first designed in 1965 and the collection continues to be a favourite to the stars and consumers.

In 2020, the Bird was marketed heavily when LVMH acquired Tiffany & Co. From then on, it has featured on many red carpets.

In 2023, the luxury jeweller went a step further with its creations and added the bird perched atop pearls.

The pearl necklace is set with 316 carats of pearls highlighted by diamond-set birds.

The collection has known many reinventions and current models available are also set with tanzanite, lapis lazuli, set in platinum or rose gold.

Though Jean Schlumberger passed away in 1987, his vision and collection endure. Some sixty years after the first drawing of Bird on a Rock, his creations are still as popular as ever.

This year’s choice of jewels at the Royal Festival Hall was a true testament to the perfect harmony which can exist between old and new. From antique pieces to new inventions, beauty and exquisite craftmanship abounded on the red carpet.

To arrange a jewellery valuation for insurance, probate, tax or open market, call us on 01883 722736 or email us at [email protected].

The Victoria & Albert Museum Cartier exhibition

Posted on June 5, 2025June 11, 2025 by Aurélia Turrall

Where do I begin? How can one describe in a few words the magnificence that is this exhibition. Though a bit crowded (to be expected) it was still as jaw dropping as the Paris exhibition, I had the delight of seeing some 15 years ago.

The exhibition’s curators have chosen to take us through time, continent, through to watches and finish with a bang in the form of tiaras, both antique and modern. I will therefore endeavour to give you a tour in the same manner.

The earlier pieces from the beginning of the 20th Century are, naturally, inspired by the times in the shape of Belle Epoque garlands, bows and drapes.

The Manchester tiara was commissioned by the Dowager Duchess of Manchester who supplied Cartier with the 1,513 diamonds “for a design inspired by 18th century French architecture and ironwork. Born in NY from wealthy Cuban-American parents […] married into British aristocracy exchanging her wealth for a title.” It is set with diamonds and paste, mounted in silver and gold as was customary before platinum took over the jewellery industry by storm a few years later. This kicked off the Art Déco period.

This particular tiara was accepted by the HM Government in lieu of inheritance tax and allocated to the Victoria & Albert Museum, as were quite a few pieces found in this exhibition.
Other pieces of the era include these diamond-set bows, lace ribbon brooch and stomacher, all dating from 1909-1912, mounted in platinum and set with diamonds.

This tiara was made by Cartier in 1912, commissioned by Baron Pierre de Gunzburg (French banker and philantropist). It is an exquisite example of exceptionnal savoir-faire. This tiara is made of carved rock crystal (colourless quartz) and overlaid with diamonds.

Cartier also perfected the craftmanship of more “practical” pieces such as this perfume burner. Made in 1907, it is set with aventurine quartz, guilloché enamel, sapphires and silver gilt. The following year they created this desk clock on inkstand.

It is similarly-set with guilloché enamel, diamonds, sapphires, silver, gold, platinum and silver gilt.

Three other wonderful examples of guilloché enamel are these three pieces:

As we move in time, so do we move geographically. With long travels becoming more “common”, came new discoveries and new combinations of styles and texture, such as this Chinese Vanity case created in 1928.

Other far away places include Egypt, put on the map with the discovery of Tutankhamun’s tomb in 1922.

These new designs, step away from fluid lines and nature-based motifs, giving way to geometric design as clean lines, contrast and new colours.

This is the Art Déco movement which ‘cast aside the dictates of the past’, says decorative arts historian Melissa Gabardi. Art Déco jewels were sleek and bold, characterised by sharp edges and regularity of surface, line and volume. Unorthodox combinations of stones were introduced, with many designs combining natural materials such as onyx, emeralds, rubies, jade, silver, ivory, lapis and rock crystal with manufactured ones such as plastic and glass.
It is no secret that this is my favourite period when it comes to jewellery design.

The below pieces illustrate this daring combination of semi-precious and precious gemstones, resulting in some magical design by the luxury brand.

Renewed interest in Egyptian, Chinese and Japanese art offered European artists a new source of stylistic motifs. They adapted decorative elements particular to Asian jewellery, such as jade, coral, enamels, lacquer and pearls. Designs ranged from exact copies of dragons, pagodas and Chinese characters, to more liberal interpretations of Asian themes.

Keeping with the use of different materials and gems, the Cartier exhibition delighted us with a selection of Tutti Frutti jewels.

At the time of Art Déco jewellery creation, Jacques Cartier was running Cartier London and would return from his many far away travels with the most exquisite gems. These stones could be carved or made into cabochon. Cartier was the first to create these new colour and gem combinations and in the 1970s the style was named Tutti Frutti.

The daring and striking colour and gem combination expands to other gems such as quartz in this handcuff bracelet made of amethyst and citrine.

Jade and ruby seemed the perfect alliance of West meets Far East in this sublime necklace made in 1934.

The exceptional colour and translucency of these matching 27 jadeite beads make this necklace one of the finest jade jewels ever made. In 1933, Alexis Mdivani, husband of American heiress Barbara Hutton, brought these beads to Cartier to add a diamond clasp, which Hutton swapped the following year for the current ruby mount.

This necklace now belongs to the Cartier collection along with several other pieces presented at the Victoria & Albert Museum. Over the years, private owners have sold their heirlooms and Cartier has been very pro-active in buying back all of their most prized pieces.

A few have the extraordinary chance of owning exquisite pieces such as this diamond and sapphire sautoir made in 1911. It is set with a 35.13 carat star sapphire and is part of a Swiss collection. The sapphire in the piece beside it, weighs 478 carats and was made in 1913. It belongs to the Qatar Museum.

As we leave the room presenting some of the most spectacular gems, we step into the world of clocks and watches.

My favourite piece was this Mystery clock made in 1956 set with a single piece of smokey quartz.

As we step away from the more “wearable” we enter the last room dedicated to tiaras.
The Sun Tiara made in 1907, set with a Fancy Intense Yellow diamond weighing 32.58cts, part of the Al Thani collection.

This tiara is set with diamonds and synthetic rubies. It now belongs to the Victoria and Albert Museum, after being allocated by HM Government in lieu of inheritance tax. The design and stones were supplied to Cartier by Alexandra Calvocoressi-Comnène, who was to wear it for her wedding to Robert Everts in 1913.

Tutti Frutti is still in demand as does this tiara prove. Made in 2018, it belongs to a private collection.

The above pieces are but a snippet of the wonderful creations over the last 100 years by Cartier. When I am fortunate enough to handle period pieces by this unique brand, I am reminded that each one of them has been carefully designed, curated, set with stones flown from the other side of the world, from sometimes perilous countries and nothing should be taken for granted when admiring extraordinary artwork, in whatever shape or form it may come.

I hope this preview has given you an appetite to discover the exhibition in its entirety. Hurry, few tickets remain available!

Other highlights to discover include:

TEFAF Maastricht: The Jewellery & Watches That Stole the Show

Posted on March 20, 2025August 13, 2025 by Liz Bailey

The European Fine Art Foundation, or TEFAF was founded in 1988, and holds two major international fairs per year, the TEFAF New York, covering Modern and Contemporary Art and Design, as well as its flagship event, the TEFAF Maastricht, which ran from 15^th-20^th March this year.

TEFAF Maastricht showcases 7,000 years of art history and provides international dealers and collectors with the opportunity to present and acquire fine and museum quality works, including paintings, sculpture, furniture, collectables, books, and of course – fine jewellery and watches.

If, like me, you have missed your first-class ticket to New York this week, here are my ‘top picks’ of the pieces on display at this year’s fair.

Surely one of the jewellery ‘headliners’ at this year’s fair is of course Van Cleef & Arpels, who were exhibiting around 30 pieces available to purchase from their heritage collection. A collection I would personally love to see, the selected pieces reflect the maison’s impact and excellence in 20^th century jewellery design.

The Orsay Bracelet, a platinum ruby and diamond bangle with VCA’s signature ‘mystery setting’ – an innovation in the 1930s of setting stones with seemingly no metal holding them in place – and a brand hallmark that continues into present collections. This bangle dates from 1994.

Another masterpiece on display is a platinum, turquoise and diamond necklace from the 1950s. Dating to circa 1955, this exquisite piece reflects the brand’s appreciation for jewellery history, decorated with floral garlands and a graduated design, and of course fine turquoise drops.

Epoque Fine Jewels from Belgium were also at the fair, exhibiting an incredible Art Nouveau gold, diamond, enamel and glass choker by René Lalique. Dating to circa 1905, this exceptional choker necklace is interspersed with Lalique’s wonderful glass panels moulded with thistle flowers and accented beautifully with a rich yellow gold setting, brown enamel border and sparkling diamond detailing. This was a real treat to see in person!

Contemporary jewels to really catch my eye from the fair are on offer from Hemmerle, Feng J and Margot Mckinney. Hemmerle are previewing a pair of beautifully naturalistic pinecone earrings cast in copper and white gold, and accented with natural pearls and diamonds. Meanwhile, Australian fourth generation jeweller Margot McKinney has a typically vibrant, vivid and colourful collection of jewels that encompass a wonderful exuberance and joy- it is hard to pick a favourite!

Somlo London of Burlington Arcade have on display two beautiful Patek Philippe pocket watches, each exceptional in their own right, with an option for him and for her.

The first is an 18ct gold Perpetual Calendar hunter pocket watch with equation of time. This fine timepiece dates to 1982, and is double stamped with Patek Philippe, and the retailer of the piece, Beyer of Zurich. A sophisticated, and complicated timepiece, this watch displays the difference between mean solar time, or our conventional time, and true solar time, based on the actual position of the sun. Owing to the Earth’s orbit, this discrepancy can fluctuate throughout the year, and is reflected in the -15 and +15 subsidiary scale to 12 – now how many watches can do that!

My second selection from Somlo is this beautifully decorated Patek Philippe fob watch, crafted circa 1889. Cased in 18ct gold and detailed with split pearls, this fob watch is hand painted to the case back with an enamel portrait of Saint Fabiola, an early Christian Saint.

So there we have it, my round up of the TEFAF works and exhibitors to keep on your radar, whether you are lucky enough to attend this international event, or, like me, will be looking on enviously! Let us know which pieces have caught your eye!

To arrange a jewellery valuation contact us on 01883 722736 or email [email protected]

The Perfect Jewellery Gift for Valentine’s Day: Iconic Pieces They’ll Love

Posted on February 5, 2025August 13, 2025 by Helen Doyle

Valentine’s Day is celebrated annually on 14th February and has a surprisingly complex and layered history, blending ancient Roman traditions with Christian beliefs and medieval romance.

By the Victorian era, Valentine’s Day became a widely celebrated occasion, with flowers becoming common traditions. Today, Valentine’s Day is a global holiday expressing love and affection through various gestures and celebrations. There are also variations of the holiday including Galentine’s when one can celebrate friendships.

However you choose to celebrate, there is no getting away from the fact that it is fast approaching. With that in mind I am here to provide you with some expert guidance on how to choose the best items of jewellery this Valentine’s, for the one you love.

Tiffany & Co.

Arguably the most romantic of jewellers in the world, we couldn’t write about Valentine’s Day without mentioning Tiffany & Co., particularly a Tiffany & Co. engagement ring.

In 1887, Charles Lewis Tiffany, founder of Tiffany and Co., acquired an exceptional fancy yellow diamond from a mine in South Africa and it is known as The Tiffany diamond. It has been displayed in various settings throughout its history, with its most notable appearance as a pendant on a diamond necklace worn by Audrey Hepburn during a promotion of Breakfast at Tiffany’s in 1961.

The diamond, originally weighing 287.42 carats in its rough form, was sent to Paris where Tiffany’s chief gemmologist, Dr. George Frederick Kunz, cut the fancy yellow diamond into a beautiful, brilliant cushion-cut. It was here where Tiffany’s remarkable association with exquisite diamonds began.

Nowadays Tiffany & Co. is known to produce the most iconic engagement rings in the world, with the most popular style being The Tiffany Setting, distinguished by its 6 prongs/claws. This arrangement elevates the diamond well above the band allowing maximum light to enter the stone from all angles, therefore enhancing the diamond’s natural brilliance and sparkle and minimizing the amount of metal covering the stone. It is also held on a simple plain band ensuring that the diamond remains the centrepiece. Sales of the Tiffany engagement ring equate for 26% of their total sales. This remarkable success can be attributed to the iconic status of the brand, particularly the legendary Tiffany Setting introduced in 1886.

The price of a Tiffany Setting ring ranges anywhere from a few thousand up to six figure sums depending on the quality of the diamond.

The 1.65ct diamond single stone ring above has an insurance value of £75,000

Cartier Love bracelet

Nothing says love like a Cartier love bracelet. Created in 1969 by Italian jewellery designer Aldo Cipullo for Cartier, the bracelet was born as a unisex ‘modern handcuff’ with Cartier making the radical decision to leave the functional or decorative screws visible.

Its oval shape means it sits tight around the wearer’s wrist, and its physically screwed on to signify the permanence of true love, since two people are needed to secure the screws. The Love bracelet has become a symbol of love and commitment due to this design.

Today the bracelet is just as popular and it is rumoured that New York hospitals keep mini Love screwdrivers on the wards, in case they need to remove the bracelet in an emergency.

Its longevity and success is down to the design, according to Pierre Rainero, Cartier’s director of image, style and heritage. “For me, the Love bracelet is a success worldwide since it was created because of a combination of many different dimensions – first design, and second, symbolism. The design is linked to its meaning, because the screw, is the meaning of the object and the symbolic value is immediately visible through the very simple idea,” he explains. “The Love bracelet has become a permanent staple in modern style.”

Nowadays, the Cartier Love bracelet is seen on the wrists of many famous celebrities, including the Duke and Duchess of Sussex sporting matching Love bracelets on the cover of TIME magazine in 2020, while Meghan has been spotted wearing hers on numerous occasions over the years.

This year Cartier have released a brand-new Love Bracelet with a width of 4.8mm it the medium size with a slimmer and thicker versions available. This new version has an insurance value of £5,850.

Van Cleef and Aprels Alhambra

The Van Cleef & Arpels Alhambra collection is seen as a symbol of enduring femininity, luck and love. It was in 1968 when the brand’s designers were captivated by the four-leaf clover motif and incorporating Art Deco influences, they created the iconic Alhambra pendant, with the initial design featuring a stylised quatrefoil shape set with mother-of-pearl.

It quickly gained popularity and over the years, the collection has expanded to encompass various interpretations of the Alhambra theme: bracelets, necklaces, earrings, rings and even watches, all adorned with gemstones and precious metals like mother-of-pearl, onyx, carnelian, turquoise, and diamonds.

De Beers Talisman

The De Beers Talisman collection is a line of fine jewellery that prominently features rough diamonds, highlighting their raw beauty by juxtaposing them with polished diamonds, creating a unique aesthetic that celebrates the natural, unrefined quality of rough stones, while still showcasing De Beers’ expertise in diamond cutting and setting.

The collection often utilises their “serti poinçon” technique to encapsulate the rough diamonds in the metal, giving them a distinct appearance.

The unisex collection is enjoyed by men and women.

Ruby

Rubies have been treasured throughout history for their beauty and symbolic meaning of passion, love, power, protection, and good luck. They feature prominently in royal crowns, ancient artifacts, and works of art. Fine rubies are gemstones prized for their vibrant red hue, intense brilliance, and enduring beauty.

They belong to the corundum mineral family, which also includes sapphires. Their mesmerizing red colour comes from trace amounts of chromium in their chemical structure. The most desirable rubies exhibit a vivid “pigeon’s blood” red – a rich, saturated hue with a hint of blue undertones. Other shades include purplish-red, orangish-red, and brownish-red, but the “pigeon’s blood” remains the rarest and most sought-after. It is the colour, clarity and origin which can contribute to a rubies value along with a lack of any lab treatment. Large fine natural examples with good colour can command very high prices.

Locations, like Myanmar (Burma), Madagascar, and Mozambique, are known for their exceptional quality.

No matter what gift you give or recieve this Valentine’s Day, ensure that you get it accurately valued for insurance purposes by calling us on 01883 722736 or emailing us on [email protected].

Slow and Steady? The Enduring Appeal of Cartier’s Tortue Wristwatch

Posted on November 13, 2024November 22, 2024 by Liz Bailey

French for ‘Turtle,’ the Cartier Tortue gets its name from its distinctive tortoise shell shaped case. The Tortue was Cartier’s third ever watch case design, predating even the ever-popular Tank. Louis Cartier had just introduced the Santos-Dumont in 1904 and the Tonneau in 1906 when he designed the Tortue in 1912.

Cartier’s First Ever Chronograph

The Tortue started out as a time-only watch but in 1928, both a minute repeater and a single-button chronograph were introduced. The Tortue Monopusher was in fact Cartier’s first ever chronograph timepiece. These early pieces are incredibly rare, and less than fifteen pieces have ever surfaced on the open market. In 2002, Antiquorum sold a 1929 Cartier Tortue ref. 20797 – a rare example of a minute repeating watch and at the time thought to have been the only minute repeater made by Cartier during the Art Deco period. This piece set auction records, and achieved a hammer of CHF 993,500, or £877,871.50. Two years later in 2004, Antiquorum unearthed and sold a 1928 example of a Tortue Minute Repeater ref. 20797 and this piece achieved $640,500.

Throughout the 20th century, Cartier have produced many variations of the Tortue, in steel, yellow gold and platinum. Popularised as a ladies watch and gaining celebrity fans such as Cate Blanchett and Patti Smith, these watches have been available to purchase on the secondary market, performing steadily on an upwards trajectory.

For example, the Cartier Tortue reference 2496C which was produced from 1998-2008 is a time-only, 34mm, 18ct yellow gold watch with silvered dial and classic Cartier dial with Roman numeral markers, chapter ring and blued steel Breguet style hands. According to Chrono 24, the average value of this watch took a typical post-covid dip from those dizzy heights in watch collecting, however has been steadily increasing over the last 18 months, with the average sale figure on the secondary market now sitting at £12,500 (rising from a modest £5,000 pre-covid).

Re-imagined and launched at this year’s Watches & Wonders, the 2024 Privé Tortue is the eighth instalment in Cartier’s latest Privé collection. Celebrating 112 years since the inception of the original Cartier Tortue, the maison introduced a collection of time-only and more excitingly chronograph Privé Tortue models, each limited to 200 numbered pieces – except for a diamond and platinum monopusher (or monopoussoir in French) watch limited to 50 pieces.

Model	Production Quantity	Price at Watches & Wonders 2024 (Source: Hodinkee)
Platinum Privé Tortue Monopoussir Watch	200	€53,000
Yellow Gold Privé Tortue Monopoussir Watch	200	€46,000
Platinum Privé Tortue Watch	200	€31,100
Yellow Gold Privé Tortue Watch	200	€27,900
Platinum Diamond Privé Tortue Watch	50	€67,735 (£56,500, Source: Cartier)

With production numbers limited and many models already sold out – at the time of writing only the platinum diamond Privé Tortue and the platinum Privé Tortue were still available to purchase new from Cartier – it will be interesting to see the rise in value for these timepieces, particularly the Monopoussir references with their sleek classic design, impressively ‘simple’ one button chronograph complication and distinctive red ruby cabochon crown.

In what remains an ever-changing market, current and up-to-date and specialist watch valuations are incredibly important to ensure that your collection is adequately covered. For an insurance valuation of your collection from our specialist, nationwide team, contact our team via [email protected] or visit our website www.doerrvaluations.co.uk.

Designer Jewellery Trends – An Upward Curve?

Posted on April 2, 2024August 13, 2025 by Liz Bailey

There is no doubt that values in the designer jewellery field have seen uplifts in the past few years. A unique combination of the Post Pandemic luxury goods ‘boom’, an exponential rise in social media influences on buying patterns, wider inflation and bullion prices have all contributed to an incredibly buoyant and enduring atmosphere.

Similarly to the trends seen over the last couple of years in the watch market, particular designer jewellery brands saw a huge increase in popularity, visibility, and subsequent demand on the secondary market, with only a slight respite towards the end of 2023 (Reuters).

Coupled with retail prices ever increasing, the value of these ‘hot’ designer items have been pushed up on the secondary market. Value factors include condition, whether the piece has its box, and the perceived popularity or rarity of any gemstones used in the design.

Cartier

Whilst Cartier’s growth in the retail sphere appeared to be easing towards the end of last year, share prices and figures released in January 2024 display a definite upward curve driven by demand in Asia. This healthy overall trajectory has filtered down to the secondary market, with Cartier items at auction demonstrating a strong sales rate and frequently exceeding estimate.

‘Love’

The last retail price increase for Cartier was implemented in early 2023, with prices rising from anywhere between 3% to over 10%. The most sought-after and iconic collections naturally increased the most, with Pursebop estimating the retail price of an 18ct white gold Love Bracelet set with four diamonds increasing 7% to £12,200.

The Cartier ‘Love’ bangle is one of the most popular items of jewellery ever designed. Created by Aldo Cipullo in 1969 and were referred to as a ‘modern love handcuff,’ only removable with the help of a mini screwdriver.

Worth noting that some designs, including Aldo Cipullo original LOVE jewels from the 1960s onwards will always command a premium for their place in the brand’s design history. Another 1960s design by Cipullo to continue to grow in retail price is the Juste Un Clou, with a ‘small’ diamond set bangle selling for £4,850, and a diamond-set choker necklace now retailing at £105,000.

Cartier Trinity

This year, to celebrate 100 years of the Trinity Collection, Cartier has released two new designs, a re-edition of the XL bracelet and an XL version of the iconic ring. Maintaining the timeless appeal and enduring relevance of this beautiful collection has seen values continue to rise over decades, resulting in a classic collection that is still coveted a century after its creation.

Van Cleef & Arpels

Another designer jewellery brand under the Richemont umbrella is Van Cleef & Arpels. Van Cleef & Arpels was established in 1895 following the marriage of Estelle Arpels, daughter of a dealer in precious stones, and Alfred Van Cleef, son of a lapidary. Creating masterpieces such as the ‘invisible setting,’ the minaudière, and the zip necklace, this iconic jewellery house is perhaps best known in present times for the ‘Alhambra’ collection. Indeed, according to statistics by retailer Watch Pilot, in 2023, the Van Cleef Alhambra bracelet was the most Google searched item of jewellery by category.

VCA Alhambra

Designed in 1968 by Jacques Arpels to be symbolic for luck, the Alhambra Collection is designed around a series of quatrefoil ‘four leaf clover’ panels. Varying in designs with quantity, size, and gem material, these beautifully set clover shapes are truly emblematic of the brand. Worn by royalty and celebrities to include the likes of Princess Grace of Monaco, Elizabeth Taylor, Kate Middleton and many more, the Alhambra collection possesses a truly timeless appeal.

Since 2022, the retail price for an 18ct gold Alhambra bracelet with five mother of pearl motifs has increased by 5.3% to £3,950.

At auction, the Van Cleef Alhambra pieces that well exceeded estimates were limited edition runs and unique pieces that were impossible to procure from the retail market.

One such example was a striking collar necklace, formed from openwork Alhambra links in 18ct yellow gold, selling at Bonhams in 2022 for £50,000 against a £12,000-15,000 estimate.

Boodles

Boodle & Dunthorne was established in Liverpool in 1795, gaining a reputation as one of Britain’s finest jewellers. Rebranding to ‘Boodles’ in 2004, this coveted brand has designed several sought-after jewellery collections that continue to enjoy increases in value as the years go by. Collections such as the Velocity, Blossom, and Raindance are all designed and handcrafted in-house from Boodles’ workshops in the heart of London.

Raindance

Designed in 2000 and inspired by a trip to the Chelsea Flower Show in which Head of Design Rebecca Hawkins admired the way light played on raindrops, the Raindance Collection is seen as one of the brand’s most iconic collections. Indeed, the Victoria & Albert Museum has a Raindance ring on display as part of their ‘Best of British Design’ permanent exhibition.

Featuring a series of collet set diamonds in varying sizes and angles, these beautiful jewels are retailing from £3,400 for a single band set with three circular rubies or sapphires and a pair of brilliant cut diamonds. At the top end of the spectrum is the Raindance ‘Chelsea’ bracelet, set with over 15 carats of colourless and fancy pink diamonds at £134,400.

Celebrating its 20th anniversary in 2020, Boodles released a limited-edition ring, set in platinum and 18ct rose gold with colourless and Argyle pink diamonds. Varying in carat weights, these limited edition pieces will continue to grow in value and hold their own at auction. In 2023, one such example with approximately 2.80cts of diamonds sold at Tennants Auctioneers for £19,000. Meanwhile, a version of the design on Boodles website set with 4.25cts is available for purchase at £84,000.

To conclude, exquisitely constructed and expertly finished jewellery will always possess a value, and continue to rise according to demand, popularity and inflation over time.

Although trends and fashionable collections will alter and vary over the years, items from the premier jewellery houses, in good condition and with original boxes will retain a demand from collectors, designer jewellery lovers and indeed those new to the market. Pieces that possess an unusual or rare aspect, such as an early piece from the collection, limited edition runs, and unexpected gemstones can expect to exponentially increase in value over time.

With the clear discrepancy between open market value and retail replacement value, it is essential that clients are equipped with adequate cover for their items. For a specialist, informed and up to date valuation of your jewellery collection, contact our experienced, nationwide team at Doerr Dallas Valuations.

To arrange a jewellery valuation, call us on 01883 722736 or email [email protected]

Cartier and Tiffany rocked at the Golden Globes…

Posted on January 16, 2024June 11, 2025 by Aurélia Turrall

“It’s the most wonderful time of the year…” and I don’t mean Christmas. My favourite time of the year is now, for all the red carpet gowns and jewels. So many impressive pieces displayed at this year’s Golden Globes. This year, I take a look at the two usual suspects that never miss: Cartier and Tiffany & Co., both symbols of chic and glamour, using the finest craftsman and precious gems.

One of my all time favourite actresses is Jennifer Lawrence, and she was faultless with her “simple” velvet gown and diamond-set Tiffany & Co. jewels.

The necklace was composed of a series of princess-cut diamonds, suspending to the front an 11 carat diamond pear-shaped drop. Her earrings were decorated with a total of 6 carats of untreated blue sapphire and diamond surround, mounted in platinum and 18 carat yellow gold. She matched these with a diamond ring and nothing too big which could distract from the Dior clutch.

It was a big year for singer/songwriter Dua Lipa, with a nomination for Best Original Song for the Barbie movie.

She dazzled the crowds with a 1962 gold and platinum Tiffany & Co. necklace. It is set throughout with oval, pear and briolette-cut yellow beryls and brilliant-cut diamonds. A similar piece, dating from 1967, sold in June last year, 2023, at Christie’s for USD $189,000, set with approximately 86 brilliant-cut diamonds, weighing 7.00 carats.

The singer completed her look with a yellow sapphire and diamond cluster ring.

Another very talented singer/songwriter is Jon Batiste. He was superb with a few Tiffany & Co. jewels which sparkled on his Dior suit.

The necklace is from the HardWear collection. It is set throughout with fancy links, each set with brilliant-cut diamonds and mounted in 18 carat yellow gold. This necklace currently retails for £70,000. However, there are several other options retailing from £550 mounted in silver, to £215,500 set with diamonds and mounted in rose gold.

A lovely addition to the necklace was the platinum and 18 carat gold Starfish brooch by Jean Schlumberger for Tiffany & Co. It is decorated with a three carat aquamarine and diamond surround. The Starfish collection ranges from silver, selling for £365, to yellow gold, retailing at £3,450.

While Tiffany & Co. draped several artists, Cartier High Jewellery was the brand of choice for actress Julianne Moore.

She wore a spectacular gold and petrified wood necklace of reptile inspiration. Composed of 57 links, each set with white and yellow diamonds.

Echoing that style of individual panels is the Panthère de Cartier necklace set with almost 2,000 white, orange, yellow and brown diamonds, totalling just under 40 carats. A truly unique piece and a statement to Cartier’s savoir-faire.

The Panthère collection has several options of bracelets, watches and necklaces.

The actor Jared Leto, usually known for taking daring fashion risks, wore a simple 18 carat white gold and diamond Panthère de Cartier necklace.

It is set with two emerald eyes, 309 diamonds, weighing a total of 3.24 carats and highlighted by calibré-cut onyx. It currently retails for £78,500.

The Panthère collection is as desirable as ever and Cartier will always be a go to jeweller for any red carpet event.

Oscars 2023, Dazzled by Snakes, Green Gems and Timeless Chic

Posted on March 21, 2023January 3, 2025 by Aurélia Turrall

Bvlgari strikes again with their Serpenti collection wrapped around Angela Bassett, Cara Delevingne and the outstanding screenwriter Phoebe Waller-Bridge.

Angela Bassett wore matching diamond-set necklace and bangle by Bvlgari, mounted in 18ct white gold. A similar necklace was sold at Sotheby’s in November 2021 with an estimate of CHF 220,000 – 325,000. The necklace set with approximately 70 carats of diamonds sold for CHF 252,000 (approximately £230,000).

Bvlgari retails a diamond-set bangle in white gold for £81,000 and is set with just under nine carats of diamonds.

Simpler versions of the bracelet can be found in yellow or rose gold for £5,300.

Matching her Dolce & Gabbana gown, Phoebe Waller-Bridge wore a diamond and emerald-set Serpenti necklace mounted in rose gold.

Bvlgari currently retails a rose gold diamondset Serpenti Viper necklace in rose gold for £45,900, with 4.41 carats of diamonds.

One of the show stoppers of the evening was stunning Cara Delevingne. In the style of Old Hollywood, she embodied chic and glamour in an off the shoulder Elie Saab gown with bow and high leg slit.

The outfit was completed with diamond and emeralds in the form of Serpenti threestrand necklace matching bracelet, Serpenti Seduttori earrings and ring.

From the same Seduttori emerald and diamond collection, a ring currently retails for £12,700. The coiled body is set with 0.57 carat of diamonds and the eyes are highlighted by 0.20 carat pear-shaped emeralds.

Moving away from the Serpenti collection was the appearance of the Diva’s Dream jewellery collection worn by Rainsford Qualley, Andie MacDowell’s daughter.

Chic and understated, the earrings are set with mother-of-pearl and mounted in white gold. The Diva’s Dream mother-of-pearl earring range is priced from £2,130 to £2,760 with a diamond surround.

For those not adorned in Bvlgari, exquisite green-gemmed jewellery certainly made a statement on the red carpet.

Sofia Carson wore a superb Chopard emerald and diamond necklace featuring seven octagonal-shaped emeralds totalling 122.49 carats along with 92.57 carats of pear-shaped, marquise, baguette and brilliant-cut diamonds set in white gold jewellery from the brand’s “Haute Joaillerie Collection.”

Fellow actress Jessica Chastain also opted for Haute Joaillerie collection from Franco- Italian designer Gucci, complementing the strapless sequined gown also by the designer. However, unlike Sofia Carson, the green gems were not emeralds but tsavorites, a form of garnet, 80 carats worth.

Other famous jewellery designer to include the green gem in its design is Cartier, with the famous Panthère collection.

This diamond, onyx, and tsavorite garnet necklace was sold for GBP 37,500 at Sotheby’s in June 2016.

Cartier was certainly a contender for the most jaw-dropping piece of jewellery of this 95th Award ceremony with a large pear-shaped yellow sapphire worn by Deepika Padukone.

Though yellow sapphires are less expensive than yellow diamonds, they are nonetheless breathtakingly beautiful and perfectly accentuate any black outfit!

Understated? Perhaps not quite, but maybe more subtle than the Serpenti collection, the yellow sapphire necklace by Cartier was my winner for this year’s Oscars. Not to say I would turn down being draped in Bvlgari Serpenti jewels to accept my award for best screenplay!

This might just be one Diva’s Dream but then anything’s possible in Hollywood, so carry on dreaming…

Princess Catherine’s jewellery

Posted on January 9, 2023January 15, 2025 by Aurélia Turrall

From Everyday Mum To Future Queen, A Jewel For Every Occasion

It all started with a proposal…

One of the most famous items of jewellery the Princess of Wales has come to possess, is the “Royal Blue” sapphire engagement ring, which belonged to her mother-in-law, the late Princess Diana. It is probably the most famous sapphire, weighing 12 carats and set within a surround of brilliant-cut diamonds.

In 1981, chosen by the then Prince Charles, for Diana, from the official royal jewellers Garrard, the sapphire ring cost £50,000. Because of the provenance and history of the ring, it has become a priceless piece of jewellery, but one could estimate its current price to be around £500,000.

The world’s most expensive sapphire to sell at auction was sold at Sotheby’s Hong Kong on the 7th October 2015. It weighed 27.68 carats of natural Kashmir origin and made $6,702,564, $242,415 per carat.

For her wedding, Queen Elizabeth II lent the Cartier Halo Tiara to the Duchess. It was made in 1936 and comprises of 739 brilliant-cut diamonds and 149 baguette-cut diamonds, and it was purchased by King George VI (then still Duke of York) for his wife, Elizabeth (who we all know better as the Queen Mother), which she wore to a charity ball at Claridge’s in London, their first gala outing since the official ending of the lengthy court mourning period for the late King George V.

To match Catherine’s engagement ring, the Duke of Cambridge gifted a pair of sapphire and diamond cluster earrings from his mother’s personal collection. The Princess simply had them altered to be drops rather than clips.

The Princess is often seen combining her engagement ring with a classic 33mm Cartier Ballon Bleu wristwatch. Mounted in stainless steel, it is decorated with Roman numerals, fluted crown with a synthetic spinel cabochon, silvered guilloché opaline dial, blued-steel sword-shaped hands, sapphire crystal and steel bracelet. It currently retails for £5,400.

When Catherine gave birth to Prince George, Prince William gifted her the Eclipse diamond ring by Annoushka. It is set with 0.23ct total of diamonds and retails at £1,500.

She wears it in combination with her engagement ring.

For the arrival of Princess Charlotte, the then Duke of Cambridge this time choose another designer, Kiki McDonough, and gifted the Duchess a pair of green tourmaline and green amethyst drop earrings.

She was first spotted wearing these during the couple’s tour of India in 2016. Though these were made-to-order for the Princess, you can currently get a pair of similar earrings (below) from the designer for £3,700. These are green amethyst and diamond earrings, mounted in yellow gold.

The Princess owns several pieces by the designer: 18 pairs of earrings and three necklace to date.

Here are some examples:

The Princess has jewellery for every occasion, as can be expected. Her everyday jewels include the above by designer jewellers, but Catherine also favours high street jewellery, such as the below by Accesorize.

These are no longer available but can be found on eBay ranging from £48 to a whopping £96.96 (plus £10.77 for postage!).

It was rumoured that when Prince Louis was born, the Prince gave Catherine a citrine ring, but it was discovered by fans that the Princess had previously worn it in 2008 while celebrating her birthday.

The ring is beautiful and has meaning for the Princess. She was also seen wearing it for the premiere of the last James Bond film, No Time to Die, to match the golden sequinned gown by Jenny Packham.

Perhaps my favourite dress worn by the Princess.

When the Princess is not at a red carpet event or formal gala, the mother of three has been seen to wear a necklace by Spells of Love retailing for £85, suspending three medallions with the initial of each child.

Catherine also wears a Merci Maman necklace gifted to her by her sister, Pippa, after the birth of Prince George in 2014.

For more formal wear, the Princess has been seen wearing brooches, tiaras and exceptional necklaces, such as the four-row pearl chocker, created using a collection of cultured pearls gifted to the Queen by the Japanese government which Catherine wore to Prince Philip’s funeral in April, 2021. In mourning, the Royals don’t wear colour, so pearls are pure, white, and unflashy. This tradition comes from Queen Victoria, who did not want to wear any colour following the death of her husband Prince Albert.

The late Princess Diana also wore it to a state banquet in the Netherlands.

A very sombre then Duchess of Cambridge wore the historical chocker for the Queen’s funeral earlier this year.

The Princess combined the tiara worn by the late Princess Diana (above) with her engagement ring of course but also the Royal Family Order brooch, representing the late Monarch within a diamond surround.

The tiara, called the Lover’s Knot tiara, was lent to Diana as seen below, then went back to the Queen, and upon her passing, is now worn exclusively by Princess Catherine.

Several of Queen Elizabeth’s II jewels will have been passed down to the Queen Consort and several to Catherine.

Recently, the Princess wowed us with this stunning emerald and diamond choker. She stepped out at the Earthshot Prize Awards in Boston in a bright green gown by Solace London, paired with an emerald-and-diamond choker, once owned by Princess Diana. The choker itself was first owned by Queen Mary in 1911, and later presented to Diana as a wedding gift to Prince Charles in 1981.

In this year’s Christmas pictures, the Princess wears a pair of ruby and diamond cluster earrings, made by Soru in Turkey, and retail for £145.

Whatever the occasion, Princess Catherine never disappoints with her exquisite outfits and matching jewellery. And on this special occasion, I wish her a very Happy Birthday.

Fluctuations of the market in the last few years

Posted on December 2, 2022January 15, 2025 by Aurélia Turrall

As with every market, jewellery prices will inevitably fluctuate, though I can’t say I’ve seen the price of precious stones go down in the last few years. Seen as a commodity by some and as a treasure by others, it’s important to understand the cost of remaking a unique piece of jewellery. It will be dictated by global demand for diamond (or other precious stones), gold, silver, palladium and other alloy metals and stones.

High worldwide demand for palladium – due to its key importance in the development of renewable energy – inevitably increases the cost of gold – based items of jewellery. Because of its softness, gold used in jewellery is mixed with alloys. Alloys are other metals, such as zinc, copper, nickel, iron, cadmium, aluminium, silver, platinum and palladium. This mix then alters its appearance, hardness and melting point. Palladium is a chosen favourite as an alloy metal. At today’s value, the scrap value for palladium is £41/gram compared to £21.50/gram for platinum, which then impacts gold jewellery pieces.

As an example, this 9ct gold gate bracelet with heart locket was estimated £70-£100 by Bonhams in 2005. Today’s estimate would most likely be £200-£300.

Designer pieces with diamonds are affected in a similar manner.

This diamond and gold bracelet by Kutchinsky (above) sold at Bonhams for £1,553 (including premium) in 2005.

A similar item by the same designer (below) sold for £2,550 (including premium) in 2019.

For insurance purpose, the above bracelet would receive a value of £8,000 as at 2022.

Coloured stones have also seen an increase in price.

This emerald and diamond cluster ring is set with an emerald weighing approximately 5.20 carats and approximately 1.15 carats of diamonds. It was previously valued at £42,000 in 2011 for insurance purpose. Eleven years on, it is now valued at £65,000.

One could try to apply generic inflation percentages as a tool to update valuations, however this is incorrect and will often lead to your jewellery being under or overvalued. In the case of the above ring, a formula trying to reflect inflation would be detrimental to the value of the ring.

Valuing jewellery should always be case by case, as some signed vintage pieces will increase over the years, but not at the same rate as precious gemstones for example. The market for an Art Déco Cartier wristwatch (as below), though rare, has a smaller market of potential buyers and sellers. Comparatively to coloured stones, the value for this wristwatch will never exceed a certain plateau. This watch currently retails for £35,000.

A similar wristwatch by Cartier (below) sold at Bonhams in 2017 for £16,250 (including premium) and would have most likely received an insurance value of £23,000.

Diamonds on the other hand continue to escalate at a steady pace.

These diamonds earstuds (above) are 4.01 carats and 4.04 carats respectively. They were valued for insurance purposes at £300,000 in 2012 and are now valued at £360,000.

The same applies to contemporary signed pieces such as the Alhambra collection by Van Cleef & Arpels.

The mother-of-pearl Alhambra necklace by Van Cleef & Arpels was sold for £9,950 less than ten years ago and now retails for £15,800. A steady increase reflecting world demand for durable contemporary and elegant jewellery by a reputable designer.

The jewellery market is not exempt from worldwide affairs and economic changes, but it will always have an added unquantifiable value: emotional value. Jewellery can be seen as an investment, but it still predominantly remains a purchase of pleasure and luxury, whichever gem or metal one chooses and whatever happens in the world.