Getting to the root of it – woods in furniture

Wood is one of the greatest resources that mother nature has ever given us, from buildings, ships, cars, paper, its uses are pretty much universal. There is nothing involved in our everyday lives that doesn’t involve wood, and that may well be a unique quality.

In our world, and fairly low on the food chain in terms of global importance, is furniture. We all know that wood has been used since the dawn of time for making chairs, benches and many other items that make us more comfortable, but what woods have been used, and why?

Mahogany

Possibly the term that you will see the most when it comes to antique furniture, for the most part of the 18th and 19th centuries, it really was the most popular material for quality furniture. Mahogany is actually a term for three types of wood in the Swietenia variety of trees, comprising the San Domingo, Cuban, and Honduras, with a significant amount of this wood originally coming from Jamaica and the South Americas. Many of the pedigree woods are now covered by CITES regulations and subsequently modern items are made from crossbred trees that create very similar woods. Identifying mahogany is slightly tricky as there are so many variations, but the general appearance is that of a reddish brown material with fine grains, and next to no voids or pockets.

Walnut

Before mahogany and the ability to transport wood across the seas, walnut was one of the most valuable woods used for furniture construction. Elizabethan documents indicate that walnut wood, specifically from France, was regularly used in the construction of the most majestic pieces across the land. Following a particularly bad winter in 1709, the French actually blocked any exportation of the wood in order to protect it from foreign hands, which is where we start to see an influx of walnut veneers upon lesser quality wood bases, it is also where the very attractive polished burr varieties became popular. In some ways it is a similar wood to mahogany put with a more buttery colour, and with a swirling grain. The burr varieties can be found with an even more pronounced colouration, spots and pockets.

Oak

Possibly the most symbolically English tree in existence, the oak has been used since the middle ages in furniture making and one of the only woods on this list not originally used for its appearance, but its sheer practicality and useability. The wood itself was always considered more of a working wood with items made in the material known as ‘Country pieces’ with 18th century items often made in different woods, the oak being the cheapest. However, in the 20th century a resurgence in popularity in oak caused many reproduction pieces to be made, and also interesting pieces made by new designers such as Mouseman of Kilburn. Identifying oak is a lot easier than most woods, considering the nature of the wood, it is usually seen in more simple items with a heavy grain and uniform colour.

Rosewood

One of the true superstars of antique furniture, rosewood has been used for elaborate pieces of furniture for centuries and as such some of the most expensive pieces of furniture from certain periods, often seen as an upgrade from a standard mahogany piece, its rich deep brown hues really do capture the style of certain pieces. Also, some of the best Scandinavian mid-century pieces are made in rosewood, which leads to a certain problem that the industry has recently had to deal with. The Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) has declared certain type of rosewood as an ‘Endangered Species’, meaning that certification may be needed in order to sell, or even insure some pieces.

Exotic & other woods

Of course, there are as many different types of woods as there are trees – we see many pieces of 19th century continental furniture in fruitwoods, which generally are a lovely rich orangey colour, but with a lot of grain and inconstancies.

Pine, which is without any doubt the best material for a kitchen table ever thought of, with red wine stains and children’s pen marks always adding to the patina.

Ash, Beech, Maple, Yew, Teak, Elm… the list goes on with many woods being exclusive to certain types of furniture or locations, but with so many different types to explore.

While some furniture values in the last twenty years may not have proven to be an escalating asset, the top levels of antique furniture continue to soar in value to the right client.

 

Read more articles by Alastair Meiklejon.

Pick of the week highlights of the Bonhams jewellery sale

I had the pleasure of viewing the upcoming jewellery sale at Bonhams on New Bond Street this week. I received such a warm greeting from an old colleague at the front desk, and proceeded to head to the viewing room. Now, some might say they are too scared or intimidated to walk through these halls, let alone have the audacity to look at a jewellery sale on display. But here’s the secret… It’s open to everyone! And you should take advantage of these viewings. Think of it as a free museum entrance with endless exhibitions of exceptional goods, which have been, more often than not, hidden away from the public for generations.

I had the pleasure of being shown some highlights of this 118 lot sale.

These included a pair of Castellani sapphire bracelets from 1865.

These bracelets of Byzantine inspiration really are beautifully made. Castellani is one of the best when it comes to archaeological revival style jewellery and these pieces are no exception. “To have one bracelet is wonderful but to have two is very rare” said Jean Ghika, Global Head of Jewellery. With an estimate of £25,000 – 35,000, I am sure they will find a new home.

Still in the antique jewellery section of the sale are these spectacular “Night and Day” diamond earrings.

Still in their original box, these earrings can be altered depending on the mood. One can wear the diamonds for a dash of dazzle or cover them up with the cannetille beads. It is an extraordinary piece and statement to earlier craftmanship. They have an estimate of £12,000 – 18,000.

It should come as no surprise that my eye was immediately drawn to an early 20th century Cartier piece: an enamel and diamond fob watch circa 1910.

The delicate purple guilloché enamel is highlighted by a central diamond and a diamond border. The reverse is everything that makes Cartier watches: blue steeled hands, engine-turned dial and attention to detail. The very attractive estimate of £6,000 – 8,000 is bound to call out collectors.

Amongst the highlights is a sapphire and diamond cluster ring, circa 1890 with an estimate of £60,000 – 80,000. Why the price tag? That would be due to the origin of the sapphire: Kashmir with no evidence of treatment. Though a little abraided on the facet edges, a quick repolish would restore this stone and ring to its original glamourous state.

This piece shows once more the importance of getting gems certificated, as origin or colour and clarity can affect its value dramatically. This is even more apparent with the “Toi et Moi” blue and pink diamond crossover ring by Mouawad.

Both diamonds weigh a little over 5 carats, natural Fancy Intense Blue colour, VVS2 clarity and natural Fancy Purple-Pink colour, I1 clarity.

Bonhams says: “It is estimated that as little as 1 in 10,000 gem-quality diamonds extracted from the Earth’s crust show noticeable colour and of these stones, an exceedingly small percentage are blue or pink. The majority of these rare marvels of nature are under 2.00 carats in weight and stones exceeding 5.00 carats, are even rarer. Stones with high intensity colour grades such as ‘Fancy Deep’, ‘Fancy Vivid’ and ‘Fancy Intense’ are considered some of the most desirable colour classifications by GIA.” Due to its rarity the estimate for this ring is £1,000,000 – 1,500,000.

The Bonhams London Jewels sale that was held on 13th June garnered extraordinary results, with a total of £6,590,562, with 78% sold by lot.

This Week’s Jewellery Pick

This week I saw a lovely collection of antique jewels, dating from the mid-19th century. Mid-19th century felt ‘relatively’ close until I realised it was getting closer to being 200 years old rather than 100… If you’re like me, the 80s was still only 20 years ago! Enough revelation on how old I am and back to this beautiful collection.

The one piece which caught my eye was an onyx mourning brooch dated 1854.

The oval onyx plaque, measuring 4cm x 4.5cm, has an overlaid border of acanthus leaf gold detail, the central glazed compartment with a lock of hair within a surround of 31 seed pearls, in closed-back setting. The reverse was engraved with ‘In Memory of Henry Thomas, Sept 14th 1854, Oct 54 years & 11 Months’.

Though its value might be relatively low, around £500 for Insurance purposes and £200 for open market value, one can immediately sense the priceless sentimental value this piece had.

When Prince Albert died on 14th December 1861 of typhoid fever, Queen Victoria entered a state of mourning and wore black for the remainder of her life.

It was then that onyx became fashionable. The court was quick to follow the new strict “dress code”. With wars and epidemics, death was everywhere. The demand for hair for mourning jewellery was such that it is said an extra 50 tonnes of human hair a year was imported to England to meet the demand.

Though a very personal jewel, the demand for mourning jewellery is constant. The below items, comprising of two mid-19th century gold and enamel mourning brooches and an 1830s gold locket, sold at Bonhams for £1,000 (including premium).

Mourning jewels are both sad and a beautiful statement of the love someone has for a departed. Whether antique or new, it is a celebration of the life that once was.

Stay tuned for next week’s jewellery pick…