From the Course to the Cabinet: Golf’s Most Iconic Trophies

Posted on July 10, 2025July 10, 2025 by Fiona Hamilton

As we look forward to the forthcoming 153rd Open Golf Championship at Royal Portrush Golf Club, we’ve taken the opportunity to look back on last Summer when our silver specialist Fiona Hamilton, along with colleague Alastair Meiklejon, travelled to the prestigious Royal Liverpool Golf Club. Warmly welcomed by the fabulous team there, Fiona and Alastair had the honour of assessing the impressive collection of art and antiques in this historic venue.

Discussions regarding the forming of a new golf club in the area began in 1869. The Royal Hotel in Hoylake was the setting for a meeting hosted by James Muir Downie, and attended by a further twenty one gentlemen. All present agreed to the idea and Dowie was duly awarded the title of the first captain.

George Morris who was the brother of Old Tom, and Robert Chambers the son-in-law of Dowie, were tasked to lay out the original nine hole course in 1869, two years later saw this extended to 18-holes.

In the same year, thanks to the patronage of HRH Prince Arthur, the Duke of Connaught, The Club was granted its Royal designation.

The links land doubled as a golf course and a horse racing track for the first seven years, the legacy of which lives on with the original saddling bell still hanging in the clubhouse, and the names of the first and eighteenth holes being ‘Course’ and ‘Stand.’

Hoylake hosted its first Women’s British Open in 2012, the same year as the London Olympics. Due to the impact that the Olympics had, plans were changed, and The Open was moved to September. Despite miserable weather on the day, South Korean golfer Jiyai Shin was victorious.

Fast forward to 2023 and the RLGC hosted the 151st Open where American Brian Harman ultimately triumphed at Hoylake to take the title in a thrilling win.

On entry to the impressive clubhouse at Hoylake, one’s eye is immediately drawn to the splendour of the silver cabinets within the lobby. One of the highlights of which must be the replica of the famous Open Championship trophy, which takes the form of a claret jug. Retailed by the renowned firm of Mackay, Cunningham & Co of Edinburgh, and made in London at a scale of 90% of the original, the claret jug depicts a golfer in mid swing within a surround of chased and engraved stylised scrolling foliage and sits on triple plinth with silver plaques engraved with winners.

Before the production of the original Claret jug in 1873, winners were awarded The Challenge Belt. Commissioned by the Earl Of Eglinton in 1860, the belt is made of Moroccan leather with applied emblems and centred by a silver buckle depicting golfers at play.

In 1927 the R&A made the decision to retain the original Claret Jug where it is on permanent display.

Further highlights of the collection of RLGC include;

The Bombay Challenge cup

Weighing in at over 2kg The Bombay Challenge Cup, by Martin Hall & Co Ltd, Sheffield 1874, is of flagon form on stepped foot, profusely chased and embossed with scrolls and foliage, and with engraved cartouches.

The Liverpool Banking and Insurance Cup

In the form of a freedom casket, The Liverpool Banking and Insurance Golf Tournament Challenge Trophy was made in Birmingham in 1900. The hinged cover has a finial in the form of a golfer in mid swing, the body is painted with various vignettes of the Clubhouses at RLGC, West Lancashire, Wallasey and Formby.

The Queen’s Silver Jubilee Bowl

Representing more modern design is the distinctive Queen’s Silver Jubilee Bowl, by celebrated silversmith Stuart Devlin. Made in London in 1977 the trophy is in the form of a rose water dish, with pierced gilt reticulated border, centred by a boss engraved with winners, and a 360-degree view of the London skyline.

The Atlantic Trophy

Enamelled in stunning shades of blue, the fabulous Atlantic Trophy was made by the acclaimed firm Boodle & Dunthorne in London in 2004. Modelled as a vertical scrolling wave, the curve supports a silver golf ball, showing RLGC and USA, to simple silver disc base, the plinth bearing silver plaques engraved with winners.

From the medals and trophies of the early 1800’s the enduring presence of silver in sports trophies continues to represent the history and prestige attached to major sporting achievements. In addition to their aesthetic appeal, these awards mark the determination and achievement of sportsmen and women at the pinnacle of their careers.

The presentation and winning of the iconic claret jug continues to inspire and motivate and we look forward to celebrating the success of the eventual winner of the 153rd Open Championship.

The 2025 British Open, officially the 153rd Open Championship, will be held from July 17 to 20 at Royal Portrush Golf Club in Northern Ireland.

Insuring the Infamous: Valuing Al Capone’s Custom Timepiece

Posted on July 10, 2025July 8, 2025 by Liz Bailey

We have seen watches boasting fantastic provenance hitting the auction block this year, including a limited edition Omega Speedmaster owned by Neil Armstrong selling at RR Auctions for $2.1 million (LINK), a Rolex Daytona ‘Big Red’ gifted to F1 Driver Jean-Pierre Jabouille selling at Phillips for $215,900, and a Rolex GMT-Master, owned by Sheila Scott OBE ‘Britain’s Queen of the Air’ selling at Spink for £30,000.

Perhaps one of the most notorious and nefarious watches to be offered in the June Watch Sales was a platinum Patek Philippe pocket watch, owned and customised by the legendary Chicago born gangster, Al Capone. Dating to 1919, this 42mm open face pocket watch was custom-cased in platinum, and personalised with ninety single-cut diamonds spelling out the initials ‘AC’ to the case back. Interestingly, the pocket watch is missing its minute hand, and undoubtedly would have some real tales to tell, of a criminal provenance that belies its sleek and stylish Art Deco aesthetic.

Reputedly, Capone was unhappy with the original ‘plain’ case of this timepiece, and took the watch to a jewellers to re-case in this striking platinum and diamond design. Making a ‘project’ out of this Patek pocket watch, Capone was an early adopter of the customised watch. As Sotheby’s catalogue notes point out, “such a watch was hardly subtle, and ultimately it was tax evasion that enabled the federal government to send Capone to jail, eventually landing him in the legendary Alcatraz Federal Penitentiary.”

Sold with a provenance letter from Capone’s granddaughter, Barbara Mae Capone, this watch was estimated at $80,000-160,000, and reached mid-estimate inclusive of fees. The watch was last sold in 2021 by Witherells Auctioneers for $229,900 against a $25,000-50,000 estimate. At the June sale in 2025 it made just $95,250.

So what could account for this drop in hammer price? Perhaps it was simply offered too soon after its initial sale. In 2021, the piece was completely ‘market fresh,’ and so the buzz and interest around this piece understandably would have been much greater, even compared to Sotheby’s world-class marketing and lot presentation.

The watch was sold in 2021 as part of an ‘estate sale’ together with 174 other lots relating to the Capone family. This sale included letters from Alcatraz, photographs, pistols, jewellery, watches and furniture. Browsing this sale does provide a real insight into Al Capone’s personal life, his belongings, style, and manner of collecting. Similarly personalised stickpins, cufflinks, and accessories really help to contextualise and allow us to picture the pocket watch as part of a larger collection. Pieces such as the 14k white gold and diamond notebook cover in particular, are decorated in such a similar manner that they may well have been commissioned by Al Capone at the same time – this piece sold for $36,300 against a $2,000-5,000 estimate.

As the value trajectory of this legendary pocket watch will show, the value of provenanced items and fine timepieces can fluctuate! Various factors including timing, the appetite of the market, condition, originality, working order, can impact collections in the short to medium term. I have no doubt that in the long term, this watch will continue to grow in value, but it serves to show the importance of regular valuations of your items to protect against over or under insurance.

Images with thanks to Sotheby’s and Witherills Auctioneers.

When Old Tech Turns Valuable: What’s Worth Insuring in Vintage Technology

Posted on June 26, 2025June 25, 2025 by Stephanie Connell

Historic technology collecting is a constantly evolving field, where exciting developments can quickly lead to new assets.

Many of us have old phones and computers, it can be tricky to decipher which pieces of tech are worth looking at for insurance.

Demand is influenced by several factors. For valuable vintage technology more broadly, the most valuable are those historically important pieces which resulted in a change in global society.

So let us look at a few areas of the vintage technology market and what to look out for and what’s worth insuring in valuable vintage technology.

In July 2023 Apple grabbed the headlines when a first-generation iPhone sold at auction for over $190k (suggested insurance figure £250k) – tripling the record price set just 4 months earlier. Surprising for a phone whose purchase price was around £500 when released in 2007.

But this iPhone was not an ordinary example. The lot was ‘factory sealed’, meaning this rare survivor was unopened, unused, and still in its plastic casing. The phone was also a 4GB storage model, this version was less popular when issued in 2007, therefore scarcer. As a comparison Heritage auctioneers sold a factory sealed first generation of the more popular 8GB version in February 2024 for $21,600 (Heritage, Video Games, Lot 28129, February 24, 2024 – suggested insurance figure £65k).

In the current market, replacement values for first generation iPhones typically only exceed £500 in instances where the device is in excellent condition with packaging. It is the extremely rare factory sealed pieces which are the ones to look out for.

The most collectable pieces in the world of Apple products are those manufactured in the early days of the company.

In September 2024 auctioneers Christies sold an Apple computer for $945,000 (suggested insurance £1.8 million).

However, this example, was arguably the most important commercially produced computer in the history of the company.

An Apple-1 personal computer, manufactured in 1976, it was sold as part of the collection of the late Microsoft co-founder Paul Allen (2024, Lot 10, Paul G. Allen Collection, Christies NY). The first commercial Apple computer, this piece had previously stood in the office of Steve Jobs. The value here is dictated not only by the technology itself, but as an extremely important item in the history of computing. Early Apple products are scarce and of great interest to collectors – Apple-1, Apple II, Apple Lisa and prototypes should all be considered.

To retro gaming: with contemporary video game collecting, those pieces with the highest values are akin to the markets for vinyl, trading cards, collectable figures, and comic books. Rarity and condition are pivotal factors in value. Original packaging and unopened are desirable to collectors.
Areas with a strong international market and instantly recognisable brand name such as Sony Playstation, XBOX and Nintendo command the highest prices. Those produced with a more British focus such as the educational BBC Computers or ZX Spectrum in general are of limited value.

Looking at the market for Nintendo video games, in July 2021 auctioneers Heritage sold a copy of Super Mario 64 for an astonishing $1.5 million. This piece was not a typical game of its type. This version was unopened and sealed, it had been professionally graded at 9.8 – being a near mint copy – only four versions are known at this grade (Heritage Video Games auction, July 2021, lot 28137). It is worth noting that in the same auction, the same game with a slightly lower grading of 9.6 fetched just over $13k (suggested insurance for 9.6 version £15k).

In general Nintendo video games would have been played and sold in large numbers – these are of modest value and not usually requiring separate insurance. Sealed version of iconic titles such as Zelda and Super Mario are amongst the most desirable.

Here are some factors worth looking at for more valuable pieces. Was the piece rare at time of issue? For example, games that were not commercially available when manufactured. ‘Not For Resale’, ‘Test’, and ‘Competition’ editions are all something to be aware of. These pieces are extremely rare – they would have been exceptional or unusual at the time of acquisition (see Heritage Auctions, June 12, 2025 – Video Games – Lot 79029 – Super Mario Club Communication Cartridge CIB sold for $475 – suggested insurance value is £600).

Furthermore, games which were unsuccessful at the time of release, therefore sold in small numbers, if in excellent condition can be valuable.

For those consoles which were more widely commercially available condition is key to value. Nintendo manufactured the ‘Game & Watch’ series – a precursor to the Game Boy – where each handheld console played just one game. Game & Watch are popular amongst collectors and can be a good entry point.

In September 2023 auctioneers Ewbanks sold a Super Mario Bros Crystal Screen (YM-801) in very good condition with box for a hammer price of £750 (Lot 5036 – Ewbanks – Retro Video Games & Consoles – September 28, 2023 – suggested insurance value £875).

When a lesser condition version appeared at auction last year, again with box, it achieved a hammer price of £320 (Hawleys Fine Art – 18th May 2024, lot 1182).

In the field of retro video gaming, there is combination of nostalgia, for vintage titles played during childhood or adolescence, alongside iconic names and characters with broad appeal.

If you haven’t considered it before, your valuable vintage technology of treasured vintage home computing, technology and retro video games, may be worth insuring.

Sotheby’s Pop Culture Sale: A Star-Studded Auction from Music to Film

Posted on October 10, 2024November 25, 2024 by Stephanie Connell

During September, Sotheby’s London held their inaugural ‘Popular Culture’ sale.

The market for memorabilia has been a focus for international auction houses in recent years. Sotheby’s historically was one of the first major players in memorabilia but chose to move away from the field in the early 2000s. Recently, with several highly successful sales internationally and after the unprecedented interest generated by last year’s Freddie Mercury auction, Sotheby’s announced in early 2024 the introduction of their European Popular Culture department.

This first online auction contained 65 lots from across the spectrum of music, television, and film memorabilia. The exhibition preview drew over 1,000 visitors making it clear the appeal of Pop Culture for potential buyers.

The earliest pieces were early 1960s Beatles related memorabilia – while the most modern was a costume from the yet to be release Gladiator II.

One of the most eye-catching pieces was a CyberMaster helmet worn in the 2022 series of Doctor Who! (Lot 61). The CyberMaster’s are villainous characters with a design reminiscent of the iconic Cybermen – instantly recognisable to Sci-Fi fans. The lot had been donated by the BBC to the auction and was one of several items sold to benefit the Film + Television Charity, who support those who working behind the scenes in the industry. The combination of a charitable cause and striking headwear led to the lot exceeding its estimate of £4,000 – 6,000 – fetching £9,600 (inc. BP).

Sotheby’s London, Popular Culture, August/September 2024, Lot 62, Gladiator II: A Screen-used Hero Costume for the Rhino-Riding Gladiator ‘Glyceo’, Paramount Pictures, 2024, £9,600

Sotheby’s London, Popular Culture, August/September 2024, Lot 61, Doctor Who: A CyberMaster Helmet, BBC Studios, 2022, £9,600

Other lots sold on behalf of the Film + Television Charity were the (aforementioned) complete costume used in the highly anticipated Gladiator II (Lot 62). The movie is due for release in November 2024 – the costume providing a sneak preview into production quality and characters. It is rare for a complete outfit to appear at auction prior to the film’s premiere. The costume has been visible in the trailer and will feature as uniform of a gladiator ‘Glyceo’ who can be seen riding a rhinoceros into an arena prior to battle. This lot was an opportunity to acquire a piece from a future classic. Against the estimate of £5,000 – 8,000 it achieved a total of £9,600 (inc. BP).

Vinyl proved popular with collectors during sale – and indicated the ongoing strength of this market.

Lot 28 was an example of a collectable sought by Beatles and vinyl aficionados alike – a sealed 1^st state copy of the controversial ‘Yesterday And Today’ LP. This version of the album has a sleeve dubbed the ‘Butcher Cover’. It was one of the most shocking images of The Beatles and the era. Released by Capitol Records in Canada and the USA in 1966 the cover photograph for ‘Yesterday and Today’ was taken by Robert Whitaker (1939-2011).

Sotheby’s London, Popular Culture, August/September 2024, Lot 39, Freddie Mercury: A Jean-Paul Gaultier Studded Black Leather Jacket, Stage-Worn By Freddie Mercury At The Dominion Theatre, London, 14th April 1988, £72,000

Sotheby’s London, Popular Culture, August/September 2024, Lot 37, Queen: A Rare Set Of Four Autographed Promotional Photographs, circa 1980, £22,800

Lot 33 was a Steinway grand piano, manufactured in 1972 and purchased by EMI for use at their Abbey Road Studios in 1973. The piano, which was installed in Studio 3, was in constant use from 1973 to 2016. The quality of the piano, appreciate by those recording on it.

The Steinway Model A was used on recordings of notable artists including Pink Floyd, Radiohead, Amy Winehouse, Paul McCartney, Kanye West and Lady Gaga amongst others. Pieces used at Abbey Road seldom appear at auction and garner high prices. The estimate of £150,000 – 200,000 proved accurate with the eventual total cost being £192,000.

Queen collectables have been a growth area over the past decade. Lot 39 was a Jean Paul Gautier designed leather jacket. The garment was worn by Freddie Mercury during his final stage singing performance, in April 1988. This jacket had been gifted by Freddie to a close friend, she had subsequently donated it to charity and the provenance stated it had benefited the Angles Aids Orphanage in 2001. Here against the estimate of £20,000 – 30,000 it sold for £72,000.

Lot 37 was a good set of four autographed promotional photographs of the band. Despite the estimate of £6,000 – 8,000 they sold for £22,800. Meanwhile, lot 34 was a varied collection 325 polaroid photographs of stars, obtained during the 1970s – 1980s. The collection not only included the members of Queen, but also The Rolling Stones, The Eurythmics, Status Quo, Bee Gees, Run D.M.C but actors and sports stars such as Muhammed Ali, Michael Caine, and Ben Kingsley. This unique archive sold for £108,000 (*est. £20,000 – 30,000).

Two important musical instruments achieved the highest prices of the auction.

Lot 33, Abbey Road Studios, A Steinway Model A Grand Piano Housed And Used In Studio 3, 1973-2016, £192,000

The image, depicts The Beatles in white lab coats, surrounded by decapitated dolls and butchered meat. It was created as a black humoured, surrealist breakaway from the usual images of the group and apparently inspired by Whitaker’s own reflections on Beatlemania.

So shocking was the image to audiences it was swiftly withdrawn and recalled. To save costs, many of the ‘Butcher Cover’ sleeves were overlayed with a new photograph of the band, known by collectors as the ‘Trunk Cover’ – a rather vanilla image of The Beatles surrounding a steamer trunk.

Sotheby’s London, Popular Culture, August/September 2024, Lot 28, The Beatles: A Rare ‘Yesterday And Today’, First State Sealed Mono Alan Livingston Copy, 1966, £48,000

Lot 36 was a rare, limited edition 7” blue vinyl copy of Queen’s ‘Bohemian Rhapsody / I’m In Love With My Car’. Only two hundred pressings of this blue vinyl were produced by EMI. They were created as gifts for the attendees of a dinner held at Selfridges in July 1978. Despite Queen not attending the event, they were presented with framed copies – Freddie’s own (numbered 2) appearing in last year’s Freddie Mercury auction and selling for £69,850.

The copy for offered here, numbered 108, was presented to a typist secretary who worked at EMI’s Hayes offices. Included with the lot, were a further gift from the dinner two ‘EMI Records’ branded wine glasses – the lot far exceeded the pre-sale estimate of £5,000 – 7,000 eventually reaching £18,000.

Lot 36, Queen: A Rare Blue Vinyl Pressing Of The Single ‘Bohemian Rhapsody / I’m In Love With My Car’, 1978, £18,000

The version of the LP available here was a rare unopened and sealed copy of the ‘Butcher Cover’ record. The lot had been part of the collection of the former President of Capitol Records. This piece had been intended to be returned to the factory and pasted over, with the ‘Trunk Cover’ image. Instead, it was taken home by the record companies President, and subsequently forgotten – only to be discovered years later, alongside thirteen other LP’s (four stereo and ten mono).

The pre-sale guide of £40,000 – 60,000 reflected the scarcity of the piece, eventually selling for £48,000 (inc. BP).

Timing can be everything with auctions – three guitars contained within the sale had important Oasis provenance. Their sale was announced coincidentally as Oasis revealed their reformation and 2025 reunion tour.

8. Sotheby’s London, Popular Culture, August/September 2024, Lot 43, Oasis: An Epiphone Les Paul Standard Electric Guitar, Owned & Used By Noel Gallagher, £132,000

Sotheby’s London, Popular Culture, August/September 2024, Lot 43, Oasis: An Epiphone Les Paul Standard Electric Guitar, Owned & Used By Noel Gallagher, £132,000

Sotheby’s London, Popular Culture, August/September 2024, Lot 44, Oasis: An Epiphone EA-250 Electric Guitar, Owned & Stage-Played By Noel Gallagher, £48,000

Sotheby’s London, Popular Culture, August/September 2024, Lot 45, Oasis/Johnny Marr: A Gibson Flying V Electric Guitar Formerly Owned By Johnny Marr, Used By Noel Gallagher, £36,000

All these instruments had previously belonged to or been used by Oasis’s, legendary founder, songwriter, and guitarist Noel Gallagher. The most important of these was lot 43 an Epiphone Les Paul Standard – immediately recognisable to fans and a seminal instrument for the group. The guitar was key in the band’s early history (1993/4) when Noel Gallagher owned only a small number of guitars (just two guitars and a bass being available the group). Noel played it on stage, on television, as well as during the recording of the music video for the record breaking single ‘Supersonic’.

With a pre-sale estimate of £60,000 – 80,000 it achieved the second highest price of the auction at £132,000.

The other two instruments offered by Sotheby’s included Lot 44 an Epiphone EA-250, previously owned by Noel Gallagher and again featured on the sleeve of the ‘Supersonic’ single. It was notably played during an early television performance in July 1994. Here, the cherry redburst finished guitar sold for £48,000 (est. £20,000 – £30,000).

Lot 45 had a dual Smiths / Oasis provenance. The 1980 Gibson Flying V was acquired by The Smith’s iconic guitarist and songwriter, Johnny Marr in 1989. Marr loaned it to Noel Gallagher – who subsequently used it on the 1994 recording of Oasis’s debut album ‘Definitely Maybe’. This guitar, a baton in British and Manchester music history sold for £36,000 (est. £20,000 – 30,000).

Overall, the sale achieved a total of just under £1 million.

The Olympic Games – The history & memorabilia

Posted on July 23, 2024August 9, 2024 by Stephanie Connell

The Paris 2024 Summer Olympic and Paralympic Games are about to commence – historic tournaments where sports people from all over the globe assemble to compete for arguably the most prized award in elite sport – the Gold Medal.

The Olympic symbolism is today immediately recognisable – the rings; torches; the gold, silver and bronze medals – all icons of the event. Whilst precursors to the modern Olympics were held throughout the 19th century, the first true modern Olympic Games was held in Athens in 1896. The idea had been cemented by French aristocrat Pierre de Coubertin (Baron de Coubertin) (1863-1937) founder of the International Olympic Committee.

The 1896 ‘Games of the I Olympiad’ was on a much smaller scale than that of the games today – with just 241 all male athletes competing, the majority of whom were Greek, and others from just 19 nations. For these inaugural games the winners received a silver, rather than a gold medal.

In July 2021 RR Auctions sold one of the Athens 1896 ‘Silver’ winners medals. They were designed by Jules-Clement Chaplain (1839-1909), one of the most important medalists of the late 19th century. As is often the case it had been presented to a now unknown recipient. Despite this it sold for a total price of just over $180,000 (Lot 6001, Olympic Memorabilia – RR Auctions, 22nd July 2021).

The second Olympic Games were held in Paris in 1900 as part of the World’s Fair during that year. The Olympics in their infancy were often held in conjunction with other, then larger events, in the hope of generating interest. A broader field of sports were involved in 1900 with men and women both competing. The events included Polo, Croquet and Tug of War, which was an Olympic Sport between 1900 and 1920! Bizarrely, ballooning was also one of the events – with competitors aiming to travel by balloon and land on a target. In July 2012 Sports Memorabilia Auctioneers, Graham Budd sold a participation medal for this very event – presented to Abel Corot the Balloonist who finished in 9th place – it sold for a modest £300 (Lot 23, Graham Budd, 24th July 2012).

The third Summer Olympics were held in the American city of St. Louis, in 1904, again as part of the World’s Fair. Golf was one of the early sports included in the Olympic roster. In 2016 Christies, London offered the 1904 Olympic Gold Medal awarded to amateur golfer Robert E. Hunter (1886-1971). The medal was actually cast from solid gold (gold medals were only truly gold for two Olympic Games). Estimated at £20,000 – 30,000, it sold for a total of £206,000 (Lot 521, Out of the Ordinary, Christies London, 14th September 2016).

For the fourth tournament in 1908 the host city selected was Rome. However, the location was altered, when the Italians decided against holding the competition after Mount Vesuvius erupted in 1906. London stepped in to hold the games. This time the tournament coincided with the Franco-British Exhibition at the newly constructed ‘White City’. The promotional poster for London 1908 offered information on travel to London from Europe as well as location of the event. This rare piece is seldom offered for sale. Ahead of London 2012 Games, Christies held a sale containing Olympic posters. The Alfred Edwin Johnson work illustrated by Noel Pocock sold for £15,000 (Lot 4, Vintage Posters, Christies London, 18th April 2012).

As the games continued many of the now familiar symbols were established. The instantly recognisable logo of the games – the Olympic rings – were introduced in 1913, having been designed by the (aforementioned) Pierre de Coubertin. They represent the five continents and competitors coming together.

Art and design have an important connection with the Olympics – surprisingly in fact between 1912 and 1948 Olympic Gold, Silver and Bronze medals were awarded for painting, sculpture, architecture, literature and music amongst other areas of the arts. Famous artists including Sir William Nicholson and Dame Laura Knight were Olympic medal winners.

The Paris 2024 Games marks the third occasion which the city has held the competition. The second was one hundred years ago in 1924. Winners of Gold Medals during the 1924 games were additionally presented with a vase produced by the great French porcelain manufacturer Sevres. The vases feature four medallions, decorated with different sports. In April 2024 auctioneers Bonhams/ Skinner Marlborough sold an example featuring cycling, tennis, sailing and shooting, it achieved a total selling price of $12,160 (inc. BP) (Lot 95, Eric van Rooy Estate, Bonhams/Skinner, 15th-25th April 2024).

Appreciation of art and design has always been important at the Olympics (as the Gold medal competition for art show). Influential artists have designed objects and promotional material for the Olympics throughout the events history. Posters are one area where this has been obvious.

Early posters, as with the London 1908 example, frequently included information about the forthcoming games with representations of Athletes. The 1928 Amsterdam Olympics was typical of this type, designed by Joseph Rivers the poster included a central image of a runner. One was sold by Cheffins in October 2022 for £3,000 (excluding BP) (Lot 326, Art & Design, Cheffins, 27th October 2022).

London has also held the Olympics on three occasions. To promote the London 1948 Games an eye-catching poster design was created by Walter Herz (1909-1965), including landmarks and a central discus thrower – a statement of British post-war optimism. One hundred thousand were printed over two formats, resulting today, in versions appearing on the open market consistently. Swann Galleries USA sold a double-crown style poster in February 2020 for $3,750 (Lot 204, Vintage Posters, Swann Auction Galleries, 13th February 2020).

The torches, used to relay the flame from Athens and eventually lighting the ceremonial cauldron are sought by collectors of Sporting Memorabilia. Often manufactured entirely of metal, they ordinarily feature Olympic rings clearly in their designs. Like the posters, relay torches from the 1948 Games pop-up for sale regularly.

In September 2023, one of these aluminium torches designed by Ralph Lavers (1907-1969) reached a hammer price of £3,000 at Dawsons Auctioneers (Lot 257, Dawsons, 28th September 2023). Torches of similar design were used during the 1950s. In November 2022 Welsh auctioneers Anthemion sold a bearers-torch from the 1956 Melbourne Olympics – the hammer fell this time at £5,500 (Lot 724, Anthemion Auctions, 23rd November 2022).

The designs for the 1960s Olympics reflected modernist and abstract movements of the period. Italian Sculptor Silvio Gazzaniga (1921-2016) most famously designed the FIFA World Cup trophy. He also designed the bronze Trophy awarded at the first Paralympics held Rome, 1960. One such sculptural piece, presented to an unknown athlete, was sold at Mallams Auctioneers in March 2018 for £380. (Lot 376, Modern Living, Mallams, 7th March 2018). The Collection of Phyllis & Jerome Lyle Rappaport.

The 1964 Tokyo games were the first to produce an official set of posters designed by Yusaka Kamekura (1915-1997). The most notable of these is titled ‘The Rising Sun and the Olympic Emblem’ featuring simply a red circle, Olympic rings, text of the host city and year. In January 2022, Chicago based auctioneers Potter & Potter sold this lithograph poster for $1,200 (excluding buyers premium) (Lot 0488, Potter & Potter, 29th January 2022).

The 1968 Mexico City poster was similarly striking. Inspired by Op-art the design was a collaboration between Lance Wyman, Eduardo Terrazas and Pedro Ramirez. Poster specialists Antikbar sold a copy in August 2019 – reaching £3,400 (hammer, excluding BP) (Lot 3603, Vintage Posters, Antikbar, 3rd August 2019).

David Hockney (b. 1937) designed posters for both the 1972 Munich Games and 1984 Los Angeles Games. In June 2012, Sotheby’s offered Hockney’s partially completed pencil design for the 1972 poster, featuring a diver – the work eventually sold for £169,250 (total including BP). The final poster often appears at auction and is part of a set created by several artists for the Munich games. In March 2024 an example of ‘The Diver’ poster was offered at Forum Auctions reaching a hammer price of £600 (Lot 61, Editions, Forum Auctions, 12 March 2024). Also, during the same month Bonhams London sold Hockney signed limited edition print of the 1984 Los Angeles swimming pool design for £11,250 (Lot 26, Bonhams, 26th March 2024).

Pop artist, Roy Lichtenstein (1923-1997) also produced a poster design for the Los Angeles 1984 Games. A signed limited-edition version of the dynamic work ‘The Red Horsemen’ sold at Bonhams Los Angeles in January 2024 for a total of $5,632.

For the London 2012 Games several notable British artists were commissioned to produced poster artwork, including Bridget Riley (b. 1931). An offset lithographic copy of this work ‘Rose Rose’ was sold at Rosebery’s London in June 2023 for £650 (excluding BP).

Such is the global recognition for the Olympics – when memorabilia directly relating to some of the most famous events (for both the Summer and Winter games) appears on the open market it can command very high prices.

Famous sporting names often establish their status at the Olympics. Gymnast, Olga Korbut has long been associated with advancing the sport and acrobatic routines. In February 2017, American auctioneers Heritage offered Olga Korbut’s Team USSR Gold Medal from Munich 1972 Games. The overall price here was $66,000.

In February 2024, Christies New York offered the Men’s Long Jump Gold Medal awarded to Bob Beamon at the 1968 Mexico City games. Beamon, achieved sporting greatness beating the World Record during the competition, leaping 8.9 meters – 55cm further than any jump prior. His World Record stood from 1968 until 1991 and remains the Olympic record! This fascinating piece sold for a total of $441,000 (including B.P).

Basketball legend Michael Jordan, is one of the most famous sportsmen in history. In June 2023 Sotheby’s offered the Reebok jacket worn by Jordan whilst receiving his 1992 Olympic Gold Winners Medal alongside his USA teammates dubbed ‘The Dream Team’. The performance of ‘The Dream Team’ during the Barcelona games is one of the most influential in Olympic history. The Reebok jacket controversial, due to Michael Jordan’s famous association with the Nike brand. This important piece of memorabilia was signed by Jordan and offered with an estimate of $1m – $3m. The garment achieved a sales total of just over $1,500,000 (Lot 1, The Dream Team, Sotheby’s, 29th June 2023). While his signed and worn Nike ‘Air Jordan VII’ sneakers also used during the 1992 Olympics sold for $114,300 (Lot 2 as before) (inc. BP).

Michael Johnson is one of the fastest men in history and one of the most famous names in athletics. In March 2024 auctioneers Heritage offered a pair of ‘Gold’ Nike running spikes worn by Michael Johnson whilst representing team USA during the Atlanta 1996 Olympic Games. Johnson achieved gold in both the Men’s 200m and 400m sprint competitions – breaking World Records in the process. The stylish pair sold for $68,750 (inc. B.P.) (Lot 90347, Treasures from Planet Hollywood, Heritage Auctions, 24th March 2024).

At the opposite end of the collecting spectrum and what seems a very affordable piece – a shirt worn by footballer Mohamed Salah during the Egypt v Brazil match at the London 2012 Olympic Games. The then 20-year-old was eligible to play in the team due to his age (Olympic Games Football competition is between Under-23 age group). The jersey was offered by Julien’s in America in 2017 (prior to Salah’s cementing his status as a Liverpool FC legend) the shirt sold for just $192!

With the Olympics just around the corner – sporting legends will be made, and the memorabilia of the future created.

Finally therefore to quote Founder Baron de Coubertin: “The important thing in life is not the triumph, but the struggle, the essential thing is not to have conquered but to have fought well.”

Wimbledon & Tennis – The History and Memorabilia

Posted on July 2, 2024October 21, 2024 by Stephanie Connell

British Summer is here – time for strawberries and cream as sports fans head to the All England Lawn Tennis and Croquet Club for the most historic tournament in the tennis calendar – the 2024 Wimbledon Championships have arrived.

With Wimbledon and tennis in mind we will be looking at the sports history, and some of the most interesting pieces relating to tennis on the open market in recent years.

Tennis has a fascinating and long history dating back over 800 years. The sport can be traced back to 12th century France, and the game jeu de paume. Players of this earliest form of the game used their hands to hit the ball.

European Monarchs took to the sport and courts could be found throughout the continent with courtiers and Royalty competing. Louis X enjoyed it and is one of the earliest known players the game of the palm. During the 15th century, tennis courts could be found in the Burgundian court and several of the Italian courts.

The sport we would today describe as ‘Real tennis’ (or ‘court tennis’ and ‘royal tennis’) – can be seen as the closer precursor to the modern sport of Lawn Tennis. The racquet become a key component of the game, having been introduced from the 16th century.

British monarch, Henry VII and later Henry VIII both played Real Tennis. In 1530 Henry VIII had a court built at Hampton Court, and enjoyed playing at a number of his other palaces. French monarchs Francois I and Henry II were also notable early players.

A series of Old Master paintings illustrate the growth of tennis in Royal palaces. During the 16th century Flemish painter Lucas Gassel (c.1485 – 1568/9) produced a number of works on the Biblical theme ‘Episodes from the story of David and Bathsheba’. These works are unusual for their inclusion of then modern sporting pastimes within the landscape. One such example was sold at auction by Bonhams in July 2011 (Lot 114, Old Masters, 6th July 2011) – The grounds of a Renaissance palace with episodes from the story of David and Bathsheba. The work features one of the earliest depictions of a tennis court – with a rope for a net and tiled floor. Coincidentally the painting also includes another game in progress – an early form of croquet! The work eventually achieved £624,000 (including BP) no doubt due to the important sporting history.

The earliest known book relating to the tennis, Trattato del giuoco della palla, was written by Italian Antonio Scaino Da Salo (1524-1616) and first published in 1555. The text, written in three parts, occasionally appears on the open market. In November 2013, Christies London sold a copy bound in a single volume for £11,875.

Despite tennis’s reputation as the ‘Sport of Kings’, by the early 19th century it had fallen out of fashion – and had been declining in Britain since the days of Puritan rule during the Interregnum.

The later games of rackets, fives and badminton all helped form the creation of tennis today.

The modern game of Lawn Tennis, or simply ‘tennis’ as we called it was developed in the mid 19th century. Its invention is often credited to Major Walter Clopton Wingfield, who from 1874, sold sets that included all the equipment needed to play the sport.

More recently friends Major Thomas Henry Gem (known as Harry Gem) a solicitor, writer and soldier from Birmingham and Juan Bautista Luis Augurio Perera Orfila (known as Augurio Perera) a Spanish born merchant who had lived in the West Midlands since the age of four, have been credited as forerunners to Wingfield.

The pair played the game of ‘rackets’ locally and having become frustrated by the cost and complexity decided to make some alterations. Modern research suggest they began experimenting in 1859.

The pair chose to play their game outdoors on Perara’s croquet lawn, with rules developed from similar games. They founded (alongside two local doctors) the Leamington Club in 1874 (renamed the Leamington Lawn Tennis Club) – the first lawn tennis club.

Major Walter Clopton Wingfield was a Welsh army officer and inventor – importing bouncing rubber balls from Germany as part of his sets was a notable development. His game – originally called Sphairstike, was ideal for those who owned a croquet lawn. The sets he created included all the equipment required to play tennis and directly led to the popularity of lawn tennis.

Wingfield’s very early sets were retailed by French and Co. and have occasionally appeared at auction. In October 2019 ‘Sphairistike or Lawn Tennis’ set was sold at Shropshire auctioneers Trevanion and Dean. The remaining contents included three rackets manufactured in 1874 and was estimated at £3,000 – 5,000, eventually selling for a hammer price of £17,000.

The All England Lawn Tennis and Croquet Club opened in Wimbledon during July 1868 simply called All England Croquet Club. Lawn tennis was introduced in 1875 with the first gentlemen’s competition being held in July 1877 – resulting the following year in a name change to included lawn tennis.

Memorabilia relating to these early days of Wimbledon is rare and pieces highly sought by collectors. In September 2021 a programme for the tournament held at All England Croquet and Lawn Tennis Club Wimbledon on 5th to 12th July 1880 was sold at Graham Budd Auctioneers. Carefully inscribed on the back page with the winners of each match it sold for a hammer price of £6,500.

This year marks 140 years since the first Wimbledon Ladies Singles and Gentlemen’s doubles tournaments held in 1884.

By the late 19th century Lawn Tennis had become popular internationally and tournaments were being held in globally. A poster recently sold by Swann Auction Galleries in New York was described as the “first American tennis poster promoting a tournament”.

Dating from 1896, the poster advertised The Western Lawn Tennis Tournament, held at the Kenwood Country Club in mid July. This stylish lithograph designed by Edward Penfield (1866-1925) fetched $11,250 (inc. BP).

The early 20th century brought tennis notable international players, who could be defined as ‘Sports Stars’. French multi-grand slam winning sportswoman Suzanne Lenglen (1889-1938) was such a player. Lenglen, arguably redefined what it was to be female sports person. She changed tennis fashion, wearing clothes practical for playing tennis rather than meeting the conventions of the day (such as corsets). The decision allowed her more freedom of movement.

Photographer Jacques-Henri Lartigue (1894-1986), famed for capturing of sporting events, took a series of photographs of Lenglen training.

These images, extremely evocative of the period, capture Lenglen’s playing style. In October 2017 Phillips Auctioneers, New York, sold an example of this series, a gelatin silver print signed by the photographer for a total of $13,750.

By the 1930s Wimbledon had become a hugely important event in the British sporting year. Tennis and its style fit perfectly with the Art Deco age. This is reflected in pieces produced for the modern home during this period. Designers such as ceramic artist Clarice Cliff expressed this in their work. In March 2024, West Midlands auctioneers Fielding’s sold a Clarice Cliff twoperson early morning breakfast set in the ‘Tennis’ pattern design for £7,200 (hammer price + BP over £9k).

On the open market pieces from key players of the 1930s intermittently emerge. In 2013, auctioneers Heritage (USA) sold the Wimbledon Gentlemen’s Singles trophy given to American tennis champion Ellsworth Vines. It sold for $47,800 (inc. BP) (Lot 80052, Sports Auction, Heritage Auctioneers, 1-2 August 2013).

Today, some of the most famous sporting figures of the 1920s and 1930s, are recognised by the wider general public due to fashion labels carrying their names. Two legends are French player Rene Lacoste and British player Fred Perry.

Frederick John Perry (1909-1995) had a prolific tennis career winning eight grand slams including three consecutive Wimbledon Singles titles. Prior to Andy Murray’s win in 2013, Fred Perry’s was the last British player to win a Gentlemen’s singles title in 1936. His gold winners medal awarded for this victory over Gotfried von Cramm in that tournament was offered at auction in June 2021 by Graham Budd. The piece sold for a hammer price £20,000. (Lot 205, Sporting Memorabilia, Graham Budd Auctioneers, 7th June 2021).

By the late 20th century tennis was able to hold an influence more broadly. In September 1973, tennis icon Billie Jean King played an exhibition match against male player and former Wimbledon Champion, Bobby Riggs – the game has since dubbed ‘Battle of the Sexes’. The competition was adapted into the 2017 movie of the same title starring Emma Stone and Steve Carell. The two-player competed in Houston for $100,000 in prize money. Billie Jean King won the match in straight sets. A notable piece of memorabilia from the contest was sold by Bonhams New York in December 2017 – the racquet used by Billie Jean King during the match. With a portion of the proceeds being donated to the Women’s Sports Foundation, the lot sold for $125,000 (inc BP).

As the influence of the sport has continued to expand, objects have been given names to capture their tennis connection. This is true of the ‘eternity’ bracelet or ‘line’ bracelet often referred to as a “tennis bracelet”. It is believed that the term tennis bracelet was coined after an incident during a US Open tennis match in 1987. Chris Evert, winner of 18 women’s grand slam titles, stopped her match to retrieve a missing diamond line bracelet – the new name was commonplace soon after.

The 21st century has produced some of the greatest players in tennis (and therefore Wimbledon) history. Serena Williams, Roger Federer and Rafael Nadal for example have all proved to have influence far beyond tennis.

In 2021 Roger Federer held two auctions from his career at Christies, in aid of his foundation. Among the notable lots during the online and live auctions were three rackets, used during the fourth round, quarter final and finals of the Wimbledon Championships in 2019. The set were estimated at £7,000 – 10,000 but achieved an estimate smashing £162,500. (Lot 234, Roger Federer Collection, Christies, 14th July 2021).

Similarly, Rafael Nadal’s racket used during the French Open Final in 2018 and again during the Wimbledon Semi-finals in the same year sold earlier this year at Sotheby’s. The piece, which was signed by the player, achieved a total of just over $33,000 (Lot 8, Zenith Sports Artifacts, Sothebys NY, 11th April 2024). While the tennis racket used by Novak Djokovic to win the 2011 Wimbledon Championship sold in September 2023 at Graham Budd auctioneers for £36,000 (hammer price total over £45k) (Lot 425, Sporting Memorabilia, Graham Budd Auctioneers, 5th September 2023).

Fashion and accessories continue to be one of the areas in which tennis is hugely influential. Watch maker Richard Mille approached Rafael Nadal in 2008 about working on a watch for the player. Nadal, who did not wear a watch was initially unconvinced about the idea. Richard Mille went on to design the RM27, a lightweight watch, perfected to the players specification. In May 2024 Bonhams Hong Kong offered a rare limited edition prototype Richard Mille/Rafael Nadal RM27-01 produced circa 2014.

It achieved HKD$9.1 million (equivalent to just over £900,000).

The Wimbledon tournament has been connected to the Rolex brand for over 40 years and since they first sponsored the competition in 1978. The popular Rolex’s Oyster Perpetual Datejust is recognised by collectors as the ‘Wimbledon’ design due to its close association with the championships. These watches appear at auction regularly – in November 2023 Dreweatts sold a stainlesssteel bracelet example produced circa 2022 for a hammer price of £7,000. (Lot 302, Fine Jewellery, Dreweatts, 16th November 2023).

Now on to this year – memorabilia from future sporting icons is something to look out for. Pieces relating to younger players, competing in this year’s Wimbledon Championships are pursued by collectors. In April 2024 a tennis ball signed by the 2023 Wimbledon Men’s Singles Champion – Carlos Alcaraz – was offered at Sotheby’s. Used during the US Open tennis in 2022, the ball achieved a total selling price of $1,524 (lot 33, Zenith | Sports Artifacts, Sotheby’s – NY, April 11th 2024).

Wishing all those visiting the Wimbledon Championships this year a fantastic fortnight.

This Week’s Jewellery Pick

Posted on May 24, 2024March 20, 2025 by Aurélia Turrall

I recently finished the multiple award-winning show The Marvellous Mrs Maisel. And if you haven’t seen it yet, you know what you’ll be doing straight after reading this article!

The main character, Midge Maisel, played to perfection by Rachel Brosnahan is based on Joan Rivers.

Other characters are real, such as Lenny Bruce, others fictional. Created by Amy Sherman-Palladino, it portrays women’s experiences in the mid-20th century, focusing specifically on a young Jewish woman trying it to make it on the comedy scene.

The series is mostly set in the late 50s and 60s and the costume and jewellery are divine. Costume designer Donna Zakowska created a dream wardrobe for all the characters, earning her awards for her creativity.

Not only are the dresses and jewels visually stunning, they add and carry the story, they are a story of their own. Today I will look at the pearls used in the series and especially one set of doublestrand cultured pearls which Mrs Maisel wears for her first official stand-up at the Gaslight Café (a sticky downtown New York club where the great Joan Rivers also performed).

In this moment she experiences great success, slightly undermined by some misogynistic remarks, then put to right by her estranged husband, and the outfit is perfect and effective. A black dress complemented by a pearl necklace.

The double-strand is strung and knotted with 6mm peach cultured pearls. The pearls appear to be uniform in shape, colour and lustre.

And when looking to purchase pearls, these are the most determining factors in assessing pearl necklaces. In this scene, the choice of colour sends the message of softness, being peach and not gold, and also lets us extrapolate that she could become very successful in the future, the pearls being almost golden. Mrs Maisel and her success shine thanks to the peachy colour and also due to the pearls’ lustre. Lustre measures the rate of light reflecting off the surface of the pearl and the sharpness of reflection visible on its surface. We often describe these as poor, fair, good and excellent. The better the lustre, the more radiance and glow they emit.

The pearls are also well matched and round. Their shape in this scene is key. She is trying to make a name for herself in a male dominated industry, all the while maintaining and celebrating her femininity and exposing her marital instability and struggles as a mother. The roundness works brilliantly.

Though the above baroque pearl necklace comes with a generous price tag of £7,500 they would have sent a very different message than perfectly round pearls.

It was common practise to have faux pearls at the time and they were very effective. In today’s market they do not have any value. The costs of cultured pearls vary greatly depending on the factors mentioned above, amongst others. But essentially, their value depends on what they mean and signify to the wearer.

To arrange a jewellery valuation call us on 01883 722736 or email us on [email protected].

Strumming The Strings Of History

Posted on February 20, 2024March 20, 2025 by Alastair Meiklejon

Christie’s auction of Mark Knopfler’s guitar collection on 31st January 2024.

Mark Knopfler, the virtuoso guitarist and frontman of the iconic rock band Dire Straits, is not only a musical legend but also a passionate collector of guitars that have played a significant role in
shaping his distinctive sound.

On the 31st January, Christie’s Auction House had the privilege of hosting the sale of a portion of Knopfler’s remarkable guitar collection, offering enthusiasts a chance to own a piece of musical history.

The preview of the sale included an immersive sound experience delivered by Dolby and Neumann, which attracted fans from across the world, and generated excitement for almost two weeks before the sale.

The collection saw unprecedented interest, with over 2,300 registrants from 61 countries taking part — 84% of whom were new buyers to Christie’s, the sale lasted over six hours and sold 100% of the lots being offered.

Mark Knopfler: A Musical Journey

Mark Knopfler’s musical journey began in the late 1970s when he formed Dire Straits. His fingerstyle technique and soulful compositions quickly set him apart, earning the band global acclaim. Over the decades, Knopfler has become a respected solo artist, known for his storytelling lyrics and masterful guitar work.

Beyond his success in the music industry, Knopfler’s passion for guitars has been a constant companion throughout his career. The auction at Christie’s provided a rare opportunity for fans to delve into his personal collection and connect with the instruments that contributed to the creation of some of the most iconic songs in rock history.

Some of the highlights included:-

A 1959 Gibson Les Paul Standard, achieving an impressive £693,000, this vintage Les Paul Standard was a centrepiece of the auction. With its rich tone and exquisite craftsmanship, it’s a guitar that undoubtedly played a crucial role in shaping the Dire Straits sound.

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A 1988 Pensa-Suhr MK-1, co-designed by Mark Knopfler and used at the Nelson Mandela 70th Birthday Tribute concert in 1988 at Wembley Stadium, sold for £504,000.

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A red Schecter Telecaster used to record the hit Dire Straits song ‘Walk Of Life’, fetched £415,800.

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The iconic 1983 Gibson Les Paul Standard ’59 Historic Reissue, used by Mark Knopfler to record and perform ‘Money For Nothing’ and ‘Brothers In Arms’ and played on stage at Live Aid, achieved £592,200.

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The auction also featured handwritten lyrics, stage-used amplifiers, and other memorabilia, giving fans a comprehensive look into Knopfler’s musical journey.

The Christie’s auction not only provided a platform for guitar enthusiasts to acquire instruments from a music legend but also allowed them to own a piece of the stories behind the music. Each lot sold at the auction carried a unique history, resonating with the spirit of Mark Knopfler’s illustrious career.

As the gavel fell on each lot, it marked the beginning of a new chapter for these guitars, now in the hands of collectors who will cherish and appreciate the musical legacy they represent.

The total sale achieved £8,840,160 – a fantastic result and a true testament to the phenomenal global appeal of Mark Knopfler and Dire Straits.

25% of the proceeds will be divided equally and donated to charities Mark Knopfler has supported for many years: the British Red Cross, Tusk and Brave Hearts of the North East.

100% of the funds raised from the final lot, the 2021 Gibson Les Paul ‘Gold Top’ guitar signed by world-famous musicians including Mark Knopfler, which sold for £403,200, will be donated to Teenage Cancer Trust.

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Bonhams: The Crown Auction

Posted on February 20, 2024March 20, 2025 by Stephanie Connell

The Crown AuctionThe Crown AuctionWe are in the era of prestige television.

Historically, T.V. programmes have been looked upon as the lesser relation to cinematic releases – movies traditionally viewed as pinnacle of film making. Today, television shows are often highly respected productions. As series run over weeks or even years, they can capture the public imagination with scores of fans and followers alike. These shows are essential to the success of streaming
platforms – with large budgets and famous casts the quality of productions has improved enormously.

As such the field of Entertainment Memorabilia collecting has expanded with those objects featured in major television series, being broader and highly sort. Production companies have apparently become more aware of the value of these assets. Once filming ceases and series end, auctions of costumes and props are becoming more of a common occurrence.

It is with this backdrop, and several months of planning that Bonhams, London announced they would be holding an auction of costumes, props and designs used during production of the Netflix series ‘The Crown’.

The Crown has done a tremendous job of creating fictionalised accounts of historic events – capturing World Affairs and global politics from the 1930s to early 2000s. The series managed to recreate the costumes and settings enjoyed by the Royal family.

The Bonhams The Crown Auction was arranged as two separate sales – a one day Live Auction including 161 lots and many of the most valuable pieces, held at their New Bond Street headquarters. The second being an Online Auction of the more affordable and decorative objects, closing the following day. Proceeds from the Live Auction are to be donated to the National Film and Television School for a scholarship programme.

The pre-sale viewing for the auction was very popular with over 30,000 people attending – it is not very often that one can be photographed standing in the doorway to Number 10 Downing Street (be it a prop or otherwise – which eventually sold for £10,800 plus BP) or next to so many recognisable costumes.

The skill of the prop makers and set designers for the series was clear throughout the sale. One of the most impressive lots of the live auction was lot 80 – a reproduction of the Golden State Coach.

This is a highly accurate facsimile of the famous original, which has been used at every Coronation ceremony since 1831. The coach is a magnificent achievement in prop making. The replica was
designed and manufactured by specialist team including film horsemasters The Devil’s Horsemen and prop design company Anarchy. To achieve an accurate copy the coach was constructed in part from fibreglass, clay and 3-D printed elements. This stunning lot was sold for £56,280 (inc. BP).

A similarly important prop relating to the Coronation was lot 20 – a reproduction of Saint Edward’s Chair, otherwise known as the Coronation Chair. The chair – central to British history and the Coronation ceremony was predominantly manufactured out of fibreglass and had featured in the 5th episode of series one of the show. This precise replica of the 14th century original, such an important symbol of Royal authority, sold for £25,660 (inc. BP).

Another feat of prop making was lot 158 – a replica model of the funeral procession of Her late Majesty Queen Elizabeth II. According to the catalogue the model had taken between six and eight weeks to produce, being over 12 meters wides, including over 500 Britains soldiers, two hundred 3-D printed models (all having been designed and produced by The Crown team and hand-painted with accurate costume) devised by a group of experts. The selling price here was £53,740 (inc. BP).

As with the props, costume was an important element of the sale with detailed reproductions of famous regalia, evening wear and everyday outfits being included. The highest price achieved for costume in the Live Auction was for lot 21 – a replica of Queen Elizabeth II’s ceremonial Coronation garments. The original was in part designed by Norman Hartnell – the multi element costume worn by Claire Foy sold for £19,200. Also from the Coronation ceremony was lot 22 – a replica of Princess Margaret’s Coronation gown and robe. This time the lot sold for £6,144 (inc. BP).

Lot 238 was a cornelian jewellery suite designed for Vanessa Kirby as Princess Margaret and featuring in season 2. The set was specially commissioned by costume designer Jane Petrie and made by jewellery designer Katy Hackney. The catalogue detailed the inspiration behind the suite, conceived to act as a direct contrast to Her Majesty’s pearls. The lot included ear clips, triple strand
choker, together with original design. This fashionable suite sold for £5,376 (inc. BP).

For the fashion savvy lot 125 – a Christian Dior ‘Lady Dior’ handbag. This example, in black lambskin had been worn by Elizabeth Debicki during Season 5. The bag is closely associated with the late Princess Diana and was named ‘Lady Dior’ after Lady Diana. It is believed she owned the bag in every colour and was regularly seen carrying it, after she first received one as a gift from the First Lady of France in 1995. This bag sold for £10,880 (inc. BP).

Arguably one of the most iconic costumes in the auction was lot 134 – a replica of the black silk and chiffon cocktail dress worn by Princess Diana in November 1994. Dubbed the ‘Revenge’ dress, it had featured in Season 5, Episode 5 ‘The Way Ahead’. Unsurprisingly, one of the most sought after outfits in the sale (the lot additionally included bag and shoes) it sold for £12,800 (inc. BP).

In direct contrast one of the more affordable lots of the sale was 314 – A blouse and dungarees worn by Emma Corrin portraying the young Lady Diana Spencer. This lot costume achieved £435.20 (inc. BP).

Costume designs themselves were also popular with a number being offered for sale. Lot 170 was a collection of three watercolour and pencil designs executed by Michele Clapton for the character
of the Queen. The illustrations, which included fabric swatches and detailed annotations gave an insight into the Emmy Award winning costume designers work. They sold for £5,376 (inc. BP).

Interestingly, many of the pieces featured in the sale were not modern replicas but fine antique furniture and decorative objects. To reproduce the interiors afforded to a Royal household, pieces
had been carefully selected by the set designers. Chimney pieces, toys, ceramics and glass were all available.

Within the The Crown Auction Online Auction lot 168 was a William IV rosewood breakfast table used as part of the Buckingham Palace set. This traditional antique sold for £8,320 (inc. BP).

Lot 200 was a typical lot one might expect to see in a sale of Fine Furniture – a George II chest on chest. This 18th century and later piece of crossbanded walnut had been used as part of the set
for the Queen’s bedroom. With strong bidding it eventually sold for £21,760.

Lot 322 was a French 19th century kingwood, parquetry and cross banded brass mounted liqueur set. The set which is visible in the Audience Room scenes included glasses and decanters. It fetched £5,632 (inc. BP).

The most expensive piece of furniture included in the two auctions was lot 237 – A parquetry and gilt metal mounted cylinder bureau in the Louis XVI style. The bureau, having only been estimated at £2,000 – 3,000 was used by all three of the actresses playing the Queen (Claire Foy, Olivia Colman and Imelda Staunton). The lot was offered with set dressing, including framed
photographs and desk accessories. The piece was important to the history of the show, having served as a prop during the London stage production of ‘The Audience’ in 2013 – the inspiration
for The Crown series. The eventual online selling price was £46,080 (inc. BP).

On a different note, was lot 58 – two Beswick porcelain models of corgis. A common sight in Antique Centres across the UK, they had been chosen by the Set Decorating Department due to their similarity to pieces found in Windsor Castle. Offered together with an Edwardian silver photo frame containing a picture of a corgi – against a pre-sale estimate of £200 – 300 the charming lot sold for £3,328 (inc. BP).

The highest price paid during The Crown Auction Live Auction was for lot 102 – a 1987 Jaguar XJ-SC car – the vehicle had been used as a double for the late Princess Diana’s Jaguar, driven from 1987 – 1991.

The original, now part of the collection of Jaguar Heritage Trust, was adapted from a two-seater to allow Princes William and Harry to be passengers. Elizabeth Debicki as the Princess can be
seen driving it in the show. The car eventually achieved £70,250 (inc. BP).

The Crown auction highlighted the research and detail required when staging a production such as The Crown. This was evident during the online auction, where seven lots from The Crown’s reference library were on offer. Lot 498 included 90 volumes on the Royal Family – the books were no doubt invaluable to the team involved. The footnote detailed how the production used five full time researchers and other full-time staff to achieve historical accuracy – this lot sold for £2,816 (inc. premium).

This white glove sale of over 470 lots eventually realised over £1.6 million.

Watches in the Movies

Posted on November 21, 2023September 9, 2024 by Alastair Meiklejon

Thirty years ago, we wouldn’t be having this conversation. The art of film making in the early 1990s meant that story telling ranked far higher above the constant worry that film makers these days have that a prop might have been out of place, or even worse out of period.

My first experience of this was very early on in life (clearly, I was destined to be picky). It was after watching the fantastic film Backbeat about Liverpool’s finest export during the early Hamburg days. Now whilst the script may have embellished a few historical truths, what was clearly incorrect was some of the equipment used by The Beatles during the film – and if I at 12 years old could tell that some of the microphones were from the 1980s, well I am pretty sure that some other people could too, but – these were those halcyon days before the internet – where once ignorance was bliss, now there would be threads appearing and probable apologies by the directors.

So, in 2023, details count more than ever, and in recent years there has been a concerted effort to make sure that nobody can pick up on the little things that the average movie goer would never actually pick up on, but somebody would notice…. probably on the internet.

In the recent Oppenheimer film, we saw what can only be described visual love affair between Christopher Nolan and Hamilton watches, all historically accurate pieces for the film and when worn in chronological order by (the soon to be Oscar winning) Cillian Murphy, Emily Blunt, and Matt Damon. Nolan is a particular chap, and in this case, it has worked incredibly well – at the point of writing this, he has been rumoured to be talking with the Broccoli family – and I for one would love to see what he does with the Bond watch, especially after the last 20 years of pretty much the same Omega Seamaster.

Going back a little bit, let’s look at a few watches that got it totally 100% right before the time of internet forums and continuity enthusiasts….

First of all, if any watch defines the understated magnificence of a military piece, it’s the classic that is the Porsche Design Orfina Chronograph. As timeless as Tom Cruise’s face appears to be, it was one of the stars of the 1986 film Top Gun, and again was used in the visually incredible 2022 Maverick incarnation. As a true aerophile and pilot, Cruise will have made sure that the PVD coated watch was totally correct, and it was – and still looks amazing to this day.

Panerai are one of those brands that you love or cannot stand… and for those of you that have met me, you will know that I have a small collection of the oversized military based watches, that do get worn regularly – as far as utility watches go, they don’t get much simpler. Daylight was one of the first major times that one of the watches appeared on the silver screen with no less than Sylvester Stallone appearing alongside the PAM5218-201/A as pretty much co-stars in the film.

Panerai up until 1993 had not actually been available to the public, so this outing was really one of the first times the brand had been given major exposure, and subsequently went on to be a mainstay of the oversized watch world.

What is clear, as has been indicated by such modern films as Oppenheimer, and even the Barbie film (check out Ryan Gosling’s TAG Heuer collection) is that the watch world care about details, and because of that, film makers are paying more attention….