The Art World This Winter: 2025/2026’s Must-See Exhibitions

Posted on November 6, 2025November 6, 2025 by Liz Bailey, David Dallas, Jonathan Horwich, Ashley Innes, Fiona Hamilton and Stephanie Connell

Winter is drawing in, so what better time to immerse yourselves in a great exhibition. Thankfully, our team of specialists across the board have compiled their list of must-see events throughout the country. With picks covering contemporary art, cinematic icons, fabulous jewellery and exciting new creatives, there really is something for everyone.

Stephanie Connell - Senior Valuer & Collectors Specialist

Wes Anderson: The Archives

The Design Museum, London
From 21st November until 26th July 2026

“This exhibition at The Design Museum is an exciting opportunity to have an insight into the mind of one of the most innovative and unique film directors working today”

William Nicholson

Pallant House Gallery, Chichester
From 22nd November until 10th May 2026

“This will be the first major exhibition of William Nicholson’s work since 2005. Nicholson’s work influenced not only British art but illustration and design.”

Ashley Innes – Asian Art Specialist

Hawai’i: a Kingdom Crossing Oceans

British Museum, London
From 15th January until 25th May 2026

“This winter I’m looking forward to visiting Hawai’i: a Kingdom Crossing Oceans at the British Museum. There aren’t a lot of opportunities to learn about Hawaii’s material culture on this side of the pond, so it’s not to be missed.”

Marie Antoinette Style

Victoria & Albert Museum, London
Running until 22nd March 2026

“I also really enjoyed viewing the Marie Antoinette Style exhibition at the V&A this autumn, which will be on through 22 March. Despite the exhibition’s name, the breadth of materials on display is far wider than fashion, showing that there is much more to Marie Antoinette than “let them eat cake!”

David Dallas – Old Master Specialist

Daphne Wright: Deep-Rooted Things

Ashmolean Museum, Oxford
Running until 8th February 2026

“The fourth instalment in the Ashmolean NOW exhibition series, where contemporary artists are invited to create works inspired by the museum’s historical collections. Daphne Wright presents a series of sculptures that have been curated by Ashmolean director, Xa Sturgis. Two key Ashmolean pieces that speak directly to Wright’s work are included in the exhibition: the fragments of a young Hercules defeating the Nemean Lion in plaster and Rachel Ruysch’s intricate painting, ‘A Forest Floor’ Still Life of Flowers.”

Images of Authority: Portraits Between Iran and Europe

Ashmolean Museum, Oxford
Running until 15th March 2026

“Another exhibition to take place at the Ashmoleon explores the portraiture of three contemporaneous rulers, Fath Ali Shah Qajar (1797-1834), King George III (1760-1820) and Napoleon Bonaparte (1799-1814).”

Emily Kam Kngwarray: Aboriginal Art

Tate Modern, London
Running until 11 January 2026

“I’ve seen these wonderful paintings in Melbourne, this is the first time they have been shown in Europe”

Eric Ravilious

The Towner Art Gallery, Eastbourne
Permanent Collection

“I’ve always loved Eric Ravilious and now there is a permanent collection of his wonderful watercolours in his hometown of Eastbourne. They are a revelation.”

Caravaggio’s Cupid

Wallace Collection, London
From 26 November 2025 until 12 April 2026

“Don’t miss the chance to see Caravaggio’s masterpiece on loan for the first time in Britain from the Gemäldegalerie in Berlin.”

Liz Bailey - Jewellery, Silver & Watch Specialist

Surrealist Jewels 101. Surrealist Masters

Independent Designers
Louisa Guinness Gallery
From 26th September until 7th November

“This exhibition marks the 101st anniversary of the Surrealist movement and will explore this wonderful design movement through both contemporary and modern jewellers. Featuring rarely seen works by the likes of Salvador Dalí, Claude Lalanne, Max Ernst, Man Ray, Niki dd Saint Phalle and Arman.”

KNOX: Order & Beauty

National Art Gallery at the Manx Museum

Running until 1^st March

“I’d love to head over to the Isle of Mann to catch world’s largest exhibition of works by Archibald Knox. Featuring over 200 items of silver, pewter, jewellery, manuscripts and drawings, many of which have never been exhibited before.”

British Museum’s Tudor Heart Appeal

“Although not strictly an exhibition, I’ll be following closely the British Museum’s Tudor Heart appeal, a national fundraising campaign launched in October 2025 to raise £3.5 million by April 2026 to acquire the 24 carat gold Henry VIII pendant for the nation. I’ll head straight to the British Museum to view the pendant as soon as possible whilst it’s on display during the campaign.”

Fiona Hamilton - Silver Specialist

Drawing the Italian Renaissance

The King’s Gallery, Palace of Holyrood House, Edinburgh
Running until 1st March 2026

“The Renaissance period saw a new found appreciation for creativity. Drawing in this era evolved from an essential tool of workshop practice to a revolutionary art form. Featuring work by Leonardo da Vinci, Michelangelo and Titian from the Royal Collection this is a must see for all art lovers”

Jonathan Horwich - Modern & Contemporary Specialist

Kerry James Marshall: The Histories

Royal Academy, London
Running until 18th January

“My pick of the Winter exhibitions has to be the very gifted painter, Kerry James Marshall at the Royal Academy. I’m drawn to this exhibition for Kerry James Marshall’s masterful technique and his reworking of Western art historical traditions. His large-scale, symbol-rich paintings powerfully center Black narratives, offering both critical reflection and visionary storytelling through paint.”

Vintage Movie Posters: The Frighteningly High Value of Classic Horror Art

Posted on October 30, 2025October 23, 2025 by Stephanie Connell

“Do you like scary movies?” – it’s spooky season, so to get ourselves in the Halloween mood I will be looking at some of the world’s most desirable horror movie posters. Be prepared, the replacement costs can be ‘frightening’!

Silent Movie Posters

Nosferatu (1922) is arguably, the most recognisable horror film of the Silent era. A masterpiece of German expressionist cinema it has remained influential for over a century. Yet Count Orlok had a brush with an horrific fate – to vanish from existence!

The plot for Nosferatu was taken directly from Bram Stoker’s ‘Dracula’, but without permission! Despite altering the character names to avoid suspicion of breach of copyright, Stoker’s name and the word ‘Dracula’ were used to promote the premiere.

Bram Stoker had died just 10 years prior to Nosferatu’s release. His widow, Florence Stoker, was alerted to the films existence by an anonymously sent copy of the Berlin premiere programme. A legal battle with the producers ensued. The resulting court judgement stated that all copies of the film should be destroyed. And yet Nosferatu survived!

The stunning production design and promotional design were created by occultist artist Albin Grau (1884 – 1981). Due to the copyright issues surrounding Nosferatu, original ephemera is rare. In 2019 a German magazine advertisement from 1922 (see below), sold at auction for $52,800. Although this type of ephemera is usually of limited value, have a piece from Nosferatu in your collection? Expect to insure it for around £70,000.

In Hollywood the biggest star of Silent horror was Lon Chaney (1883 – 1930). Chaney was an inventive actor. However, Chaney’s real legacy was as a skilled makeup artist and prosthetics designer. In an age when makeup was seldom used on screen Chaney crafted looks which continue to startle audiences.

One of his most famous roles was as Quasimodo in the 1923 adaptation of ‘The Hunchback of Notre Dame’. Copyright lapsed on ‘The Hunchback of Notre Dame’ in the 1950’s, so like many silent pictures, it’s available to watch for free online. An original theatrical release poster was offered at auction by Bonhams, Los Angeles in 2019. The eerie scene, with stunning artwork typical of the silent period, sold for $212k (including buyer premium). The insurance replacement cost here is in the region of £350k.

One of the highest prices ever paid for a poster at auction was for Chaney’s horror ‘London After Midnight’ (1927) (below).

‘London After Midnight’ is one of the great lost ‘pictures’ of the silent era. The last known copy of the film, featuring; vampires, Scotland yard detectives and hypnotism, was destroyed in the MGM vault fire during the 1960s. Should the movie itself ever be rediscovered, it would likely be worth over six-figures.

The only known copy of the original American one-sheet poster (see below) was unveiled during an auction at Heritage, Dallas in 2014. With collectors clamouring to own this unique piece of horror history, it sold for a startling $478,000. Insurance values for a piece of this calibre would be in the region of £750,000.

Horror Movie Posters from the 1930’s

By the late 1920s, the arrival of ‘talking pictures’ brought new horror movies and new stars.

The first major horror ‘talkie’ was ‘Dracula’ (1931) starring Bela Lugosi. An enormous commercial success, the film has defined the image of the character for generations, inspiring countless Halloween costumes.

Its worth noting the market for some ‘Golden Age of Hollywood’ posters has slightly cooled in recent years. Prices overall for horror remain high.

An original poster for ‘Dracula’ was sold by Prop Store auctions, Los Angeles earlier this year, fetching $264,600 (against an estimate of $150k – $300k). Dracula’s poster had several versions, this one being ‘Style F’. A scarcer ‘Style A’ was offered by Heritage Auctions in 2017. As one of only two known copies, it made a record of over half a million dollars ($525,800 including BP).

The British director James Whale, though you may not be aware of it, will have influenced what you consider horrors icons. In 1931 he directed ‘Frankenstein’ starring Boris Karloff. Karloff’s ‘Frankenstein’ was one of these icons. Elements may seem cliché to today’s audiences, but these scenes were revolutionary.

Earlier this year, a copy of ‘Frankenstein’ went under the hammer, again at Prop Store L.A. This American ‘Style A’ version was one of just seven or eight known to exist. It sold for just over $200k. As with ‘Dracula’ different styles were produced for the original American ‘Frankenstein’ release. If you are lucky enough to own a copy it should potentially be insured for upwards of £250,000.

Frankenstein’s sequel ‘The Bride of Frankenstein’ (1935) is one of the most eye-catching posters of the era. Starring British actress Elsa Lanchester as ‘The Bride’ an extraordinary half sheet poster, one of only two known, was offered for sale by Heritage in 2023. When the gavel fell, the price was $100k. Interestingly a remake ‘Bride!’ is due for release in early 2026.

British Horror 1940s – 1970s

One of the greatest pieces of cinema created by Ealing Studios was ‘Dead of Night’ (1945). An anthology the plot features several spooky stories told over the course of one evening. It is most famous for the section featuring a ventriloquist’s dummy, but to those who collect antiques the haunted mirror sequence is probably the most terrifying.

The original poster for the British release is relatively uncommon. Bonhams offered a copy during 2021 – despite being backed onto card (an undesirable method of restoration) it sold for £11,475.

The movies made by Hammer Productions from the late 1950s to 1970s are the pinnacle of British horror collecting. Dubbed ‘Hammer Horror’ the London based studio released 50 horror films. Their most successful starred legendary pairing of Sir Christopher Lee and Peter Cushing. The combination of colourful gore with glamourous villains was a successful one. Hammer brought versions of Dracula, Frankenstein, and Sherlock Holmes to new audiences.

Unsurprisingly, original posters for Hammer’s Dracula (1958) starring Lee and Cushing are the most valuable. Dracula was such a hit Hammer released eight sequels! Don’t let ‘Dracula’ come back to bite you, British quad posters from the original release should be insured for at least £50,000. With Hammer in demand, many of their major motion pictures should be looked at for insurance.

1960s and later

More recent releases may not have posters achieving over £100k yet, but don’t be afraid to get them appraised.

Alfred Hitchcock’s Psycho (1960) is a key poster for anyone building a collection. Almost all cinephiles will be aware of the shower scene, yet Psycho still surprises and shocks!

Released under a veil of mystery, with audiences sworn to secrecy about the plot, Psycho was a massive box office drawer and an instant classic. If you are looking to start a collection, a copy of the US one-sheet for Psycho can typically be secured for around £3,000.

George Romero’s ‘The Night of the Living Dead’ (1968) redefined horror and created the modern zombie movie recognisable today. It was shot on a shoestring, with a budget of just $100,000, it eventually grossed over $30 million!

The British poster for the 1968 release is probably the most visually striking. If you are looking to acquire a copy or insure, anticipate around £2,750.

Finally, to John Carpenter’s Halloween. Released in 1978 Halloween captures an essence of the many films which precede, while popularising a new genre, the ‘slasher’ movie.

Unusually, the most valuable poster for the movie is Australian (Australian posters are ordinarily among the most affordable). Unlike other copies it features a strong image of the character Michael Myers. A typical replacement price is between £2,500 and £3,500.

The defining poster image however is the American version including artwork by Robert Gleason. Have a copy? Insurance should be a minimum of £2,000.

If you have a collection that needs valuing, drop us a line at [email protected] or call us on 01883 722736.

The Eyes Have It – With Eye-Catching Prices!

Posted on August 7, 2025August 7, 2025 by Stephanie Connell

John Lennon, Gandhi, Malcolm X, Iris Apfel and Benjamin Franklin – what do they all have in common? Glasses!

Spectacles are so associated with these historical figures; it may be the first thing used to describe their appearance. The same can be said of fictional characters – from Harry Potter to Clark Kent glasses are a defining feature.

Interestingly, eyeglasses are documented as having been used as early as the late 13th century. By the 20th century, their connection with impairment and use by academics and learned individuals may have resulted in what one might call ‘geek chic’.

In the world of memorabilia, instantly recognisable glasses are highly sought after by collectors – certain frame shapes immediately evoking renowned figures.

As one would anticipate, provenance is a key factor in determining value. The closer the association with a star (or the production) the higher the prices. In recent years, sales from the estates or collections of famously bespectacled individuals have allow buyers the opportunity to purchase pieces guaranteed to be genuine.

Earlier this year the sale of Barry Humphries: The Personal Collection was held at Christie’s, and clearly illustrated this point. The sale included several pairs of glasses worn by Humphries as his most famous comic character ‘Dame Edna Everage’.

The glasses were offered individually with an estimate of £1,000 – 1,500 each. Spectacles were a crucial part of the iconic characters costume – therefore these unusual designs generated enormous interest.

It can be difficult to predict the value of such pieces, where rarity, excellent provenance, and a strong fan base combine. The highest priced paid was for the yellow lacquered ‘possum’ glasses. Based on the characters catchphrase the ‘eye-catching’ eyewear sold for £37,800! (insurance replacement in the region of £55,000). While a glittered-star and diamante pair by David Cox also sold for just over £30,000 (insurance region of £45,000).

Another comedy great’s glasses were also sold this year. In January 2025 auctioneers Hanson’s offered the collection of the late British comedian Eric Morecambe. The highest price achieved during the two-day 816 lot auction was for a pair of Eric’s signature glasses (offered together with a pipe). The pre-sale estimate of £2,000 – 4,000 was fair in light of the provenance. However, one serious fan was determined to purchase the glasses. They reached a hammer price of £20,000 (insurance value anticipate £40,000).

Post-sale it was revealed that fellow celebrity glasses wearer Robbie Williams had been the buyer. It is common for serious memorabilia collectors to have an emotional reaction when acquiring an important personal piece. Williams commented he had shed ‘happy, childlike tears’ upon successfully purchasing the lot.

When Sir Michael Caine offered his personal collection at Bonhams in 2022, one of the highest prices amongst the memorabilia was for a lot described as ‘a pair of Sir Michael Caine’s iconic spectacles’.

Manufactured by Rodenstock, similar vintage pairs can be purchased in a retail environment for under £200. However, as with the previous pairs discussed the importance of the provenance resulted in a final total of £16,500 (Insurance price £25,000).

There have been a few instances in recent years were glasses worn by John Lennon have gone under the hammer. In 2020 Sotheby’s held an auction dedicated to The Beatles. And what was the highest price achieved during the auction? As one may guess it was for a pair of these frames. With provenance suggesting they had been given by Lennon to his housekeeper in 1965, they were believed possibly the first pair of round frames he owned. With an estimate of £30,000 – 40,000, they sold for £44,100. If you are lucky enough to own a pair of John Lennon glasses expect to insure them for a minimum of £70,000.

These glasses were of a similar design to a pair which hold the world record for a pair of glasses at auction. In August 2020 East Bristol Auctions offered a pair of gold-plated round spectacles which by repute had belonged to Mahatma Gandhi.

According to information provided by the vendor they had been gifted to their uncle in South Africa c. 1920 – 1930. Both Gandhi’s historical importance and the iconic nature of the piece led to a pre-sale assessment of £10,000 – 15,000. This time they achieved a hammer price of £260,000 (total selling price of £316,000, insurance replacement £450,000 region). Sunglasses and glasses relating to Gandhi have appeared on the open market on a few occasions, if looking to invest anticipate over £10,000 for any pair.

In 2025, glasses are highly fashionable, regularly worn on the red carpet by A-list actors such as Pedro Pascal, Jonathan Bailey, and Robert Downey Jr. Designer brands such as Jacques Marie Mage, Tom Ford, Cutler & Gross and Cartier are currently offering collections of ultra-luxe frames, possibly the star worn collectables of the future.

If you are looking to start collecting, the market is ever changing but new or previously unknown examples appear regularly. Retaining the provenance is essential and will dictate any future change in value.

When Old Tech Turns Valuable: What’s Worth Insuring in Vintage Technology

Posted on June 26, 2025June 25, 2025 by Stephanie Connell

Historic technology collecting is a constantly evolving field, where exciting developments can quickly lead to new assets.

Many of us have old phones and computers, it can be tricky to decipher which pieces of tech are worth looking at for insurance.

Demand is influenced by several factors. For valuable vintage technology more broadly, the most valuable are those historically important pieces which resulted in a change in global society.

So let us look at a few areas of the vintage technology market and what to look out for and what’s worth insuring in valuable vintage technology.

In July 2023 Apple grabbed the headlines when a first-generation iPhone sold at auction for over $190k (suggested insurance figure £250k) – tripling the record price set just 4 months earlier. Surprising for a phone whose purchase price was around £500 when released in 2007.

But this iPhone was not an ordinary example. The lot was ‘factory sealed’, meaning this rare survivor was unopened, unused, and still in its plastic casing. The phone was also a 4GB storage model, this version was less popular when issued in 2007, therefore scarcer. As a comparison Heritage auctioneers sold a factory sealed first generation of the more popular 8GB version in February 2024 for $21,600 (Heritage, Video Games, Lot 28129, February 24, 2024 – suggested insurance figure £65k).

In the current market, replacement values for first generation iPhones typically only exceed £500 in instances where the device is in excellent condition with packaging. It is the extremely rare factory sealed pieces which are the ones to look out for.

The most collectable pieces in the world of Apple products are those manufactured in the early days of the company.

In September 2024 auctioneers Christies sold an Apple computer for $945,000 (suggested insurance £1.8 million).

However, this example, was arguably the most important commercially produced computer in the history of the company.

An Apple-1 personal computer, manufactured in 1976, it was sold as part of the collection of the late Microsoft co-founder Paul Allen (2024, Lot 10, Paul G. Allen Collection, Christies NY). The first commercial Apple computer, this piece had previously stood in the office of Steve Jobs. The value here is dictated not only by the technology itself, but as an extremely important item in the history of computing. Early Apple products are scarce and of great interest to collectors – Apple-1, Apple II, Apple Lisa and prototypes should all be considered.

To retro gaming: with contemporary video game collecting, those pieces with the highest values are akin to the markets for vinyl, trading cards, collectable figures, and comic books. Rarity and condition are pivotal factors in value. Original packaging and unopened are desirable to collectors.
Areas with a strong international market and instantly recognisable brand name such as Sony Playstation, XBOX and Nintendo command the highest prices. Those produced with a more British focus such as the educational BBC Computers or ZX Spectrum in general are of limited value.

Looking at the market for Nintendo video games, in July 2021 auctioneers Heritage sold a copy of Super Mario 64 for an astonishing $1.5 million. This piece was not a typical game of its type. This version was unopened and sealed, it had been professionally graded at 9.8 – being a near mint copy – only four versions are known at this grade (Heritage Video Games auction, July 2021, lot 28137). It is worth noting that in the same auction, the same game with a slightly lower grading of 9.6 fetched just over $13k (suggested insurance for 9.6 version £15k).

In general Nintendo video games would have been played and sold in large numbers – these are of modest value and not usually requiring separate insurance. Sealed version of iconic titles such as Zelda and Super Mario are amongst the most desirable.

Here are some factors worth looking at for more valuable pieces. Was the piece rare at time of issue? For example, games that were not commercially available when manufactured. ‘Not For Resale’, ‘Test’, and ‘Competition’ editions are all something to be aware of. These pieces are extremely rare – they would have been exceptional or unusual at the time of acquisition (see Heritage Auctions, June 12, 2025 – Video Games – Lot 79029 – Super Mario Club Communication Cartridge CIB sold for $475 – suggested insurance value is £600).

Furthermore, games which were unsuccessful at the time of release, therefore sold in small numbers, if in excellent condition can be valuable.

For those consoles which were more widely commercially available condition is key to value. Nintendo manufactured the ‘Game & Watch’ series – a precursor to the Game Boy – where each handheld console played just one game. Game & Watch are popular amongst collectors and can be a good entry point.

In September 2023 auctioneers Ewbanks sold a Super Mario Bros Crystal Screen (YM-801) in very good condition with box for a hammer price of £750 (Lot 5036 – Ewbanks – Retro Video Games & Consoles – September 28, 2023 – suggested insurance value £875).

When a lesser condition version appeared at auction last year, again with box, it achieved a hammer price of £320 (Hawleys Fine Art – 18th May 2024, lot 1182).

In the field of retro video gaming, there is combination of nostalgia, for vintage titles played during childhood or adolescence, alongside iconic names and characters with broad appeal.

If you haven’t considered it before, your valuable vintage technology of treasured vintage home computing, technology and retro video games, may be worth insuring.

This Summer’s Unmissable Exhibitions

Posted on May 28, 2025June 5, 2025 by Ashley Innes, Fiona Hamilton, Jenny Knott, Liz Bailey, Richard Fattorini, Stephanie Connell and Ben Hanly

Our team of specialists have picked the unmissable exhibitions from Summer ’25. Looking to fill those long summer days with fine art, culture and exquisite jewels? We are on hand to direct you to some of this summer’s must-see events and finest works on display.

Ashley Crawford, Asian Art Fair

The Treasure House Fair, Royal Hospital Chelsea, running from 26 June – 1 July 2025.

“I’m looking forward to attending the Treasure House fair in Chelsea this June, which is the successor to the long popular Masterpiece Fair. There is an electric mixture of fine and decorative arts from all over the world, and, of course, the food can’t be beat!”

Fiona Hamilton, Silver Specialist

Royal Scottish Academy Annual Exhibition, Edinburgh, 3rd May until 8th June.

“A must see in the Edinburgh art calendar is the RSA Annual Exhibition. Now in its 199th year the largest and longest running annual exhibition of art and architecture in Scotland showcases a fantastic variety of work, there really is something for everyone! For a post exhibition refreshment why not visit the fascinating Edinburgh Gin Bar and Distillery in the city centre!”

Siena: The Rise of Painting, 1300-1350, National Gallery, London, running until 22nd June 2025.

“The Siena exhibition at the National Gallery looks wonderful. It’s about painting in Siena, Italy between 1300 and 1350 and how that period and the numerous artists working in Siena at the time, was not only hugely important in its own right, but went on to shape so much that followed, not only in painting but also other artistic mediums.”

Jenny Knott, Silver Specialist

Edwardians: Age of Elegance, The King’s Gallery, Buckingham Palace, running until 23rd November 2025.

“Showcasing more than 300 objects from the Royal Collection dating from 1863 to 1918, the Edwardians: Age of Elegance exhibition promises opulence and glamour! Featuring works by the most renowned artists of the period, including Carl Fabergé, Frederic Leighton, Edward Burne-Jones, Rosa Bonheur, John Singer Sargent and William Morris, this exhibition features a range of jewellery, works of art, paintings, books, and many more. Highlights include the Dagmar Necklace of 1863, an elaborate diamond, pearl and enamel necklace that was a wedding gift to Alexandra from Frederik VII of Denmark.”

Cartier, Victoria & Albert Museum, London, running until 16th November 2025.

“How could we not feature the hotly anticipated Cartier exhibition at the V&A! Featuring over 350 pieces including jewellery, watches, clocks and historic gemstones, this is a rare chance to see pieces from the span of Cartier’s history. Exhibiting many pieces from private collections and amassing plenty of five-star reviews already, this certainly is my pick of the bunch for exhibitions this year – and I can’t wait to attend!”

Liz Bailey, Jewellery, Silver & Watch Specialist

Cartier Style, a talk by Helen Molesworth & Pierre Rainero, Victoria & Albert Museum, London, Thursday 5th June, 7pm

“I am looking forward to attending this talk by my former colleague Helen Molesworth, now the V&A Senior Curator of Jewellery and Image, with Pierre Rainero, Style and Heritage Director of Cartier.”

“As the Image, Style and Heritage Director of Cartier for more than two decades, Pierre Rainero is responsible for overseeing and preserving the aesthetic integrity of the Maison, ensuring seamless integration of innovation and legacy with each new piece. Join him in conversation with V&A Senior Curator of Jewellery Helen Molesworth for an exploration of the evolution of Cartier’s style over its storied history to contemporary designs, discussing the links that unite past, present and future production.” V&A

Richard Fattorini, Rare Books & Manuscripts, Historical Photographs and Maps Specialist

Josephine Bowes: Trendsetters and Trailblazers at the Bowes Museum co. Durham. Ends 29 June.

“I am fascinated to see how Josephine Bowes sought to establish the fantastic collection which now forms the Bowes Museum. It is rare for a woman to have formed such a collection during this period and she sought to buy examples from a wide range of disciplines and artists.”

Stephanie Connell, Senior Valuer & Collectors Specialist

Siena: The Rise of Painting, 1300 - 1350, National Gallery,Until 22 June 2025

Goya to Impressionism: Masterpieces form the Oskar Reinhart Collection, Courtauld Gallery, Until 26th May

Leigh Bowery!, Tate Modern, Until 31st August

Antony Gormley: WITNESS. Early Lead Works, White Cube, Mason’s Yard, Until 8th June

David Hockney: Bigger & Closer (not smaller & further away) Lewis Cubitt Square and Lightroom entrance, King’s Cross, Until 29th June

“This summer, I’m particularly looking forward to a mix of historic and contemporary shows across London. Goya to Impressionism at the Courtauld brings together highlights from the Oskar Reinhart Collection, offering a rare opportunity to see these works in the UK. Leigh Bowery! at Tate Modern promises to be bold, challenging and visually striking. Antony Gormley’s early lead sculptures at White Cube should offer something raw and introspective. And I’ll definitely be catching Hockney’s immersive digital show in King’s Cross – it’s ambitious in scale and packed with colour and movement.”

Ben Hanly, Contemporary Art Specialist

Whether your summer takes you north to Edinburgh or keeps you in the capital, there’s no shortage of exceptional exhibitions to explore. From Renaissance masterpieces to bold contemporary installations, this season’s line-up is a reminder of the richness and range of the art world. We hope you get the chance to see something that stays with you long after the summer ends.

As Chelsea Celebrates Gardens, We Uncover Their Hidden Worth

Posted on May 22, 2025May 21, 2025 by Stephanie Connell

The RHS Chelsea Flower Show 2025, is currently underway. In recognition of Chelsea, we are considering an often-neglected area for insurance: the garden.

We will be sharing some recent auction highlights, illustrating the fascinating and valuable items that can be hidden in our outdoor spaces.

The history of British gardening has deep “roots” dating to The Romans. The first pleasure gardens were planted in England almost 2000 years ago. Domestic gardening, as understood today really evolved over the past two centuries. Currently, it is estimated that 78% of British adults have access to a private garden, with the UK garden market worth over £8 billion annually. It is clear, we are a nation of gardeners.

So let us turn our attention to these spaces. Earlier this year, Chiswick Auctions uncovered a fascinating piece in a London garden. What at first glance appeared to be a forgotten broken flowerpot, surrounded by weeds, turned out to be a significant discovery. This unassuming ceramic vessel was an unknown work produced by the eminent studio potter Hans Coper (1920 – 1981). (Chiswick Auctions, Design, 15th April 2025, lot 267). Notable for its monumental proportions, it was one of Coper’s largest creations. Coper’s work is highly desirable and can fetch hundreds of thousands of pounds.

Working with the family, the auctioneers found it commissioned by their late mother in 1964. Unfortunately, at some point, it had been broken into two pieces, the owner then choosing to place it in her London garden.

A lost treasure, the work was estimated at £6,000 to £8,000. Despite its condition, it sold for a total of £45,990.

Investing in garden statuary can significantly enhance an outdoor space, and historical influences continue to shape the design of our gardens.

This results in exceptional items from antiquity, occasionally being unearthed in British domestic gardens.

In May, auctioneers Toovey’s, offered an important bust of the Roman Emperor Septimius Severus (Toovey’s Auctions, Furniture etc, 15th May 2025, lot 2350). Produced in the late 2nd or early 3rd century AD, the sculpture was once part of the collection held at the Perthshire estate of Rossie Priory. It was subsequently obtained in the mid 20th century by the artist Edward Halliday CBE (1902 – 1984).

Halliday chose to exhibit it outdoors. Photographs from the 1950s, show the impressive figure of Septimius Severus on display in the garden of Halliday’s St. John’s Wood home, in one image even wearing a policeman’s helmet. The ancient figure of the emperor remained outdoors until he was consigned for auction.

The bust was offered with a pre-sale estimate of £40,000 to £60,000. The total selling price for this rare survivor was just over £142,000.

Edward Halliday additionally acquired a 2nd century AD cinerary urn also from Rossie Priory (As before lot 2351). This artifact was similarly utilised by the Halliday family as a garden ornament. The carved marble was estimated at £2,000 – 3,000, the result on this occasion was £5,176 (hammer price £4,000).

Several of Britain’s foremost artists and designers have created works specifically for outdoor use. These striking objects and artworks can be prominent features in British gardens.

Archibald Knox (1864 – 1933) was a pivotal figure in the Arts & Crafts movement. Knox’s work was wide ranging. As principal designer of Liberty & Co., his designs helped shape the Liberty ‘look’.

While many are familiar with Knox’s metalwork designs for Liberty, it is worth noting that he also created pieces for the garden. Marketed as ‘Modern Celtic Art’ the range included planters, garden urns, and objects in sandstone and terracotta.

These understated pieces deserve careful attention. In summer 2024, auctioneers Rosebery’s sold a scarce sundial designed by Knox, manufactured by Liberty & Co., circa 1905. (Lot 59, Rosebery’s, Design, 17th July 2024). The ‘Floralis’ pattern work in terracotta and brass sold for a total of over £6,000.

This collection can go unrecognised. If you are considering replacement costs, Liberty urns typically exceed £1,000 on the open market (for an example to illustrate see lot 1491, Mallams Auctioneers – The House & Garden Sale, 25th March 2025).

Edward Bawden (1903 – 1989) was a central figure in British art. As a printmaker, painter, and illustrator, he captured a distinctly English perspective. Surprisingly, his work extended to designing garden furniture. Initially creating furniture for his home in Saffron Walden, these pieces were produced commercially in the 1950s, by the Bilston Foundry in Staffordshire.

Bawden’s seating sometimes appears at auction and can occasionally go unattributed. In early 2024 an example of a Bawden cast iron bench emerged at Sworders. In apparently excellent condition it reached a hammer price of £4,000 (Sworders, Design, 16th January 2024, lot 180).

Other notable names include the Coalbrookdale Company (circa 1709 – circa 1927) renowned for its production of cast iron garden furniture, primarily during the 19th century.

Coalbrookdale originals can be worth several thousand pounds. For instance, a rare example of the Osmunda Fern Pattern bench, manufactured in the late 19th century was sold by Dreweatt’s last year. It achieved just over £10,000 (Dreweatt’s, Ken Bolan: My Mind’s Eye, 14th May 2024, lot 185).

Garden enthusiasts may appreciate a quote from British garden designer Gertrude Jekyll (1843 – 1932), “The lesson I have thoroughly learnt, and wish to pass on to others, is to know the enduring happiness that the love of a garden gives…”

To arrange a valuation of your items, call us on 01883 722736 or email us on [email protected].

Under the Tree: What our team are hoping for this Christmas

Posted on December 18, 2024December 18, 2024 by Rachel Doerr

We’ve asked our fabulous team of valuers and admin staff, what they would like to find under the christmas tree if money were no object. Find out what they picked below…

Rachel Doerr, Managing Director

“After a visit to Boodles in Knightsbridge, I couldn’t stop thinking about this Knot White Gold Diamond Ring – it really caught my eye. The design is just stunning, and the diamonds have such a gorgeous sparkle. It’s the kind of piece that feels timeless, and I’d love to find it under the tree. Another thing I’d be happy with is a pair of single-stone diamond earrings. They’re simple, classic, and would go with pretty much anything. And if I’m being really wishful, I’d also be thrilled with two black labrador puppies. They’d bring so much joy and energy to the house – definitely the best kind of Christmas surprise!”

David Dallas, Old Master Specialist

“I have taken this question rather literally! Dressing the Christmas tree with the children and now grandchildren is a seasonal tradition not only in the Dallas household, but almost everywhere in the Christian world.
Whenever I am in New York in December, I go to the Metropolitan Museum of Art, where there is a 20ft Christmas tree underneath which is grouped a nativity scene made of beautiful 18th Century Neapolitan Creche Figures and animals, which have been loaned by Loretta Howard and her family since 1957.
I’m not sure if one could ever find figures the quality of Loretta Howard’s, but even 19th Century Crib Figures can be in excess of £600 each, so they would cost a small fortune. Please be generous Santa!”

Alastair Meiklejon, Senior Valuer

‘When Christmas comes each year it is a time for not only giving presents, but writing cards and getting in touch with people that you may not have spoken to throughout the year – whilst modern times dictate that you can email, or message – there is still something special about receiving a letter from a loved one, and what better way to do it than with a Montblanc pen. Whilst many people look at the ultra valuable fountain pens that they are well known for – I would opt for the entry level roller ball. With all the style and class of the bigger relations, but with a fraction of the cost”

Ben Hanly, Impressionist, Post-War & Contemporary Art Specialist

Alas, what I really, really want under the tree this Christmas is not going to happen…
Although I am a picture man through and through, what people might not know, is that I adore antiquities and early sculpture…. I suppose as dark secrets go, it’s not that bad!
What I saw in an auction in November was a superb Khmer stone figure of a standing Goddess from Cambodia, dated to the 11th-12th AD – estimated at £5,000-8,000. I know this is not a small amount of money (it’s Christmas so who cares about reality!) – but the sculpture was amazing, and a perfect example of art from this period when the Cambodian civilisation was at its peak (anyone been to Angkor Wat?).
The sculpture is so simple and elegant, and the condition is excellent – discounting the missing arms and head! Unfortunately, I was not the only one with good taste – the work was bought by someone else with more money than myself for £8,000 plus fees. All I can hope for is that the buyer was in fact my wife who bought it as my surprise Christmas treat! Fingers crossed!

Jonathan Horwich, Modern & Contemporary Art Specialist

“I would like to see a watercolour or two by Eric Ravilious (British, 1903-1942) under the tree, his work is sublime and uniquely English, his skill with watercolour is second to none and he faithfully follows in the footsteps of the great Masters of 19th Century watercolour painting tradition such as JMW Turner – Around £80 to 120,000 for something like this…”

Jenny Knott, Silver & Jewellery Specialist

“I have always loved Christmas and all the traditions that go with it. When I first worked at Bonhams Knightsbridge fresh out of university and earned a pittance, I would cross the road to Harrods once a week and buy a single decoration from their Christmas shop. Since then, I have bought Christmas tree decorations from all over the world and clever Father Christmas has given my children a decoration every year since they were born, so that they now have enough to decorate Christmas trees of their own. I would love therefore to have another decoration to add to my collection, perhaps something from the Georg Jensen range, always stylish and classy. The Scandinavians really do know how to do Christmas. However, if I am really allowed to indulge myself, I would love a delicate Edwardian natural pearl and diamond necklace. Something that could be worn everyday or with evening dress. This would give me great joy, transcend the vagaries of passing fashion and be something to pass on to my daughter in due course. I’ll have to wait and see if I’ve been naughty or nice and what Father Christmas has in store for me!”

Annabell Parry, Jewellery Specialist

“They are a variation on the classic chandelier earrings but were popular in the 1800’s and often have rose cut, old mine cut and old European cut diamonds which were cut for candlelight and worn by beautiful wealthy women who had daytime and nighttime versions. Nowadays I would happily settle with a pair glittering in the winter evenings at a snug private dinner.
Surviving pairs of these earrings are rare as they were so decadent they have often been broken down during tough times. Therefore, because of their rarity, the value of a good pair is considerable so should any ever come up at auction there is always fierce international bidding and could be argued to be a savvy purchase and investment. I’ve sourced my ball gown, carriage and Prince just waiting for the finishing touch …..at a rough guess £80 – £100k”

Aurélia Turrall, Jewellery Specialist

“I’d like to find a diamond-set Trinity ring by Cartier. Cartier’s reputation needs no explaining. Their craftmanship remains unique, stylish and guarantees longevity. The Trinity ring is the perfect gift as it comprises the three gold colours, ready to suit any skin tone, and the diamonds add sparkle which is what Christmas is all about when it comes to the ladies’ gifts! It is ingenious of the brand to offer this ring in so many different options. The ring that I would like only has one band pavé-set with diamonds, and can be small or classic.”

Francesca Orme, Jewellery Specialist

“I would love to see a small wrapped parcel with a red box!!! And inside this striking incredible ring by Cartier. It’s not very old- 1970’s but I just love the design and how wearable it is! It makes a real statement but the fact that it’s made up of lots of small graduated pieces, with lapis lazuli floral top and diamond highlights, makes it delicate at the same time. £25,000- a steal!!!!

Richard Fattorini, Rare Books & Manuscripts, Historical Photographs and Maps Consultant Specialist

“Under the Christmas tree I’d be thrilled to discover a signed or inscribed copy of Ian Fleming’s novel Casino Royale which introduced the world to the now legendary British spy James Bond. The book was first published in 1953 with a dust-jacket devised by the author, and with a modest first print run of 4,728 copies. The book was an enormous success and Ian Fleming went on to write a further 13 novels in the series, which have sold more than 100 million copies to date. A first edition in a dust-jacket will cost from £10,000-30,000 depending on condition, and a signed or inscribed copy from £30,000-125,000 depending on the inscription.”

Stephanie Connell, Senior Valuer & Collectors Specialist

“If i were to find one special piece under the Christmas tree it would be a Cecil Beaton design for the stage production of ‘Coco’ starring Katherine Hepburn. These designs are a combination of three 20th century legends – Cecil Beaton was at the height of his powers as an artist and costume designer. The musical starred the all time leading multi Academy Award winning actress Katherine Hepburn as Coco Chanel. Chanel in turn is the most influential fashion designer of the 20th century! Bonhams recently sold a very good example created for the 1969 production which would be a very special gift.”

Liz Bailey, Jewellery, Silver & Watch Specialist

“I would just love to receive some vintage Elsa Peretti under the tree! This year has really shone a light on her wonderful designs in the fashion world, I have well and truly been ‘influenced,’ seeing celebrities such as Rosie Huntington-Whiteley stacking up their Peretti bone cuffs over simple and stylised outfits. I personally could see myself wearing one of her lovely vase pendants, a vintage one of course would be preferable but I would be thrilled with this one currently retailing at £4,100.
… If Santa is feeling flush this year, I would definitely love to add to my watch collection! A Jaeger-LeCoultre calibre 101 collection wristwatch would be a dream Christmas present! This 1970s example was set throughout with nine carats of baguette cut diamonds – the perfect blend of fine jewellery and watchmaking innovation – the 101 movement was created in 1929 and is renowned for being, still to this day, the world’s smallest mechanical movement ever made – weighing just one gram!

Fiona Hamilton, Silver Specialist

“Chinchillas normally cost between £80 and £200 and make excellent pets! Originating from the rocky slopes of The Andes they live together in large colonies, so cute!

Or I’d also love to see an Art Deco Day and Night ring from the 1920s, multiple rings in one! £3,315.51- 1st Dibs”

Ashley Crawford, Asian Art Specialist

“If I could receive any gift this holiday season, I would choose this terracotta figure of a court lady from the Tang Dynasty that I was fortunate enough to view in person at Sotheby’s New York during Asia Week this year. The Tang Dynasty has always been one of my favorite periods of Chinese history, not only from an art historical standpoint, but also because of the freedoms that court women enjoyed compared to in the surrounding dynasties. Terracotta sculptures of such women shed insight into their daily lives and interests, such as riding horses, playing music or dancing in women-only ensembles, or displaying the latest fashion trends. Tang court ladies are either portrayed as very thin or round, with the latter shown here in this 8th-century example. Her large zhuimaji (“falling off the horse”) hairstyle is modeled after the concubine Yang Guifei and is characteristic of the period, as are her long sleeves extending well beyond her hands.There is no shortage of Tang ladies in the Asian art market, meaning that unusual or high-quality examples perform significantly better at auction. This Tang lady is notable for her size, condition, and provenance.”

Jane Vann, Valuations & Private Client Services Administrator

“A few years ago, 2016 to be precise, Adele headlined on the Pyramid stage at Glastonbury. As always, her performance was exceptional in her typically down-to-earth way, complete with her ‘potty’ mouth as she calls it! But apart from her singing and language, another thing stood out for me – her bracelet! Her outfit that night was a lovely Boho style dress, complemented with this lovely bracelet that I had to Google to find out what it was, as I’d never seen one before! Since then, everyone is wearing them, including Queen Camilla, who can regularly be seen wearing her turquoise example! I’m quite sure that Queen Camilla’s will not be fake, which probably can’t be said for all the women and girls I see wearing them now! It is of course the Vintage Alhambra bracelet with 5 motifs.”

Kristin Panagiotou, Administration Manager

“As a massive Prince fan, I would love to receive a copy of the new book Prince: Icon. Prince: Icon is a photography book curated by Steve Parke, former art director at Paisley Park, and contributions from those close to him, with new and rarely seen images of the artist, from album covers, performances, candid snapshots and portraits to name a few. I was fortunate to attend a Prince concert when I was in high school and his music, art and creativity has continued to inspire me since then. This book would be a perfect addition to my Prince music and memorabilia collection. ”

Jenny Serra, Marketing Manager

“I am a big kid at heart and love the magic of Christmas each year. What I would really love is to visit Lapland and pretend for a few days that it’s all real – completely immerse myself in all the Christmassy goodness. I would visit Father Christmas, feed the reindeer, travel by sleigh, play in the snow and drink cocoa by a roaring fire. I can’t think of anything I’d enjoy more!”

Sotheby’s Pop Culture Sale: A Star-Studded Auction from Music to Film

Posted on October 10, 2024November 25, 2024 by Stephanie Connell

During September, Sotheby’s London held their inaugural ‘Popular Culture’ sale.

The market for memorabilia has been a focus for international auction houses in recent years. Sotheby’s historically was one of the first major players in memorabilia but chose to move away from the field in the early 2000s. Recently, with several highly successful sales internationally and after the unprecedented interest generated by last year’s Freddie Mercury auction, Sotheby’s announced in early 2024 the introduction of their European Popular Culture department.

This first online auction contained 65 lots from across the spectrum of music, television, and film memorabilia. The exhibition preview drew over 1,000 visitors making it clear the appeal of Pop Culture for potential buyers.

The earliest pieces were early 1960s Beatles related memorabilia – while the most modern was a costume from the yet to be release Gladiator II.

One of the most eye-catching pieces was a CyberMaster helmet worn in the 2022 series of Doctor Who! (Lot 61). The CyberMaster’s are villainous characters with a design reminiscent of the iconic Cybermen – instantly recognisable to Sci-Fi fans. The lot had been donated by the BBC to the auction and was one of several items sold to benefit the Film + Television Charity, who support those who working behind the scenes in the industry. The combination of a charitable cause and striking headwear led to the lot exceeding its estimate of £4,000 – 6,000 – fetching £9,600 (inc. BP).

Sotheby’s London, Popular Culture, August/September 2024, Lot 62, Gladiator II: A Screen-used Hero Costume for the Rhino-Riding Gladiator ‘Glyceo’, Paramount Pictures, 2024, £9,600

Sotheby’s London, Popular Culture, August/September 2024, Lot 61, Doctor Who: A CyberMaster Helmet, BBC Studios, 2022, £9,600

Other lots sold on behalf of the Film + Television Charity were the (aforementioned) complete costume used in the highly anticipated Gladiator II (Lot 62). The movie is due for release in November 2024 – the costume providing a sneak preview into production quality and characters. It is rare for a complete outfit to appear at auction prior to the film’s premiere. The costume has been visible in the trailer and will feature as uniform of a gladiator ‘Glyceo’ who can be seen riding a rhinoceros into an arena prior to battle. This lot was an opportunity to acquire a piece from a future classic. Against the estimate of £5,000 – 8,000 it achieved a total of £9,600 (inc. BP).

Vinyl proved popular with collectors during sale – and indicated the ongoing strength of this market.

Lot 28 was an example of a collectable sought by Beatles and vinyl aficionados alike – a sealed 1^st state copy of the controversial ‘Yesterday And Today’ LP. This version of the album has a sleeve dubbed the ‘Butcher Cover’. It was one of the most shocking images of The Beatles and the era. Released by Capitol Records in Canada and the USA in 1966 the cover photograph for ‘Yesterday and Today’ was taken by Robert Whitaker (1939-2011).

Sotheby’s London, Popular Culture, August/September 2024, Lot 39, Freddie Mercury: A Jean-Paul Gaultier Studded Black Leather Jacket, Stage-Worn By Freddie Mercury At The Dominion Theatre, London, 14th April 1988, £72,000

Sotheby’s London, Popular Culture, August/September 2024, Lot 37, Queen: A Rare Set Of Four Autographed Promotional Photographs, circa 1980, £22,800

Lot 33 was a Steinway grand piano, manufactured in 1972 and purchased by EMI for use at their Abbey Road Studios in 1973. The piano, which was installed in Studio 3, was in constant use from 1973 to 2016. The quality of the piano, appreciate by those recording on it.

The Steinway Model A was used on recordings of notable artists including Pink Floyd, Radiohead, Amy Winehouse, Paul McCartney, Kanye West and Lady Gaga amongst others. Pieces used at Abbey Road seldom appear at auction and garner high prices. The estimate of £150,000 – 200,000 proved accurate with the eventual total cost being £192,000.

Queen collectables have been a growth area over the past decade. Lot 39 was a Jean Paul Gautier designed leather jacket. The garment was worn by Freddie Mercury during his final stage singing performance, in April 1988. This jacket had been gifted by Freddie to a close friend, she had subsequently donated it to charity and the provenance stated it had benefited the Angles Aids Orphanage in 2001. Here against the estimate of £20,000 – 30,000 it sold for £72,000.

Lot 37 was a good set of four autographed promotional photographs of the band. Despite the estimate of £6,000 – 8,000 they sold for £22,800. Meanwhile, lot 34 was a varied collection 325 polaroid photographs of stars, obtained during the 1970s – 1980s. The collection not only included the members of Queen, but also The Rolling Stones, The Eurythmics, Status Quo, Bee Gees, Run D.M.C but actors and sports stars such as Muhammed Ali, Michael Caine, and Ben Kingsley. This unique archive sold for £108,000 (*est. £20,000 – 30,000).

Two important musical instruments achieved the highest prices of the auction.

Lot 33, Abbey Road Studios, A Steinway Model A Grand Piano Housed And Used In Studio 3, 1973-2016, £192,000

The image, depicts The Beatles in white lab coats, surrounded by decapitated dolls and butchered meat. It was created as a black humoured, surrealist breakaway from the usual images of the group and apparently inspired by Whitaker’s own reflections on Beatlemania.

So shocking was the image to audiences it was swiftly withdrawn and recalled. To save costs, many of the ‘Butcher Cover’ sleeves were overlayed with a new photograph of the band, known by collectors as the ‘Trunk Cover’ – a rather vanilla image of The Beatles surrounding a steamer trunk.

Sotheby’s London, Popular Culture, August/September 2024, Lot 28, The Beatles: A Rare ‘Yesterday And Today’, First State Sealed Mono Alan Livingston Copy, 1966, £48,000

Lot 36 was a rare, limited edition 7” blue vinyl copy of Queen’s ‘Bohemian Rhapsody / I’m In Love With My Car’. Only two hundred pressings of this blue vinyl were produced by EMI. They were created as gifts for the attendees of a dinner held at Selfridges in July 1978. Despite Queen not attending the event, they were presented with framed copies – Freddie’s own (numbered 2) appearing in last year’s Freddie Mercury auction and selling for £69,850.

The copy for offered here, numbered 108, was presented to a typist secretary who worked at EMI’s Hayes offices. Included with the lot, were a further gift from the dinner two ‘EMI Records’ branded wine glasses – the lot far exceeded the pre-sale estimate of £5,000 – 7,000 eventually reaching £18,000.

Lot 36, Queen: A Rare Blue Vinyl Pressing Of The Single ‘Bohemian Rhapsody / I’m In Love With My Car’, 1978, £18,000

The version of the LP available here was a rare unopened and sealed copy of the ‘Butcher Cover’ record. The lot had been part of the collection of the former President of Capitol Records. This piece had been intended to be returned to the factory and pasted over, with the ‘Trunk Cover’ image. Instead, it was taken home by the record companies President, and subsequently forgotten – only to be discovered years later, alongside thirteen other LP’s (four stereo and ten mono).

The pre-sale guide of £40,000 – 60,000 reflected the scarcity of the piece, eventually selling for £48,000 (inc. BP).

Timing can be everything with auctions – three guitars contained within the sale had important Oasis provenance. Their sale was announced coincidentally as Oasis revealed their reformation and 2025 reunion tour.

8. Sotheby’s London, Popular Culture, August/September 2024, Lot 43, Oasis: An Epiphone Les Paul Standard Electric Guitar, Owned & Used By Noel Gallagher, £132,000

Sotheby’s London, Popular Culture, August/September 2024, Lot 43, Oasis: An Epiphone Les Paul Standard Electric Guitar, Owned & Used By Noel Gallagher, £132,000

Sotheby’s London, Popular Culture, August/September 2024, Lot 44, Oasis: An Epiphone EA-250 Electric Guitar, Owned & Stage-Played By Noel Gallagher, £48,000

Sotheby’s London, Popular Culture, August/September 2024, Lot 45, Oasis/Johnny Marr: A Gibson Flying V Electric Guitar Formerly Owned By Johnny Marr, Used By Noel Gallagher, £36,000

All these instruments had previously belonged to or been used by Oasis’s, legendary founder, songwriter, and guitarist Noel Gallagher. The most important of these was lot 43 an Epiphone Les Paul Standard – immediately recognisable to fans and a seminal instrument for the group. The guitar was key in the band’s early history (1993/4) when Noel Gallagher owned only a small number of guitars (just two guitars and a bass being available the group). Noel played it on stage, on television, as well as during the recording of the music video for the record breaking single ‘Supersonic’.

With a pre-sale estimate of £60,000 – 80,000 it achieved the second highest price of the auction at £132,000.

The other two instruments offered by Sotheby’s included Lot 44 an Epiphone EA-250, previously owned by Noel Gallagher and again featured on the sleeve of the ‘Supersonic’ single. It was notably played during an early television performance in July 1994. Here, the cherry redburst finished guitar sold for £48,000 (est. £20,000 – £30,000).

Lot 45 had a dual Smiths / Oasis provenance. The 1980 Gibson Flying V was acquired by The Smith’s iconic guitarist and songwriter, Johnny Marr in 1989. Marr loaned it to Noel Gallagher – who subsequently used it on the 1994 recording of Oasis’s debut album ‘Definitely Maybe’. This guitar, a baton in British and Manchester music history sold for £36,000 (est. £20,000 – 30,000).

Overall, the sale achieved a total of just under £1 million.

Artist Spotlight: The work of Dame Magdalene Odundo

Posted on September 12, 2024August 13, 2025 by Stephanie Connell

Dame Magdalene Odundo (Kenyan/ British, b. 1950) is arguably one of the most important artists working in Britain today and the definitive contemporary ceramicist of the modern era.

Odundo’s oeuvre typically consist of sculpture in clay and on occasion in glass. These forms simultaneously traditional and modern – equally unpretentious and layered with meaning. Her work is almost timeless – galleries exhibiting her pieces often choosing to display them alongside historical artifacts and objects from societies which she has taken inspiration from.

The creation of her work is a complicated process. The sculptural vessels are predominantly hand-built coiled pots, formed in terracotta, using a traditional technique learned in Nigeria. They are typically decorated in slip, multi-fired and polished. Her work is recognisable by the strength of the form and glazes – usually either almost metallic in burnished brown/ black or orange/ red oxide.

Odundo, has discussed the closeness the shapes of her work take to the human form – and that naming terms for pottery vessels such as ‘neck’ and ‘body’ make pots anthropomorphic – vessels have the exterior on show, whilst the interior is hidden, as individuals do.

In recent years Odundo’s status has been reflected by a significant number of dedicated exhibitions of her work. These exhibitions have included Magdalene Odundo: The Journey of Things held at The Hepworth Wakefield (February 2019 – June 2019) and Sainsbury Centre (August 2019 – December 2019); Magdalene Odundo in Cambridge at the Fitzwilliam Museum (December 2021 – June 2022); Magdalene Odundo: A Dialogue with Objects held at the Gardiner Museum, Canada (October 2023 – April 2024) and the exhibition currently being held at Houghton Hall, Norfolk (* until 29^th September 2024).

Dame Magdalene Anyango Odundo was born in Nairobi in 1950 and spent her childhood in India, Nairobi, and Mombasa. She was primarily educated in Kenya by Irish nuns – and according to the artist had little knowledge of ceramics. The colonial education system invariably overlooking the chiefly female tradition of making pots for food preparation.

She initially trained in Kenya as a Commercial and Graphic Artist. She travelled to the UK in 1971 to continue her studies – she has lived and worked in England since this time.

Between 1971 – 1973 Odundo was a student at Cambridge College of Art. It was here she first discovered her passion for ceramics. As she revealed in a 2021 interview

“The first time I actually encountered clay I just literally fell in love with it”.

Magdalene Odundo has discussed the importance of clay to her work, considering the connection between pottery and the earth – to quote “you come from it, and you go back to it”. She has referenced how ceramics have been used to produce vessels throughout human history and across civilisations. The corelation between the shapes she creates – the human form and therefore condition – are also pivotal.

She achieved a BA in Ceramics at West Surrey College of Art and Design (renamed University of Creative Arts) between 1973 – 6. Odundo became a University Professor at this institution in 2001 and Emirta Professor in 2016 and Chancellor of the institution. Magdalene Odundo is closely linked with Surrey and is based in Farnham.

During the early part of her career, Odundo, visited Kenya, Nigeria, and the Pueblo people in New Mexico to learn pottery building and glazing techniques. In 1976 The Hepworth Wakefield made the first acquisition on of her work by a UK institution – ‘Eniasulo (Water Carrier)’ (1974-6). She was awarded a Masters in Ceramics from the Royal College of Art in 1982. It was after her exhibition in the early 1980s that appreciation of her work became more widespread.

The Magdalene Odundo exhibition currently being displayed at Houghton Hall, Norfolk brings together several of Odundo’s important works in both ceramics and more unusually glass. The show is the first at Houghton dedicated to the work of a female artist and additionally a black artist. The exhibition aims to create a juxtaposition and a dialogue between the opulent interiors of the Palladian house and Odundo’s contemporary sculptures.

One of the most impactful pieces is a new work displayed as a dining table centrepiece in Houghton Hall’s Marble Parlour. The work was produced during Dame Odundo’s yearlong residency at Wedgwood, Stoke on Trent. The piece reflects upon Wedgwood founder Josiah Wedgwood’s campaigning for the abolition of slavery and work as a ceramicist. This large multi-tiered sculpture is atypical of Magdalene Odundo’s work.

To quote the artist

“It is the first time I’ve used narrative and figure and ornament in my work, because my own work is very paired down, very plain. The discovery of all the ornaments and the figures within the Wedgwood tradition gave me a platform to use narrative and storytelling”.

Odundo uses Jasperware – instantly recognisable as Wedgwood in Black and Cane colours, first used in the 1770s. The lower two-tiers feature horrifying symbols of slavery, and figures, akin to of those depicted in the shocking 18^th century Brook’s slave ship illustration. The upper tier has images of recent protest in Nairobi. Odundo was able to refer to the design in the Wedgwood archive, including the anti-slavery medallions.

For the Houghton Hall exhibition, her modern objects are placed in contrast with the antique and historic pieces, within interiors designed by William Kent for Robert Walpole.

In the Green Velvet Bedchamber where typically a pair of Chinese porcelain cranes are on display – one has been replaced by Magdalene Odundo’s ‘Untitled’ (1995) – these two ceramic pieces seem to be in a direct dialogue with one another. The shape of Odundo’s vessel and black glaze complimented by the chinoiserie cabinet it sits upon.

In the Stone Hall seven objects are on display – five in the centre of the room raised on plinths – and a pair in orange glaze set within alcoves. Against the bright white stone, the black and orange glazed sculptures are shown to their best advantage.

The Magdalene Odundo exhibition is currently being held in parallel with one-hundred Anthony Gormley iron sculptures – installed around the estate.

The market for Dame Magdalene Odundo’s work has been very buoyant this century. In recent years demand and prices have increased dramatically.

To illustrate, it is worth looking at pieces which have appeared on the open market historically and have been offered again this decade. In September 2006 Bonhams London offered ‘A rare Vase Form’ executed by Odundo in 1986. (Lot 220, Bonhams, International Contemporary Ceramics, 19^th September 2006) At that time the piece sold for £27,600 (including BP).

The same work described as ‘Untitled’ was offered in June 2021 at Sotheby’s London (Lot 32, British Art Evening Sale Modern/ Contemporary, 29^th June 2021). This time the vessel sold for £378,000.

Notably, ‘Untitled’ (1984) was sold by Sotheby’s in June 2022. (Lot 2, British Art: The Jubilee Auction, Sotheby’s London, 29^th June 2022). When first going under the hammer 15 years earlier at Bonhams NY the lot had been titled ‘Mixed Colour Flat-Topped Winged’ – achieving $45,000 (Lot 90, International Post-War and Contemporary Ceramic Art, Bonhams NY, 5^th June 2007). In 2022 this work sold for a second time reaching £302,400!

In July 2021 Somerset auctioneers Lawrences of Crewkerne sold a ‘Terracotta Vessel’ produced by Magdalene Odundo in 1985. The work sold for a hammer price of £94,000 (Lot 27, 19^th/ 20^th Century Design, Ceramics…, Lawrences of Crewkerne, 19^th July 2021). The same piece appeared at Sotheby’s less than three years later in June 2024. This time reaching a total of £240,000!

Over the past 18 months records for the artist work have been broken. In June 2023 Sotheby’s sold one of the most striking of her vessels ever offered at auction – Dame Magdalene Odundo’s ‘Untitled’ (1999). Against an estimate of £100,000 – 150,000, it reached £533,400.

For those wishing to view her work in person, it can be found in the collections of the Metropolitan Museum of Art in NY, Pallant House Gallery in Chichester and The British Museum, London.

The ‘Magdalene Odundo’ exhibition continues at Houghton Hall until late September. A solo exhibition of her work will open at the Thomas Dane Gallery, London on 9^th October 2024 and displayed until 14^th December 2024.

The Olympic Games – The history & memorabilia

Posted on July 23, 2024August 9, 2024 by Stephanie Connell

The Paris 2024 Summer Olympic and Paralympic Games are about to commence – historic tournaments where sports people from all over the globe assemble to compete for arguably the most prized award in elite sport – the Gold Medal.

The Olympic symbolism is today immediately recognisable – the rings; torches; the gold, silver and bronze medals – all icons of the event. Whilst precursors to the modern Olympics were held throughout the 19th century, the first true modern Olympic Games was held in Athens in 1896. The idea had been cemented by French aristocrat Pierre de Coubertin (Baron de Coubertin) (1863-1937) founder of the International Olympic Committee.

The 1896 ‘Games of the I Olympiad’ was on a much smaller scale than that of the games today – with just 241 all male athletes competing, the majority of whom were Greek, and others from just 19 nations. For these inaugural games the winners received a silver, rather than a gold medal.

In July 2021 RR Auctions sold one of the Athens 1896 ‘Silver’ winners medals. They were designed by Jules-Clement Chaplain (1839-1909), one of the most important medalists of the late 19th century. As is often the case it had been presented to a now unknown recipient. Despite this it sold for a total price of just over $180,000 (Lot 6001, Olympic Memorabilia – RR Auctions, 22nd July 2021).

The second Olympic Games were held in Paris in 1900 as part of the World’s Fair during that year. The Olympics in their infancy were often held in conjunction with other, then larger events, in the hope of generating interest. A broader field of sports were involved in 1900 with men and women both competing. The events included Polo, Croquet and Tug of War, which was an Olympic Sport between 1900 and 1920! Bizarrely, ballooning was also one of the events – with competitors aiming to travel by balloon and land on a target. In July 2012 Sports Memorabilia Auctioneers, Graham Budd sold a participation medal for this very event – presented to Abel Corot the Balloonist who finished in 9th place – it sold for a modest £300 (Lot 23, Graham Budd, 24th July 2012).

The third Summer Olympics were held in the American city of St. Louis, in 1904, again as part of the World’s Fair. Golf was one of the early sports included in the Olympic roster. In 2016 Christies, London offered the 1904 Olympic Gold Medal awarded to amateur golfer Robert E. Hunter (1886-1971). The medal was actually cast from solid gold (gold medals were only truly gold for two Olympic Games). Estimated at £20,000 – 30,000, it sold for a total of £206,000 (Lot 521, Out of the Ordinary, Christies London, 14th September 2016).

For the fourth tournament in 1908 the host city selected was Rome. However, the location was altered, when the Italians decided against holding the competition after Mount Vesuvius erupted in 1906. London stepped in to hold the games. This time the tournament coincided with the Franco-British Exhibition at the newly constructed ‘White City’. The promotional poster for London 1908 offered information on travel to London from Europe as well as location of the event. This rare piece is seldom offered for sale. Ahead of London 2012 Games, Christies held a sale containing Olympic posters. The Alfred Edwin Johnson work illustrated by Noel Pocock sold for £15,000 (Lot 4, Vintage Posters, Christies London, 18th April 2012).

As the games continued many of the now familiar symbols were established. The instantly recognisable logo of the games – the Olympic rings – were introduced in 1913, having been designed by the (aforementioned) Pierre de Coubertin. They represent the five continents and competitors coming together.

Art and design have an important connection with the Olympics – surprisingly in fact between 1912 and 1948 Olympic Gold, Silver and Bronze medals were awarded for painting, sculpture, architecture, literature and music amongst other areas of the arts. Famous artists including Sir William Nicholson and Dame Laura Knight were Olympic medal winners.

The Paris 2024 Games marks the third occasion which the city has held the competition. The second was one hundred years ago in 1924. Winners of Gold Medals during the 1924 games were additionally presented with a vase produced by the great French porcelain manufacturer Sevres. The vases feature four medallions, decorated with different sports. In April 2024 auctioneers Bonhams/ Skinner Marlborough sold an example featuring cycling, tennis, sailing and shooting, it achieved a total selling price of $12,160 (inc. BP) (Lot 95, Eric van Rooy Estate, Bonhams/Skinner, 15th-25th April 2024).

Appreciation of art and design has always been important at the Olympics (as the Gold medal competition for art show). Influential artists have designed objects and promotional material for the Olympics throughout the events history. Posters are one area where this has been obvious.

Early posters, as with the London 1908 example, frequently included information about the forthcoming games with representations of Athletes. The 1928 Amsterdam Olympics was typical of this type, designed by Joseph Rivers the poster included a central image of a runner. One was sold by Cheffins in October 2022 for £3,000 (excluding BP) (Lot 326, Art & Design, Cheffins, 27th October 2022).

London has also held the Olympics on three occasions. To promote the London 1948 Games an eye-catching poster design was created by Walter Herz (1909-1965), including landmarks and a central discus thrower – a statement of British post-war optimism. One hundred thousand were printed over two formats, resulting today, in versions appearing on the open market consistently. Swann Galleries USA sold a double-crown style poster in February 2020 for $3,750 (Lot 204, Vintage Posters, Swann Auction Galleries, 13th February 2020).

The torches, used to relay the flame from Athens and eventually lighting the ceremonial cauldron are sought by collectors of Sporting Memorabilia. Often manufactured entirely of metal, they ordinarily feature Olympic rings clearly in their designs. Like the posters, relay torches from the 1948 Games pop-up for sale regularly.

In September 2023, one of these aluminium torches designed by Ralph Lavers (1907-1969) reached a hammer price of £3,000 at Dawsons Auctioneers (Lot 257, Dawsons, 28th September 2023). Torches of similar design were used during the 1950s. In November 2022 Welsh auctioneers Anthemion sold a bearers-torch from the 1956 Melbourne Olympics – the hammer fell this time at £5,500 (Lot 724, Anthemion Auctions, 23rd November 2022).

The designs for the 1960s Olympics reflected modernist and abstract movements of the period. Italian Sculptor Silvio Gazzaniga (1921-2016) most famously designed the FIFA World Cup trophy. He also designed the bronze Trophy awarded at the first Paralympics held Rome, 1960. One such sculptural piece, presented to an unknown athlete, was sold at Mallams Auctioneers in March 2018 for £380. (Lot 376, Modern Living, Mallams, 7th March 2018). The Collection of Phyllis & Jerome Lyle Rappaport.

The 1964 Tokyo games were the first to produce an official set of posters designed by Yusaka Kamekura (1915-1997). The most notable of these is titled ‘The Rising Sun and the Olympic Emblem’ featuring simply a red circle, Olympic rings, text of the host city and year. In January 2022, Chicago based auctioneers Potter & Potter sold this lithograph poster for $1,200 (excluding buyers premium) (Lot 0488, Potter & Potter, 29th January 2022).

The 1968 Mexico City poster was similarly striking. Inspired by Op-art the design was a collaboration between Lance Wyman, Eduardo Terrazas and Pedro Ramirez. Poster specialists Antikbar sold a copy in August 2019 – reaching £3,400 (hammer, excluding BP) (Lot 3603, Vintage Posters, Antikbar, 3rd August 2019).

David Hockney (b. 1937) designed posters for both the 1972 Munich Games and 1984 Los Angeles Games. In June 2012, Sotheby’s offered Hockney’s partially completed pencil design for the 1972 poster, featuring a diver – the work eventually sold for £169,250 (total including BP). The final poster often appears at auction and is part of a set created by several artists for the Munich games. In March 2024 an example of ‘The Diver’ poster was offered at Forum Auctions reaching a hammer price of £600 (Lot 61, Editions, Forum Auctions, 12 March 2024). Also, during the same month Bonhams London sold Hockney signed limited edition print of the 1984 Los Angeles swimming pool design for £11,250 (Lot 26, Bonhams, 26th March 2024).

Pop artist, Roy Lichtenstein (1923-1997) also produced a poster design for the Los Angeles 1984 Games. A signed limited-edition version of the dynamic work ‘The Red Horsemen’ sold at Bonhams Los Angeles in January 2024 for a total of $5,632.

For the London 2012 Games several notable British artists were commissioned to produced poster artwork, including Bridget Riley (b. 1931). An offset lithographic copy of this work ‘Rose Rose’ was sold at Rosebery’s London in June 2023 for £650 (excluding BP).

Such is the global recognition for the Olympics – when memorabilia directly relating to some of the most famous events (for both the Summer and Winter games) appears on the open market it can command very high prices.

Famous sporting names often establish their status at the Olympics. Gymnast, Olga Korbut has long been associated with advancing the sport and acrobatic routines. In February 2017, American auctioneers Heritage offered Olga Korbut’s Team USSR Gold Medal from Munich 1972 Games. The overall price here was $66,000.

In February 2024, Christies New York offered the Men’s Long Jump Gold Medal awarded to Bob Beamon at the 1968 Mexico City games. Beamon, achieved sporting greatness beating the World Record during the competition, leaping 8.9 meters – 55cm further than any jump prior. His World Record stood from 1968 until 1991 and remains the Olympic record! This fascinating piece sold for a total of $441,000 (including B.P).

Basketball legend Michael Jordan, is one of the most famous sportsmen in history. In June 2023 Sotheby’s offered the Reebok jacket worn by Jordan whilst receiving his 1992 Olympic Gold Winners Medal alongside his USA teammates dubbed ‘The Dream Team’. The performance of ‘The Dream Team’ during the Barcelona games is one of the most influential in Olympic history. The Reebok jacket controversial, due to Michael Jordan’s famous association with the Nike brand. This important piece of memorabilia was signed by Jordan and offered with an estimate of $1m – $3m. The garment achieved a sales total of just over $1,500,000 (Lot 1, The Dream Team, Sotheby’s, 29th June 2023). While his signed and worn Nike ‘Air Jordan VII’ sneakers also used during the 1992 Olympics sold for $114,300 (Lot 2 as before) (inc. BP).

Michael Johnson is one of the fastest men in history and one of the most famous names in athletics. In March 2024 auctioneers Heritage offered a pair of ‘Gold’ Nike running spikes worn by Michael Johnson whilst representing team USA during the Atlanta 1996 Olympic Games. Johnson achieved gold in both the Men’s 200m and 400m sprint competitions – breaking World Records in the process. The stylish pair sold for $68,750 (inc. B.P.) (Lot 90347, Treasures from Planet Hollywood, Heritage Auctions, 24th March 2024).

At the opposite end of the collecting spectrum and what seems a very affordable piece – a shirt worn by footballer Mohamed Salah during the Egypt v Brazil match at the London 2012 Olympic Games. The then 20-year-old was eligible to play in the team due to his age (Olympic Games Football competition is between Under-23 age group). The jersey was offered by Julien’s in America in 2017 (prior to Salah’s cementing his status as a Liverpool FC legend) the shirt sold for just $192!

With the Olympics just around the corner – sporting legends will be made, and the memorabilia of the future created.

Finally therefore to quote Founder Baron de Coubertin: “The important thing in life is not the triumph, but the struggle, the essential thing is not to have conquered but to have fought well.”

Royal Academy, London Running until 18th January