Summer 2026 Must-See Exhibitions

Posted on May 6, 2026May 7, 2026 by Liz Bailey, Stephanie Connell, Jonathan Horwich, David Dallas, Ashley Innes and Jenny Serra

With the appearance of summer there are an array of fantastic exhibitions and displays of artwork, sculpture, ceramics, and jewellery across the UK. Fortunately, our team of nationwide specialists are here to pick out their selections for this year’s calendar:

Jonathan Horwich – Modern & Contemporary Art Specialist

Cecily Brown: Picture Making
Serpentine Gallery
Running until 6th September

“I recommend this exhibition. Cecily Brown is a truly great painter and her work is little known beyond those of us already involved in the art world. Amazingly for such a major artist this is her first London show and is a must see …. It’s already open and runs over the summer into early September.”

LIz Bailey – Jewellery & Watches Specialist

Grima at the Tomasso Gallery
Tomasso Gallery, London
From 11th – 20th June

“I’m really looking forward to this year’s instalment of the Grima exhibition at the Tomasso Gallery. In what will be its fourth year, this week-long showcase of Andrew Grima’s work, including jewellery and watches from his iconic ‘About Time’ collection for Omega, and contemporary Grima Jewellery pieces is one of the best opportunities to see such a breadth of his work together. For our review of the 2025 edition of this special annual exhibition, take a look at our article here.

London Watch Week
Various locations, London
3rd-6th June 2026

“For those with a passion for horology, London Watch Week has you covered. Last year included events hosted by Bonhams, Pragnell, Oris, plus dedicated days to celebrate independents, and vintage wristwatches – organised by Lucy Cheesewright, Justin Hast and Tom Exton – this carefully curated event will cover numerous facets of the watch world.”

London Watch Fair
The Renaissance Hotel, Heathrow
14th June 2026

“If the Watch Week wasn’t enough, the London Watch Fair takes place just over a week later on 14th June and provides visitors with the chance to see (and buy!) vintage watches from some of the best dealers in the business. With seventy traders lined up for this specialist fair, this is a fantastic opportunity to see rare models, discover new collecting niches and make connections with dealers.”

Ashley Innes – Asian Art Specialist

The Bayeux Tapestry

The British Museum, London
September 2026-July 2027

“To say the upcoming Bayeux exhibition at the British Museum will be a once-in-a-lifetime exhibition would be an understatement – the Bayeux Tapestry hasn’t gone on tour since the Napoleonic era! This will be the first time it has visited the UK since its creation nearly a thousand years ago, so reserve your tickets promptly when they go on sale in July for the September opening.”

Stephanie Connell – Senior Valuer & Collectors Specialist

Quentin Blake Centre for Illustration
Clerkenwell, London
Opening 5 June 2026

“While not an exhibition I am really excited to visit the Quentin Blake Centre for Illustration which officially opens in London this June. Illustration art is one of my greatest passions, so I am fascinated to see the programme of exhibitions in this unique dedicated space.”

May Morris: Crafting a Legacy

Lady Lever Art Gallery, Liverpool
25th April – 1st November

“This exhibition is a celebration of the wide-ranging creative output of Arts and Crafts designer and maker, May Morris, the younger daughter of William Morris. A vibrant display of embroideries, wallpapers, watercolour designs, costume and jewellery will showcase her many talents.”

David Dallas – Old Master Specialist

Gwen John: Strange Beauties

National Museum Cardiff
Until 28th June

‘It was a joy and a revelation to go to the Gwen John Exhibition at Amgueddfa Cymru – Museum Wales in Cardiff, last week. The drawings are almost entirely from their own collection, which numbers more than 900 works, purchased from the artist’s nephew’s estate in 1976. The oils are borrowed from all over the globe. There are only 158 known. One observation I made after looking closely at so many tiny drawings, was that Gwen spent most of her time painting these portraits and still lifes in a small studio. There is little sense of space or depth in these drawings so, despite feeling “more at home in the country than in the town”, her landscapes are strangely ambiguous. She can’t cope with or describe the great outdoors. It isn’t intimate enough.”

Elizabeth 1, Queen & Court
Philip Mould & Company
14th May – 10th July

“This exhibition will include the earliest surviving life-size, full length portrait of Queen Elizabeth I, together with rarely seen works of some of the key figures from her close circle of courtiers and confidantes. This ‘cast’ of Elizabethan portraiture, rarely exhibited, will show a rare glimpse of how portraiture was used as a tool of power in the 16th century.”

Richard Fattorini – Rare Books & Manuscripts, Historical Photographs and Maps Consultant Specialist

Firsts London 2026 – London’s Rare Book Fair

Saatchi Gallery, King’s Road, London
14th – 17th May

“Firsts London is one of the world’s most popular and high-profile rare book events. Whether you’re a collector looking for the next masterpiece to add to your library, or a bibliophile who loves browsing second-hand classics, Firsts London is the event for you. Discover titles by distinguished authors, ephemera from celebrity readers and manuscripts from history’s great moments, all in the heart of Chelsea.
Are you new to the world of rare books, or just want an expert guide to the fair? Firsts’ selection of talks and tours are a great way to learn more about book collecting and make the most of your visit. From deep-dives into revolutions in printing, to perspectives on careers in the book trade, these free events are a chance to meet experts and learn some of the secrets of the trade.”

Photo London 2026
London Olympia
14 to 17 May 2026

“Photo London is the UK’s leading international fair for photography and image-based art. Each year it brings together the world’s most acclaimed photographers, galleries and curators alongside a new generation of emerging talent.”

The Other Photography Fair

London Olympia
16 May 2026

“The Other Photography Fair showcases photography in its many forms, with a special focus on vintage works from the 19th and 20th centuries. Supported by Vintage Photo Fairs Europe and sponsored by the Chiswick Auctions Fine Photographs Department, the fair gathers leading international dealers, collectors, and specialists under one roof.
Alongside historic photographs, visitors will find photobooks, rare cameras, and live wet plate collodion and cyanotype workshops, bringing early photographic processes to life.”

Jenny Serra - Marketing Manager

Fired Legacies: The Ceramic World of Rich Miller
Watts Gallery, Godalming, Surrey
Opening 5 June 2026

“As a novice potter and fan of the Channel 4 show, The Great Pottery Throwdown, I am looking forward to seeing Rich Miller’s first exhibition at Watts Gallery. The exhibition delves into his own heritage and an exploration of British colonial history, and unearths the narratives of trade, labour and identity that have shaped contemporary British society.”

The Art World This Spring: 2026’s Must-See Exhibitions

Posted on March 31, 2026April 2, 2026 by Liz Bailey, Stephanie Connell, Jonathan Horwich and Ashley Innes

With the appearance of spring there are an array of fantastic exhibitions and displays of artwork, sculpture, ceramics, and jewellery across the UK. Fortunately, our team of nationwide specialists are here to pick out their selections for this year’s calendar:

Stephanie Connell – Senior Valuer & Collectibles Specialist

Queen Elizabeth II: Her Life in Style
The Kings Gallery, Buckingham Palace.
From 10th April until 18th October

2026 marks what would have been the 100th birthday of two of modern histories most iconic women – Queen Elizabeth II and Marilyn Monroe – to mark this there are two individual exhibitions opening in celebration of their lives. Firstly, Queen Elizabeth II : Her Life in Style opens in April at the Kings Gallery – I am excited to see highlights from her wardrobe and how fashion created her enduring image.

Marilyn Monroe: A Portrait
National Portrait Gallery.
From 4th June until 6th September

The second, Marilyn Monroe: A Portrait will bring together photograph and works inspired by Marilyn. She is one of the most recognisable figures of the 20th century but works depicting her are varied from when she was a teen model to later more poignant images.

Ashley Innes – Asian Art Specialist

Hawai’i: a Kingdom Crossing Oceans
British Museum, London
From 15th January until 25th May 2026

“Hawai’i: A Kingdom Crossing Oceans at the British Museum is not to be missed! Exhibitions about Hawaii are very rare in the UK, so this is a golden opportunity to learn about the complex historical relationship between the two countries and Hawaii’s rich culture.”

Liz Bailey – Jewellery, Silver & Watches Specialist

National Trust Jewellery on Display
Nationwide, National Trust Properties.

I was amazed and delighted last year when my local National Trust property, Calke Abbey, announced that they would be putting their previously unseen jewellery collection on display. This incredible selection of jewels are reflective of the Harpur-Crewe family’s history of exploration in Ancient Egypt, and high society lifestyle – with bespoke Egyptian Revival pieces made by Collingwood & Son, set with Egyptian agate beads gathered by Vauncy Harpur Crewe in 1870, and a sensational red topaz and aquamarine brooch purchased in 1836. A collection well worth seeing, and indeed many more at properties throughout the UK – Killerton House in Devon has a ‘History off the Hanger’, and further pieces on display at Erddig in Wrexham, Sissinghurst in Kent, Wallington in Northumberland, Tyntesfield in North Somerset, Belton House in Lincolnshire, and many properties across the UK.

Made in Ancient Egypt
The Fitzwilliam Museum, Cambridge.
Running until 12th April 2026

The Fitzwilliam Museum are displaying a fantastic selection of Ancient Egyptian artefacts until April, including ceramics, sculpture, and yes- jewellery. This exhibition is the first to explore Ancient Egypt through the lives of its craftspeople- with many objects never before displayed in the UK.

Stubbs: Portrait of a Horse
The National Gallery, Room 1
Running until 31st May

Another exhibition I am keen to see, which strays into our paintings specialists’ territory, is the George Stubbs exhibition at The National Gallery. Showcasing two of Stubbs’ most monumental works, of Scrub and Whistlejacket – two of the first life-size portraits to depict horses without a human presence in British History.

Jonathan Horwich – Modern and Contemporary Art Specialist

Winston Churchill: The Painter
The Wallace Collection.
From 23rd May – 29th November

My recommendation is an upcoming exhibition at the Wallace Collection, dedicated to Winston Churchill’s paintings. In painting, Churchill found a respite from public pressures and a source of joy that spanned his lifetime. Displaying 50 of his works together, with just under half from private collections, this exhibition is the most comprehensive display of his work to date.

The Fabulous World of Elsa Schiaparelli

Posted on March 18, 2026March 18, 2026 by Stephanie Connell

Elsa Schiaparelli (1890 – 1973) was one of the most influential fashion designers of the inter-war period. Yet, for decades her work was often overlooked and underappreciated. With a major retrospective exhibition opening at the V&A later this month, and a resurgence in the modern ‘Schiaparelli’ brand, I will be exploring the market for rare, significant pieces which collectors’ clamour for.

Raoul Dufy (1877 – 1953) ‘Une presentation chez Schiaparelli’ 1935. This work illustrates the Maison Schiaparelli headquarters Hotel de Fontpertuis. Dufy collaborated and produced textile designers for Schiaparelli.

Sold at Christies New York, Lot 337, Impressionist and Modern Art Day Sale, 13th May 2025 for $189,000. (Insurance in the region of £250,000).

Who Was Elsa Schiaparelli?

What truly distinguished Elsa Schiaparelli from her contemporaries, was the embrace of the Avant Garde and particularly Surrealism. Schiaparelli collaborated with many of the 20th century’s most influential artists, from Dali to Dufy, Giacometti to Jean Cocteau. Schiaparelli’s entirely unconventional approach produced designs which blur the lines between fashion and wearable art. Her competitor Coco Chanel dismissively dubbed Elsa ‘that Italian artist who makes clothes.’

Born into an aristocratic Italian family, and with her father a noted scholar, Elsa grew up surrounded by books that sparked her imagination. Always unconventional, in her early twenties she rejected the suitor her parents deemed suitable and departed Rome for London. There, she met the enigmatic con man and self-styled ‘psychic’ William de Wendt, also known as William de Kerlor, amongst his aliases. The pair became engaged within 48 hours of meeting! They married in 1914, though Elsa’s parents allowance gave some financial comfort, life with de Kerlor could be precarious and they were frequently on the move. After de Kerlor was deported from England in 1915, they moved around cities in France. With the First World War raging and their personal circumstances increasingly difficult the couple sailed for New York in 1916.

It was during this transatlantic voyage that Elsa Schiaparelli formed a life changing connection with Gabrielle ‘Gaby’ Picabia – wife of Francis Picabia, noted Dada and Surrealist artist. The friendship was pivotal. Not only did Gaby provide support for Elsa when her husband abandoned her in New York after the birth of their daughter in 1920, she opened the door to an extraordinary circle. Through Gaby, Schiaparelli met some of the most important artists of the 20th century, including Man Ray and Marcel Duchamp.

In 1922 Schiaparelli relocated from New York to Paris, initially making ends meet by dealing in antiques and decorative objects. Through Picabia’s connections, she was introduced to the seminal fashion designer Paul Poiret. Despite her lack of formal training, Poiret encouraged Schiaparelli strides into fashion design.

The Rise of the Schiaparelli Fashion House

Her first notable success came with a trompe-l’oeil ‘bow’ or ‘cravat’ knitted sweater, which she designed and commissioned from local artisans in 1927. Once Elsa was spotted wearing it, the jumper was ordered in bulk by an American retail buyer.

Like the famous sweater, Schiaparelli’s first atelier built its reputation on the burgeoning trend for knitted ‘sports wear’. When a tennis outfit designed by Schiap (as she was known by friends) complete with culottes was worn by a player at the 1931 Wimbledon tournament, it caused a stir.

After establishing her own Haute Couture ‘Schiaparelli’ label, the business expanded rapidly in the early 1930s. Her bold unique designs attracted a stylish clientele, including major celebrities such as the Duchess of Windsor, Marlene Dietrich, Katherine Hepburn, Vivien Leigh and Greta Garbo.

The Golden Age of Schiaparelli Couture

The brands most celebrated creative period ran from around 1935 until the outbreak of the Second World War. During this time Schiaparelli produced bi-annual themed collections, including ‘Circus’ (1937), ‘Zodiac’ (1938) inspired by Schiaparelli’s astronomer uncle, and ‘Pagan’ (1938) – these remain coveted by collectors today.

Why Schiaparelli Pieces Are Highly Collectable

To give a sense of the demand for these pieces, in February 2021, a complete outfit from the Zodiac collection came up for auction in Paris with an estimate of 15,000 – 30,000 euros. Demand was so intense, it ultimately sold for almost fifteen times this range, achieving 430,000 euros.

Similarly, in 2013 when a rare ‘Zodiac’ jacket was offered at auction in London and drew fierce bidding. The important piece sold for a remarkable hammer price of £110,000.

The ongoing success of the brand soon brought interest from Hollywood, Schiaparelli acting as costume designer for the legendary actress Mae West’s film ‘Every Day’s A Holiday’ (1937). Mae West personally insisted that Schiaparelli design costumes for the film, and plaster casts of her body were sent to Paris to ensure a perfect fit. Examples of the costumes made for the movie have been offered at auction. In 2017 one such outfit was included in the sale of the collection of the late actresses Debbie Reynolds and Carrie Fisher. At that time, it fetched $48,000. When the same outfit resurfaced in 2024 at Freeman’s Auctioneers in Chicago, this time outside of such an important sale it sold for $17,780.

Schiaparelli Jewellery and Surrealist Design

Towards the end of last year, Schiaparelli made the headlines, when a pair of oversized buttons appeared at auction in London. But what made them newsworthy? The vendor had originally bought them in a mixed lot of costume jewellery at a Derbyshire auction, for just £40.

The new owner was interested in their unusual design. After research it was revealed they had been designed for Elsa by her friend, the artist Alberto Giacometti. They were likely created for a jacket, similar to one made for the actress Marlene Dietrich.

Schiaparelli often utilised buttons as key elements of her striking style, but they are often unmarked, making identification challenging. These buttons were of bronze, depicting a female figure with arms raised. Although offered individually, each estimated at £5,000 – 8,000, they generated a great deal of attention, eventually selling for a combined total of £61,000.

Elsa was a true pioneer, introducing ground-breaking concepts that we now take for granted – from visible zips to the use of synthetic fabrics, and her signature colour, the never before seen ‘shocking pink’. She also developed the type of product innovations we would expect from any modern luxury fashion house. Costume jewellery was one such area. Dubbed ‘Junk’ jewellery these pieces can be valuable, though like the buttons are frequently unmarked. Schiaparelli appreciated unusual and new materials, and her jewellery often uses these rather than precious metals.

One standout is a rare necklace created for Schiaparelli by Jean Clément, a skilled plastics designer, who created many of the buttons for the brand. An example appeared in a Sotheby’s Paris fashion auction in July 2018. This rare piece is almost identical to one included in the Metropolitan Museum of Art in New York. Demand for pieces this scarce is strong, insects were a recurring motif of surrealism and Schiaparelli’s own designs. Despite the necklace being offered with an estimate of 15,000 – 20,000 euro, it far exceeded expectations selling for 85,000 euro.

Another unsigned necklace, also manufactured in 1938 for Schiaparelli’s ‘Pagan’ collection was sold by Bonhams Paris in April 2024. This time using gilded and enamelled base metal reached just short of €3,500.

Surrealist Collaborations with Salvador Dalí

Schiaparelli collaborated with her friend Salvador Dali on several pieces, including arguably her most famous creation the ‘Shoe Hat’ – a surreal piece of millinery, designed to look like an upturned heeled shoe. Another stylish collaboration was the ‘Lobster Dress’, featuring a Dali-designed lobster, famously worn by Wallace Simpson.

These garments are exceptionally rare. More commonly, collectors encounter scent bottles and cosmetics designed by Dali for the Schiaparelli brand.

Their first joint project came in the form of the ‘Telephone Dial’ powder compact, produced in 1935. Clients could choose different colours, including black or tortoiseshell, and add personalised engraving. These objects are again unsigned and do appear occasionally on the open market. In late 2025 an example was included in a London auction. Against an estimate of £800 – 1200 it sold for £2,210.

Post-war Dali designed a bottle for the Schiaparelli fragrance ‘Le Roy Soleil’, including a glass bottle manufactured by Baccarat. These are popular with collectors. When a complete bottle and case appeared at auction in the US in 2021 it sold for $4,250.

Iconic Schiaparelli Perfumes and Collectables

Fragrance was a cornerstone of the Schiaparelli brand, so much so the company created a dedicated perfume department. Its most successful scent was ‘Shocking’, named after the signature shocking pink The bottle was just as eye-catching, designed to mimic the plaster cast of Mae West’s famously voluputous figure Elsa had received a couple of years prior. This wonderfully surreal silhouette acted as the inspiration for Jean Paul Gautier’s perfume bottles still sold today.

In 2019, several Schiaparelli products from Mae West’s own collection were sold in Beverly Hills. included the perfume she inspired. Thanks to the exceptional provenance the collection far exceeded its $500 – $700 estimate, selling for $3,125.

Another pioneering product was ‘Snuff’, a men’s cologne release in 1939. Its bottle design, in the form of a pipe, was taken from the iconic Rene Magritte painting ‘The Treachery of Images (Ceci n’est pa une pipe)’ (1929). ‘Snuff’ combined surrealism with Schiaparelli’s sense of humour. Today, it is a collectable. Prices typically range from low hundreds to over £1,000 depending upon condition.

The outbreak of the Second World War led Elsa to flee Paris, she returned to New York in 1941. Although her French atelier continued, it did so under increasingly in difficult circumstances. When she eventually returned to Paris post-war, the fashion world was fundamentally changed. Tastes had shifted and newcomers such as Christian Dior now dominated the landscape. In 1954, the Schiaparelli atelier closed its doors, yet the perfume and accessories departments continued to operate.

The Revival of the Schiaparelli Brand

Attempts were made to revive the brand in the late 20th century, finding little success. The brands relaunch in 2006, however, brought a turning point. Since 2015, under the guardianship of Maison Schiaparelli’s creative director Daniel Roseberry, the house has gone from strength to strength. Harnessing the essence of Elsa Schiaparelli’s vision, the brand is once again the go to for celebrities seeking the avant-garde. Recently, Margot Robbie selected a stunning gown from the brand for the world premiere of ‘Wuthering Heights’. Bad Bunny wore a custom Schiaparelli suit with an unusual laced back, to receive his Grammy Award earlier this year – a reflection of the renewed cultural impact of Schiaparelli.

Schiaparelli in Today’s Collectors’ Market

More modern pieces can be acquired in Luxury Auctions and should certainly be included in insurance appraisals.

The V&A South Kensington exhibition ‘Schiaparelli: Fashion Becomes Art’ opens on Saturday 28th March and will run until early November.

Valuation Trends and Risks to Know in 2026

Posted on January 28, 2026January 29, 2026 by Liz Bailey, Jenny Knott, Richard Fattorini, Stephanie Connell, Jonathan Horwich, Alastair Meiklejon and Helen Doyle

Valuation Trends are shifting as we move into 2026, shaped by changing collector behaviour, evolving tastes and ongoing volatility across global markets. From jewellery, watches and handbags to art, rare books, silver and collectables, understanding where values are moving and why has never been more important. In this article, our specialists share their insight into the key valuation trends to watch in 2026 and explain what they mean for owners, collectors and those responsible for ensuring assets are accurately insured.

Jewellery

Liz Bailey, Jewellery, Watch & Silver Specialist

“As we have seen in 2025, the price of gold has reached record breaking levels and I can see no slowing of this trend into 2026. With a near 60% price increase last year, it will be crucially important to maintain regular valuations. We would expect to see a stabilisation in the market for natural diamonds, particularly steady in round brilliants under 2ct, and price spikes continuing for elongated fancy shapes and unique cuts over 2ct. In the gemstone market, a continued and constant premium placed on natural, saturated and high-quality gemstones of a favourable origin, which may prove increasingly difficult to source on the international market. Antique, signed, and unique pieces to remain in high demand, and designer price hikes to only push replacement values for insurance. If I could urge clients one thing for their jewellery collection this year, please ensure that you have a comprehensive and up to date valuation that accounts for these market factors – inadequate cover is not a trend that we want to see in 2026!“

Collectibles & Memorabilia

Stephanie Connell, Senior Valuer & Collector Specialist

“With a new generation evident in the market, acquiring pieces coveted in their youth I anticipate continuing growth in modern collectables. The trend towards objects from the early 2000s is gaining momentum with record prices recently in sports trading cards, and movie memorabilia from this period. With 2026 being a World Cup year football memorabilia may also be one to watch.”

Rare Books & Comics

Richard Fattorini, Rare Books & Manuscripts, Historical Photographs and Maps Consultant

“In 2026 I expect the rare book market to remain resilient and quietly buoyant with steady growth rather than a speculative boom. Auction activity continues to expand, driven by online platforms and new online auction houses specialising in rare books and works on paper that have widened access for collectors. Top-tier works selling for £100,000+ with strong provenance, historical importance or exceptional condition are likely to hold or increase in value. By contrast, more ordinary collectible titles may see flatter prices. A younger, more diverse generation of buyers in the 35-50 age bracket is reshaping tastes, with increased interest in genre fiction, science and books that tell compelling stories rather than simply fitting a traditional canon.

In 2025 the global top 10 books and works on paper sold at auction were dominated by Americana and American sports cards, together with a first Superman comic from 1939, an 18th century Mughal manuscript of an epic based on the Shahnama, and one of four copies of William Blake’s Songs of Experience (1793).

The results demonstrate that there are buyers out there for the best items, and collecting has never been easier with so many online platforms. The challenge for booksellers and auctioneers in 2026, as always, is finding the great material to meet the demands of collectors.”

Luxury Handbags

Helen Doyle, Jewellery, Watch & Handbag Specialist

“In 2026, the resurgence of the tote is a defining trend. These large handbags have become essential for fashionistas who need a single bag that they can use for the gym, take to the office or on a weekend shopping trip. Chanel continues to offer a great variety of shopping totes, while the Louis Vuitton Neverfull remains a staple and is available in various sizes and designs. Other brands leading this movement are The Row and Saint Laurent, for those seeking ultimate luxury, the bold Hermes Birkin 40 is the standout choice for a high-end tote. These designs can be priced anywhere from £1500 up to £55,000.

2026 also sees a significant revival of old classics, as several iconic handbags from previous decades return to the spotlight. At Celine, Michael Rider has reintroduced Phoebe Philo’s classic Phantom handbag, adding a “smiley” zip to lean into its long-standing nickname. Likewise, we are seeing refreshed iterations of the Lady Dior and the Fendi Baguette, alongside a sharp rise in the popularity of the Chloé Paddington and the Balenciaga City bag.

In terms of aesthetics and materials, specific hardware and textures define the 2026 look. Chains have become a dominant feature across many collections; while Chanel has historically been central to this style, brands such as Ferragamo, Valentino, and Stella McCartney are now heavily incorporating chain details into their newest designs. Additionally, the tactile trends of 2025 are proving to have staying power. Shearling remains a popular choice for added texture, while the colour palette for the year is grounded in sophisticated neutral tones and rich brown suedes.”

Silver

Jenny Knott, Jewellery & Silver Specialist

“If you’ve been watching silver at all, it feels a little like observing the quiet underdog of the precious-metals family suddenly step into the spotlight. The reliable, understated sibling has started to make the headlines, although it’s not a completely straightforward story.

Over the past five years, silver has shifted from a relatively modest performer to one of the standout commodities in global markets. The spot price – the price at which sterling silver is traded – more than doubled between 2021 and 2025, reaching £50–£60 per ounce by the end of 2025 and then peaking at £73 per ounce last week. By historical standards, this is extraordinary, even when set against previous market surges.

There is, however, a more disconcerting side to the story. While silver’s financial prominence has grown, its role as a domestic commodity, for example, in flatware, tea sets and decorative pieces, has continued to weaken. These uses once formed a central part of silver’s cultural cachet but rising prices and changing tastes have led consumers to step back from buying some traditional silverware.

For those who already own silver, this shift has had dramatic consequences. The intrinsic value of household silver has risen sharply, although this is partly offset by dealers being forced to cut their margins. Put bluntly, a single silver table fork is now likely to contain around £140 in silver value alone.

Therefore, what was a relatively quiet market until around 2023 has become strikingly dynamic. The gains seen in 2025 and early 2026 would once have seemed almost unimaginable outside the gold market. The result is a fascinating intersection of macroeconomic forces and cultural change, making silver one of the most compelling commodities to watch.”

Watches

Alastair Meiklejon, Senior Valuer & Watch Specialist

“In 2026 the watch market has reached the ‘calmly tidying up’ era….prices are well off the post-pandemic peak (about 33% down), but they’ve stopped face-planting at a rate of knots and even crept up 5%(ish) over the last year, but this is only in some markets.

Many watch retailers January 2026 updates back that up – the “Overall Market Index rose +1.1% in December 2025, with Rolex +0.6%”not exactly fireworks, but a lot steadier than 2022–23 vibes when some people were crying into their watch boxes.

Where it still gets spicy is the ‘coloured dial tax’, especially on Rolex. For example, secondary market currently puts the Rolex Oyster Perpetual 41 (124300) at £6500 market vs £4750 retail, so still over list.
And the brighter variants are another level – the yellow dial is £12,500, while the celebration turquoise is £11,500 – so yes, the market’s cooled, but the right dial still makes people forget what retail means.”

Contemporary Art

Jonathan Horwich, Contemporary Art Specialist

“Looking ahead to 2026, you can expect a continued and growing focus on female artists at auction. This spans all periods, from contemporary practitioners through to Old Masters and 19th-century European painters. Demand is no longer confined to a single category, and this broader interest is already reflected in stronger and more consistent prices.

There is also sustained momentum behind African and regional African art. While figurative work has dominated in recent years, attention is shifting towards abstract painting. This is bringing a wave of new artists to market, supported by increased institutional and collector interest. Given the depth and quality of material available, this area is likely to remain a key growth sector, with valuation levels continuing to evolve as the market matures.”

Antique Furniture

Alastair Meiklejon, Senior Valuer & Watch Specialist

“In 2026, antique furniture is a simple equation – the headline pieces still go bananas, while the everyday stuff stays more price-sensitive. Last year gave us a perfect top end vs. normal world contrast – J.R.R. Tolkien’s Merton College desk made £330,200 at Christie’s which I wrote about not so long ago, and was pure provenance power. And in the broader furniture-as-trophy bracket, François-Xavier Lalanne’s Hippopotame Bar hit $31.4m at Sotheby’s in December 2025, whilst not exactly antique furniture, it does indicate that market changing and becoming just as important…

At the other side of the market, though, it’s much more selective.

Victorian sideboards, mixed-condition dining sets, and ‘perfectly nice’ brown case furniture can still be surprisingly attainable because buyers are picky….

Where people will stretch is for the right, unmolested examples – original surfaces, honest wear, good colour, and clean provenance. Major auction houses these days literally frame desirability around provenance and patina – and collectors are widely wary of heavy refinishing because it strips character and can dent value. So, clients should take note that actually, that stain from 50 years ago, might not have been as bad as imagined….”

With valuation trends moving quickly across multiple markets, regular professional valuations remain the simplest way to stay informed and properly protected. If you would like advice or need an updated valuation, get in touch with our team to arrange a valuation.

Under the Christmas Tree

Posted on December 18, 2025December 24, 2025 by Jenny Serra

What are our team hoping for this Christmas?

Rachel Doerr – Managing Director

“I was asked recently what you buy a girl who has everything! After some thought, I remembered meeting with the jewellery designer, Lotte Leigh Fine Jewellery who creates and designs jewellery completely unique and deeply personal, so when thinking of myself, I decided this would be the perfect gift. I was left jewellery by my late mother, and I would love to rework those pieces into something new that I would wear every day. It would be a wonderful way to keep her close, carry those memories and give them a new life in a way that feels truly my own. So, I cannot wait to sit down with Lottie to start my journey.”

David Dallas – Chief Executive

“I’ve spent all my adult life and some of my childhood loving John Constable. I have been lucky enough to own a few oil paintings by him, temporarily, but I’ve always had to sell them. This Christmas, what I really want, is a drawing by him that I can keep. He is quite prolific, carrying a large and a small sketchbook with him wherever he went even on honeymoon! So, they come up at auction quite often. He has what they used to call “a good pencil” in other words he can draw beautifully. Any rural scene by the great man would do. “I never saw an ugly thing in my life: for let the form of an object be what it may – light, shade, and perspective will always make it beautiful”, is what Constable once said and when he is the man recording that object in pencil on paper, it is true. The little drawing that came up at Woolley and Wallis in 2023 would do. £16,500 isn’t that much, dear mother-in-law!”

Aurélia Turrall – Jewellery Specialist

“Money does seem to always get in the way of getting the most exquisite jewellery. Seeing as this is not the case for this year’s Christmas presents, I would choose to have the grand nœud de corsage de l’Impératrice Eugénie, stolen at the Louvre on 19th October. How I hear you asking? Or firstly I’d place pay for the greatest, fearsome, most Talented detective: Inspector Jacques Clouseau to find the stolen jewel and catch the criminals (one is currently still on the loose). It is such a shame to think that this 19th Century jewel, which would have required hundreds of hours of work to complete, might have been broken into pieces, as I write this. In 1864, Eugénie decided to stop wearing the imposing jewel, made of gold and silver and measuring 22.2cm long, 10.5cm wide. It was then sold in 1887 (during a nine-day auction when the French government sold most of the Crown jewels, keeping only a few considered National Treasures) to Caroline Astor, and subsequently to the Duke of Westminster for his daughter Lady Lettice Grosvenor, bought by jeweller Ralph Esmerian in 1980, acquired by the Louvre in 2008… And finally stolen last month.

So, Inspector Clouseau, if there’s ever a good time to come out of Hollywood retirement, now would be it! The French government needs you, and so do I for my Christmas present wish to come true!”

Annabell Parry, Jewellery Specialist

“2025 has seen colour and craftsmanship become more sought after in a jewellery world of offerings increasingly with no soul. It was with utter delight I discovered Castro Smith and his beautiful, hand engraved jewels and signet rings. His award winning designs have been featured around the world but works quietly in the UK with skills often considered old-fashioned but to me they are beautiful and evoke the essence of true handcrafted devotional gifts. Please, please may I find the Rabbit and the Moon signet ring under the tree this year, only available to order from £2500.”

Ashley Innes, Asian Art Specialist

“If I could receive any gift this holiday season, I would choose an incredibly rare large ruby-ground sgraffiato yangcai “lotus” bottle vase that I enjoyed viewing at person at Sotheby’s New Bond Street earlier this autumn as part of Asian Art in London. This Qianlong-period porcelain vase knocked preauction estimates out of the ballpark in November, selling for 304,800 GBP, when it was only estimated to sell for 100,000 GBP – 200,000 GBP! I love the elegance of the yuhuchunping shape, a traditional Chinese form with a long, slender neck and a bulbous bottom. The vase employs the yangcai technique, a form of wucai technology reserved for foreign colors of the period. The sgraffiato, a carving through the top layer so that the next layer is visible, showcases the exquisite level of craftsmanship from the Imperial kilns at Jingdezhen. As my favorite color is pink, I would be delighted to find this in my stocking – but perhaps not hanging over the fireplace, given the vase’s delicate nature!”

Fiona Hamilton – Silver Specialist

“If I could wish for a dream gift this Christmas it would be a little patch of land on the North West coast of Scotland. Having spent family holidays there from the 1980s to the current day, it holds a special place in my heart. From Arisaig to Achiltibuie, the deserted beaches, turquoise water, and star-studded skies are truly magical. Personal experience shows that the best defence against the dreaded midgies is a beach fire and the famous four seasons in one hour should be embraced! A place to unwind away from daily life, often with no phone signal, it’s the perfect haven.”

Jonathan Horwich, Contemporary & Modern Art Specialist

“I would like to have this wonderful, tiny (11.3 x 23.5 cms) cloud study by one of the greatest English landscape artist of all time, John Constable (1776-1837). I came across Constable Cloud Studies in my first job in a West End Gallery many years ago now, we had three in stock and each one was a gem, I promised myself that one day I would own one. This one sold at auction for £453,600 on July 1st this year, so it may be a bit of a stretch for me just now , so it would be a very welcome surprise to find this one under the tree on Christmas morning!”

Katinka Monkman, Executive Assistant

“After spotting the Boodles Tennis Bracelet, I couldn’t help but think it would be the perfect Christmas gift. As someone who plays for a local Division 2 tennis team in Sussex, it feels like such a fitting piece — elegant, classic, and with just the right amount of sparkle to capture the spirit of the game. Since starting my new role at Doerr Dallas Valuations in April, I have developed an even greater appreciation for beautifully crafted jewellery, and this bracelet really stands out to me. It is timeless yet meaningful, and I can just imagine how special it would feel to wear it, both on and off the court.”

Kristin Panagiotou, Administration Manager

“Underneath my Christmas tree this year I would love to find the photographic print, Dairy Queen at Night from front, US 6, Iowa City, IA 1988, by American photographer Jim Dow. This image holds a special place in my heart. When I look at it, childhood memories of summer nights and walks to this specific ice cream parlour down the street with my family flood back into my mind. What I love about photography is how one simple image can evoke so many feelings and emotions, and this one fills me with so much happiness. While it doesn’t necessarily look the same, this ice cream shop is still there! Dependent upon the size, a limited edition print can be purchased from $3,000-$9,000. ”

Liz Bailey, Jewellery, Watch & Silver Specialist

“It is so hard to narrow down what I’d like under the tree this year – I’ve seen so many fabulous pieces in collections that have been added to my wishlist! One watch definitely remains, and having seen their 150th anniversary display at Dubai Watch Week I would simply love an Audemars Piguet Frosted Mini Royal Oak. The frosted effect is created through a hammering technique using the culet of a diamond, and these watches have been worn by icons such as Raye and Serena Williams. To add some sparkle to my jewellery collection, I’d certainly be on the lookout for a piece from the new Tiffany Bird on a Rock collection, reimagining the original 1965 design by Jean Schlumberger. I was fortunate enough to try on the Lovebirds ring, and it was indeed love at first sight. The watch costs a cool £56,600 and the ring a mere £32,200!”

Richard Fattorini, Rare Books & Manuscripts, Historical Photographs and Maps Consultant Specialist

“I have always admired the beauty and skill that goes into creating an illuminated manuscript, and this autumn I was thrilled to visit Chantilly to view an exhibition of one of the most famous and beautiful illuminated medieval manuscripts in the world, the Très Riches Heures du Duc de Berry. This spectacular manuscript on parchment was created in the early 1400s for John, Duc de Berry, the brother of King Charles V of France, by Limbourg brothers Paul, Johann and Herman and used rare and expensive pigments, including lapis lazuli, and pure gold. A single illuminated page from this book would be worth millions, but other medieval illuminated manuscripts by lesser artists can be purchased for a few hundred pounds. This Christmas I would be overjoyed to receive an illuminated leaf which would let me connect with a world that valued slow craft, symbolism, and the power of storytelling. The calligraphy, colours, details and gold illumination invite contemplation, reminding one to slow down and appreciate artistry in its purest form. It would be a gift that blends beauty, scholarship, and wonder, something timeless in an increasingly digital world.”

Alastair Meiklejon, Senior Valuer

“Is a red octagonal box too obvious? Possibly. But then again, Who honestly cares, And this watch….this glorious, green-dialed, 18ct yellow-gold beauty, is not here for subtle nods and polite applause. It’s here to enter the room before you do. Cartier, frankly, have been on a quiet (and sometimes not-so-quiet) tear over the last few years, and this might just be one of the greats of the line. Let us remember: the Ballon Bleu was a hit the moment it landed. I know, because I sprinted out and bought one. The big one. The too big one. But here’s the thing, by the time I’d realised it was too big, I was already emotionally invested. Like a slightly impractical dog, or a Pelaton – You don’t return it; you adapt your life around it. And now? Cartier have gone and done this. A green dial in yellow gold that pops harder than champagne corks on the riviera. The price of £15,200 mean its only two bottles of house red off what could be deemed a ’sensible purchase’ and nothing says Christmas like gold and green…..honestly – look it up!”

Francesca Orme, Jewellery Specialist

“I have wanted one of these for a long time. These genius ‘Love Letters’ bracelets are one of Pragnell’s very clever inventions. It gives you the opportunity to create your own bracelet online if you can’t get to the showroom, by choosing the letters or words you would like, with the option of symbols such as a heart, in-between or next to…You can pave set with diamonds whichever links you would like too!.
I would put my twin boys names with a heart between that is pave set with diamonds.. These are so wearable that I don’t think I’d ever take it off!”

Jenny Knott, Silver Specialist

“On December 1st I tune my radio to Classic FM and immerse myself in Christmas music. I enjoy more recent Christmas tunes too, and although I have had enough of rocking around the Christmas tree long before Christmas day, I’ve never enough of the snow. Indeed, ‘Let it snow, let it snow let it snow’. So, to indulge myself this Christmas, my money no object Christmas present under the tree would be tickets to Vienna to hear Christmas music at the Hofburg Palace and something appropriate to wear for a snowy Christmas concert, perhaps this diamond and blue topaz snowflake sautoir by KiKi McDonough. It’s a snip at £9500, so let’s hope that it’ll be nestling somewhere amongst the pine needles.”

Helen Doyle, Jewellery, Handbag & Watch Specialist

“This Christmas I would love a Chanel 2.55 handbag under the tree. More than just an accessory, the Chanel 2.55 is a wearable piece of fashion history, with virtually every design detail carrying a personal connection to the life of its creator, Gabrielle “Coco” Chanel. Unveiled in February 1955, the bag’s name is simply its birth certificate: 2 for the month and 55 for the year.
The bag’s revolutionary design was centred around the long shoulder chain, which was a fashion breakthrough that finally freed women’s hands.
Perhaps the most fascinating element is a secret that lies beneath the surface: a discreet zippered compartment hidden inside the front flap. Legend holds that Coco Chanel used this small, private pocket in her original bag to store her love letters, a quiet nod to her personal romantic history.”

Stephanie Connell, Senior Valuer & Collector Specialist

“Under the Christmas tree, if money were no object, I would like to discover something I would have dreamt of owning as a child, a Dinosaur! Sotheby’s recently sold a mounted Ceratosaurus skeleton – Ceratosaurus were a species carnivorous dinosaur, with a name referencing the slight horn between is nostrils. The example sold by Sotheby’s, was around 150 million years old. The skeleton was that of a juvenile. Money would really have to be no object – it fetched just over $30.5 million.”

Jenny Serra, Marketing Manager

“I was on the hunt recently for a new handbag, and not being of neutral tastes, I spotted this fabulous limited edition pink and red Epsom bag from Hermes. The classic shape but bold colour way would make it such a fun bag to use – and a definite conversation starter! Costing around £25,000 I’m pretty sure it’s beyond my husbands budget, but a girl can dream!”

Interior Design – How style can define value!

Posted on December 18, 2025December 18, 2025 by Stephanie Connell

Good interior design is something many of us aspire to. With the demands of modern life, more of us are turning to professional Interior Designers to create stylish functional spaces. Social media – particularly Instagram – have amplified interest in exceptional interiors. Publications like Architectural Digest, with over 11 million Instagram followers, provide an insight into how the market is evolving.

What may surprise you is how interior design trends can affect the value of your collection. As a valuer anticipating and spotting taste makers can help predict future value.

Against this backdrop, auctions reveal an interesting phenomenon – the rise of the interior designer led sale. Where sales were once titled “Fine Art & Antiques”, “Interiors” has become the modern cover all term. Similarly, designers are being used as auction curators, and their involvement being advertised prior to sale.

Within these sales, buyers are often seeking the comfort of association with an interior designer, either as a manufacturer or retailer. Recently, interior trends have moved away from minimalism. Today, prominent interior designers, are embracing antique and vintage pieces, creating patina, character, and a sense of warmth.

Certain designers have taste so highly regarded, that pieces they have owned or designed, can have an increased value by association. Buyers reassured by the name, and knowledge that the designer will have acquired only the finest or most interesting objects. These interior designers are a shorthand for luxury – and if they have produced it, it is a designer piece.

The late Robert Kime (1946 – 2022) was a renowned interior decorator and antique dealer, celebrated for his unique eye. He was a master at creating timeless interiors, using what might be described as a modern Grand Tour aesthetic, incorporating objects from antiquity to present day. Kime, was not only a ‘decorator’ but an expert, renowned for his knowledge particularly in antique textiles. He produced his own range of fabrics, available through his London shop ‘Robert Kime Ltd.’.

He was trusted with some of the nation’s most important interior spaces, and notable for his work for King Charles III.

Illustrating his importance in 2020, Christie’s held an auction titled ‘Wilton Crescent: A Robert Kime Interior’. The sale included over 200 lots and achieved over £2 million in total. It is rare for a sale to be named not after the collector, but the interior designer. The sale included antiques sourced by Robert Kime, alongside pieces produced by Robert Kime Ltd.

In 2023, Dreweatt’s held the auction of Robert Kime’s personal collection. The auction attracted an audience beyond that of ordinary antique sales, notable attendees of the viewing included the Prince & Princess of Wales.

Kime’s reputation extended beyond interior decoration; as a respected dealer and authority, his name conferred desirability on to pieces included in the sale.

The Kime effect could be seen on those lots where price comparisons were available. Lot 403 was a stunning Charles I needlework picture emblematic of Fidelity. Kime had purchased the piece from Christies auction of the Simon Sainsbury collection in 2008. Whilst English tapestry values have increased over the past decade, the effect of the provenance was obvious. Purchased for a total of £5,625 in 2008, it was sold for a hammer price of £15,000 in 2023.

Similarly, historical Interior Designers can command significant interest from buyers; if your ancestors engaged their services, it is essential to examine those pieces, as they may hold considerable value.

Syrie Maugham (1879 – 1955) was one of the foremost Interior Designers of the inter-War period. Earlier this year, an auction was held dedicated to her life and family, including pieces from her archive. Maugham, also had celebrity clients, including Noel Coward and the Duke & Duchess of Windsor.

In defiance of the dark maximalist Victorian aesthetic, Maugham signature were rooms decorated entirely in white or pastel shades. Her influence endures in homes today – Maugham would surely approve of Pantone’s recent selection for colour of the year 2026 ‘Cloud Dancer’.

To contemporary eyes, her approach to furniture might be described as ‘upcycling’– yet this was an innovative technique. Maugham, transformed pieces by stripping dark varnishes, treating or ‘pickling’ them and then finishing with pastel or white craquelure. This created an entirely new look for those pieces and a brightness and lightness to the spaces.

Maugham pieces are rare, and seldom appear on the open market. When Maugham’s desk, painted in her signature style, was offered in October it was estimated at a not unsubstantial £3,000 – 5,000. Despite having a cigarette burn and worn condition it generated a great deal of interest, selling for a hammer price of £17,000.

Similarly, a pair of painted and upholstered ‘Dolphin’ chairs designed by Maugham were included with estimate £4,000 – 6,000, this time selling for a hammer price of £11,000.

When acquiring antique and vintage pieces, look out for provenance connecting objects with important figures, for example dealer and taste maker Christopher Gibbs (1938 – 2018), decorator and designer David Hicks (1929 – 1998), Sybil Colefax (Lady Colefax, nee Halsey, 1874 – 1950) & John Fowler (1906 – 1977).

Treasures which can go unnoticed – a painted pine dressing table by Colefax & Fowler sold April 2024 for hammer price £1,600 at Woolley & Wallis – insurance region of £5,000.

Celebrated Interior Designers working in Britain today include; Rose Uniacke, Beata Heuman, Soane Britain and Studio Ashby. These designers and their teams are amongst the names combining fine art, antiques, and 20th century design with their own contemporary creations.

If you are working with designers of this calibre, they will likely be acquiring art, antiques, and vintage objects on your behalf. As prices fluctuate, it is important to assess replacement costs of the designers’ own creations alongside your antiques.

The Art World This Winter: 2025/2026’s Must-See Exhibitions

Posted on November 6, 2025November 6, 2025 by Liz Bailey, David Dallas, Jonathan Horwich, Ashley Innes, Fiona Hamilton and Stephanie Connell

Winter is drawing in, so what better time to immerse yourselves in a great exhibition. Thankfully, our team of specialists across the board have compiled their list of must-see events throughout the country. With picks covering contemporary art, cinematic icons, fabulous jewellery and exciting new creatives, there really is something for everyone.

Stephanie Connell - Senior Valuer & Collectors Specialist

Wes Anderson: The Archives

The Design Museum, London
From 21st November until 26th July 2026

“This exhibition at The Design Museum is an exciting opportunity to have an insight into the mind of one of the most innovative and unique film directors working today”

William Nicholson

Pallant House Gallery, Chichester
From 22nd November until 10th May 2026

“This will be the first major exhibition of William Nicholson’s work since 2005. Nicholson’s work influenced not only British art but illustration and design.”

Ashley Innes – Asian Art Specialist

Hawai’i: a Kingdom Crossing Oceans

British Museum, London
From 15th January until 25th May 2026

“This winter I’m looking forward to visiting Hawai’i: a Kingdom Crossing Oceans at the British Museum. There aren’t a lot of opportunities to learn about Hawaii’s material culture on this side of the pond, so it’s not to be missed.”

Marie Antoinette Style

Victoria & Albert Museum, London
Running until 22nd March 2026

“I also really enjoyed viewing the Marie Antoinette Style exhibition at the V&A this autumn, which will be on through 22 March. Despite the exhibition’s name, the breadth of materials on display is far wider than fashion, showing that there is much more to Marie Antoinette than “let them eat cake!”

David Dallas – Old Master Specialist

Daphne Wright: Deep-Rooted Things

Ashmolean Museum, Oxford
Running until 8th February 2026

“The fourth instalment in the Ashmolean NOW exhibition series, where contemporary artists are invited to create works inspired by the museum’s historical collections. Daphne Wright presents a series of sculptures that have been curated by Ashmolean director, Xa Sturgis. Two key Ashmolean pieces that speak directly to Wright’s work are included in the exhibition: the fragments of a young Hercules defeating the Nemean Lion in plaster and Rachel Ruysch’s intricate painting, ‘A Forest Floor’ Still Life of Flowers.”

Images of Authority: Portraits Between Iran and Europe

Ashmolean Museum, Oxford
Running until 15th March 2026

“Another exhibition to take place at the Ashmoleon explores the portraiture of three contemporaneous rulers, Fath Ali Shah Qajar (1797-1834), King George III (1760-1820) and Napoleon Bonaparte (1799-1814).”

Emily Kam Kngwarray: Aboriginal Art

Tate Modern, London
Running until 11 January 2026

“I’ve seen these wonderful paintings in Melbourne, this is the first time they have been shown in Europe”

Eric Ravilious

The Towner Art Gallery, Eastbourne
Permanent Collection

“I’ve always loved Eric Ravilious and now there is a permanent collection of his wonderful watercolours in his hometown of Eastbourne. They are a revelation.”

Caravaggio’s Cupid

Wallace Collection, London
From 26 November 2025 until 12 April 2026

“Don’t miss the chance to see Caravaggio’s masterpiece on loan for the first time in Britain from the Gemäldegalerie in Berlin.”

Liz Bailey - Jewellery, Silver & Watch Specialist

Surrealist Jewels 101. Surrealist Masters

Independent Designers
Louisa Guinness Gallery
From 26th September until 7th November

“This exhibition marks the 101st anniversary of the Surrealist movement and will explore this wonderful design movement through both contemporary and modern jewellers. Featuring rarely seen works by the likes of Salvador Dalí, Claude Lalanne, Max Ernst, Man Ray, Niki dd Saint Phalle and Arman.”

KNOX: Order & Beauty

National Art Gallery at the Manx Museum

Running until 1^st March

“I’d love to head over to the Isle of Mann to catch world’s largest exhibition of works by Archibald Knox. Featuring over 200 items of silver, pewter, jewellery, manuscripts and drawings, many of which have never been exhibited before.”

British Museum’s Tudor Heart Appeal

“Although not strictly an exhibition, I’ll be following closely the British Museum’s Tudor Heart appeal, a national fundraising campaign launched in October 2025 to raise £3.5 million by April 2026 to acquire the 24 carat gold Henry VIII pendant for the nation. I’ll head straight to the British Museum to view the pendant as soon as possible whilst it’s on display during the campaign.”

Fiona Hamilton - Silver Specialist

Drawing the Italian Renaissance

The King’s Gallery, Palace of Holyrood House, Edinburgh
Running until 1st March 2026

“The Renaissance period saw a new found appreciation for creativity. Drawing in this era evolved from an essential tool of workshop practice to a revolutionary art form. Featuring work by Leonardo da Vinci, Michelangelo and Titian from the Royal Collection this is a must see for all art lovers”

Jonathan Horwich - Modern & Contemporary Specialist

Kerry James Marshall: The Histories

Royal Academy, London
Running until 18th January

“My pick of the Winter exhibitions has to be the very gifted painter, Kerry James Marshall at the Royal Academy. I’m drawn to this exhibition for Kerry James Marshall’s masterful technique and his reworking of Western art historical traditions. His large-scale, symbol-rich paintings powerfully center Black narratives, offering both critical reflection and visionary storytelling through paint.”

Vintage Movie Posters: The Frighteningly High Value of Classic Horror Art

Posted on October 30, 2025October 23, 2025 by Stephanie Connell

“Do you like scary movies?” – it’s spooky season, so to get ourselves in the Halloween mood I will be looking at some of the world’s most desirable horror movie posters. Be prepared, the replacement costs can be ‘frightening’!

Silent Movie Posters

Nosferatu (1922) is arguably, the most recognisable horror film of the Silent era. A masterpiece of German expressionist cinema it has remained influential for over a century. Yet Count Orlok had a brush with an horrific fate – to vanish from existence!

The plot for Nosferatu was taken directly from Bram Stoker’s ‘Dracula’, but without permission! Despite altering the character names to avoid suspicion of breach of copyright, Stoker’s name and the word ‘Dracula’ were used to promote the premiere.

Bram Stoker had died just 10 years prior to Nosferatu’s release. His widow, Florence Stoker, was alerted to the films existence by an anonymously sent copy of the Berlin premiere programme. A legal battle with the producers ensued. The resulting court judgement stated that all copies of the film should be destroyed. And yet Nosferatu survived!

The stunning production design and promotional design were created by occultist artist Albin Grau (1884 – 1981). Due to the copyright issues surrounding Nosferatu, original ephemera is rare. In 2019 a German magazine advertisement from 1922 (see below), sold at auction for $52,800. Although this type of ephemera is usually of limited value, have a piece from Nosferatu in your collection? Expect to insure it for around £70,000.

In Hollywood the biggest star of Silent horror was Lon Chaney (1883 – 1930). Chaney was an inventive actor. However, Chaney’s real legacy was as a skilled makeup artist and prosthetics designer. In an age when makeup was seldom used on screen Chaney crafted looks which continue to startle audiences.

One of his most famous roles was as Quasimodo in the 1923 adaptation of ‘The Hunchback of Notre Dame’. Copyright lapsed on ‘The Hunchback of Notre Dame’ in the 1950’s, so like many silent pictures, it’s available to watch for free online. An original theatrical release poster was offered at auction by Bonhams, Los Angeles in 2019. The eerie scene, with stunning artwork typical of the silent period, sold for $212k (including buyer premium). The insurance replacement cost here is in the region of £350k.

One of the highest prices ever paid for a poster at auction was for Chaney’s horror ‘London After Midnight’ (1927) (below).

‘London After Midnight’ is one of the great lost ‘pictures’ of the silent era. The last known copy of the film, featuring; vampires, Scotland yard detectives and hypnotism, was destroyed in the MGM vault fire during the 1960s. Should the movie itself ever be rediscovered, it would likely be worth over six-figures.

The only known copy of the original American one-sheet poster (see below) was unveiled during an auction at Heritage, Dallas in 2014. With collectors clamouring to own this unique piece of horror history, it sold for a startling $478,000. Insurance values for a piece of this calibre would be in the region of £750,000.

Horror Movie Posters from the 1930’s

By the late 1920s, the arrival of ‘talking pictures’ brought new horror movies and new stars.

The first major horror ‘talkie’ was ‘Dracula’ (1931) starring Bela Lugosi. An enormous commercial success, the film has defined the image of the character for generations, inspiring countless Halloween costumes.

Its worth noting the market for some ‘Golden Age of Hollywood’ posters has slightly cooled in recent years. Prices overall for horror remain high.

An original poster for ‘Dracula’ was sold by Prop Store auctions, Los Angeles earlier this year, fetching $264,600 (against an estimate of $150k – $300k). Dracula’s poster had several versions, this one being ‘Style F’. A scarcer ‘Style A’ was offered by Heritage Auctions in 2017. As one of only two known copies, it made a record of over half a million dollars ($525,800 including BP).

The British director James Whale, though you may not be aware of it, will have influenced what you consider horrors icons. In 1931 he directed ‘Frankenstein’ starring Boris Karloff. Karloff’s ‘Frankenstein’ was one of these icons. Elements may seem cliché to today’s audiences, but these scenes were revolutionary.

Earlier this year, a copy of ‘Frankenstein’ went under the hammer, again at Prop Store L.A. This American ‘Style A’ version was one of just seven or eight known to exist. It sold for just over $200k. As with ‘Dracula’ different styles were produced for the original American ‘Frankenstein’ release. If you are lucky enough to own a copy it should potentially be insured for upwards of £250,000.

Frankenstein’s sequel ‘The Bride of Frankenstein’ (1935) is one of the most eye-catching posters of the era. Starring British actress Elsa Lanchester as ‘The Bride’ an extraordinary half sheet poster, one of only two known, was offered for sale by Heritage in 2023. When the gavel fell, the price was $100k. Interestingly a remake ‘Bride!’ is due for release in early 2026.

British Horror 1940s – 1970s

One of the greatest pieces of cinema created by Ealing Studios was ‘Dead of Night’ (1945). An anthology the plot features several spooky stories told over the course of one evening. It is most famous for the section featuring a ventriloquist’s dummy, but to those who collect antiques the haunted mirror sequence is probably the most terrifying.

The original poster for the British release is relatively uncommon. Bonhams offered a copy during 2021 – despite being backed onto card (an undesirable method of restoration) it sold for £11,475.

The movies made by Hammer Productions from the late 1950s to 1970s are the pinnacle of British horror collecting. Dubbed ‘Hammer Horror’ the London based studio released 50 horror films. Their most successful starred legendary pairing of Sir Christopher Lee and Peter Cushing. The combination of colourful gore with glamourous villains was a successful one. Hammer brought versions of Dracula, Frankenstein, and Sherlock Holmes to new audiences.

Unsurprisingly, original posters for Hammer’s Dracula (1958) starring Lee and Cushing are the most valuable. Dracula was such a hit Hammer released eight sequels! Don’t let ‘Dracula’ come back to bite you, British quad posters from the original release should be insured for at least £50,000. With Hammer in demand, many of their major motion pictures should be looked at for insurance.

1960s and later

More recent releases may not have posters achieving over £100k yet, but don’t be afraid to get them appraised.

Alfred Hitchcock’s Psycho (1960) is a key poster for anyone building a collection. Almost all cinephiles will be aware of the shower scene, yet Psycho still surprises and shocks!

Released under a veil of mystery, with audiences sworn to secrecy about the plot, Psycho was a massive box office drawer and an instant classic. If you are looking to start a collection, a copy of the US one-sheet for Psycho can typically be secured for around £3,000.

George Romero’s ‘The Night of the Living Dead’ (1968) redefined horror and created the modern zombie movie recognisable today. It was shot on a shoestring, with a budget of just $100,000, it eventually grossed over $30 million!

The British poster for the 1968 release is probably the most visually striking. If you are looking to acquire a copy or insure, anticipate around £2,750.

Finally, to John Carpenter’s Halloween. Released in 1978 Halloween captures an essence of the many films which precede, while popularising a new genre, the ‘slasher’ movie.

Unusually, the most valuable poster for the movie is Australian (Australian posters are ordinarily among the most affordable). Unlike other copies it features a strong image of the character Michael Myers. A typical replacement price is between £2,500 and £3,500.

The defining poster image however is the American version including artwork by Robert Gleason. Have a copy? Insurance should be a minimum of £2,000.

If you have a collection that needs valuing, drop us a line at [email protected] or call us on 01883 722736.

The Eyes Have It – With Eye-Catching Prices!

Posted on August 7, 2025August 7, 2025 by Stephanie Connell

John Lennon, Gandhi, Malcolm X, Iris Apfel and Benjamin Franklin – what do they all have in common? Glasses!

Spectacles are so associated with these historical figures; it may be the first thing used to describe their appearance. The same can be said of fictional characters – from Harry Potter to Clark Kent glasses are a defining feature.

Interestingly, eyeglasses are documented as having been used as early as the late 13th century. By the 20th century, their connection with impairment and use by academics and learned individuals may have resulted in what one might call ‘geek chic’.

In the world of memorabilia, instantly recognisable glasses are highly sought after by collectors – certain frame shapes immediately evoking renowned figures.

As one would anticipate, provenance is a key factor in determining value. The closer the association with a star (or the production) the higher the prices. In recent years, sales from the estates or collections of famously bespectacled individuals have allow buyers the opportunity to purchase pieces guaranteed to be genuine.

Earlier this year the sale of Barry Humphries: The Personal Collection was held at Christie’s, and clearly illustrated this point. The sale included several pairs of glasses worn by Humphries as his most famous comic character ‘Dame Edna Everage’.

The glasses were offered individually with an estimate of £1,000 – 1,500 each. Spectacles were a crucial part of the iconic characters costume – therefore these unusual designs generated enormous interest.

It can be difficult to predict the value of such pieces, where rarity, excellent provenance, and a strong fan base combine. The highest priced paid was for the yellow lacquered ‘possum’ glasses. Based on the characters catchphrase the ‘eye-catching’ eyewear sold for £37,800! (insurance replacement in the region of £55,000). While a glittered-star and diamante pair by David Cox also sold for just over £30,000 (insurance region of £45,000).

Another comedy great’s glasses were also sold this year. In January 2025 auctioneers Hanson’s offered the collection of the late British comedian Eric Morecambe. The highest price achieved during the two-day 816 lot auction was for a pair of Eric’s signature glasses (offered together with a pipe). The pre-sale estimate of £2,000 – 4,000 was fair in light of the provenance. However, one serious fan was determined to purchase the glasses. They reached a hammer price of £20,000 (insurance value anticipate £40,000).

Post-sale it was revealed that fellow celebrity glasses wearer Robbie Williams had been the buyer. It is common for serious memorabilia collectors to have an emotional reaction when acquiring an important personal piece. Williams commented he had shed ‘happy, childlike tears’ upon successfully purchasing the lot.

When Sir Michael Caine offered his personal collection at Bonhams in 2022, one of the highest prices amongst the memorabilia was for a lot described as ‘a pair of Sir Michael Caine’s iconic spectacles’.

Manufactured by Rodenstock, similar vintage pairs can be purchased in a retail environment for under £200. However, as with the previous pairs discussed the importance of the provenance resulted in a final total of £16,500 (Insurance price £25,000).

There have been a few instances in recent years were glasses worn by John Lennon have gone under the hammer. In 2020 Sotheby’s held an auction dedicated to The Beatles. And what was the highest price achieved during the auction? As one may guess it was for a pair of these frames. With provenance suggesting they had been given by Lennon to his housekeeper in 1965, they were believed possibly the first pair of round frames he owned. With an estimate of £30,000 – 40,000, they sold for £44,100. If you are lucky enough to own a pair of John Lennon glasses expect to insure them for a minimum of £70,000.

These glasses were of a similar design to a pair which hold the world record for a pair of glasses at auction. In August 2020 East Bristol Auctions offered a pair of gold-plated round spectacles which by repute had belonged to Mahatma Gandhi.

According to information provided by the vendor they had been gifted to their uncle in South Africa c. 1920 – 1930. Both Gandhi’s historical importance and the iconic nature of the piece led to a pre-sale assessment of £10,000 – 15,000. This time they achieved a hammer price of £260,000 (total selling price of £316,000, insurance replacement £450,000 region). Sunglasses and glasses relating to Gandhi have appeared on the open market on a few occasions, if looking to invest anticipate over £10,000 for any pair.

In 2025, glasses are highly fashionable, regularly worn on the red carpet by A-list actors such as Pedro Pascal, Jonathan Bailey, and Robert Downey Jr. Designer brands such as Jacques Marie Mage, Tom Ford, Cutler & Gross and Cartier are currently offering collections of ultra-luxe frames, possibly the star worn collectables of the future.

If you are looking to start collecting, the market is ever changing but new or previously unknown examples appear regularly. Retaining the provenance is essential and will dictate any future change in value.

When Old Tech Turns Valuable: What’s Worth Insuring in Vintage Technology

Posted on June 26, 2025June 25, 2025 by Stephanie Connell

Historic technology collecting is a constantly evolving field, where exciting developments can quickly lead to new assets.

Many of us have old phones and computers, it can be tricky to decipher which pieces of tech are worth looking at for insurance.

Demand is influenced by several factors. For valuable vintage technology more broadly, the most valuable are those historically important pieces which resulted in a change in global society.

So let us look at a few areas of the vintage technology market and what to look out for and what’s worth insuring in valuable vintage technology.

In July 2023 Apple grabbed the headlines when a first-generation iPhone sold at auction for over $190k (suggested insurance figure £250k) – tripling the record price set just 4 months earlier. Surprising for a phone whose purchase price was around £500 when released in 2007.

But this iPhone was not an ordinary example. The lot was ‘factory sealed’, meaning this rare survivor was unopened, unused, and still in its plastic casing. The phone was also a 4GB storage model, this version was less popular when issued in 2007, therefore scarcer. As a comparison Heritage auctioneers sold a factory sealed first generation of the more popular 8GB version in February 2024 for $21,600 (Heritage, Video Games, Lot 28129, February 24, 2024 – suggested insurance figure £65k).

In the current market, replacement values for first generation iPhones typically only exceed £500 in instances where the device is in excellent condition with packaging. It is the extremely rare factory sealed pieces which are the ones to look out for.

The most collectable pieces in the world of Apple products are those manufactured in the early days of the company.

In September 2024 auctioneers Christies sold an Apple computer for $945,000 (suggested insurance £1.8 million).

However, this example, was arguably the most important commercially produced computer in the history of the company.

An Apple-1 personal computer, manufactured in 1976, it was sold as part of the collection of the late Microsoft co-founder Paul Allen (2024, Lot 10, Paul G. Allen Collection, Christies NY). The first commercial Apple computer, this piece had previously stood in the office of Steve Jobs. The value here is dictated not only by the technology itself, but as an extremely important item in the history of computing. Early Apple products are scarce and of great interest to collectors – Apple-1, Apple II, Apple Lisa and prototypes should all be considered.

To retro gaming: with contemporary video game collecting, those pieces with the highest values are akin to the markets for vinyl, trading cards, collectable figures, and comic books. Rarity and condition are pivotal factors in value. Original packaging and unopened are desirable to collectors.
Areas with a strong international market and instantly recognisable brand name such as Sony Playstation, XBOX and Nintendo command the highest prices. Those produced with a more British focus such as the educational BBC Computers or ZX Spectrum in general are of limited value.

Looking at the market for Nintendo video games, in July 2021 auctioneers Heritage sold a copy of Super Mario 64 for an astonishing $1.5 million. This piece was not a typical game of its type. This version was unopened and sealed, it had been professionally graded at 9.8 – being a near mint copy – only four versions are known at this grade (Heritage Video Games auction, July 2021, lot 28137). It is worth noting that in the same auction, the same game with a slightly lower grading of 9.6 fetched just over $13k (suggested insurance for 9.6 version £15k).

In general Nintendo video games would have been played and sold in large numbers – these are of modest value and not usually requiring separate insurance. Sealed version of iconic titles such as Zelda and Super Mario are amongst the most desirable.

Here are some factors worth looking at for more valuable pieces. Was the piece rare at time of issue? For example, games that were not commercially available when manufactured. ‘Not For Resale’, ‘Test’, and ‘Competition’ editions are all something to be aware of. These pieces are extremely rare – they would have been exceptional or unusual at the time of acquisition (see Heritage Auctions, June 12, 2025 – Video Games – Lot 79029 – Super Mario Club Communication Cartridge CIB sold for $475 – suggested insurance value is £600).

Furthermore, games which were unsuccessful at the time of release, therefore sold in small numbers, if in excellent condition can be valuable.

For those consoles which were more widely commercially available condition is key to value. Nintendo manufactured the ‘Game & Watch’ series – a precursor to the Game Boy – where each handheld console played just one game. Game & Watch are popular amongst collectors and can be a good entry point.

In September 2023 auctioneers Ewbanks sold a Super Mario Bros Crystal Screen (YM-801) in very good condition with box for a hammer price of £750 (Lot 5036 – Ewbanks – Retro Video Games & Consoles – September 28, 2023 – suggested insurance value £875).

When a lesser condition version appeared at auction last year, again with box, it achieved a hammer price of £320 (Hawleys Fine Art – 18th May 2024, lot 1182).

In the field of retro video gaming, there is combination of nostalgia, for vintage titles played during childhood or adolescence, alongside iconic names and characters with broad appeal.

If you haven’t considered it before, your valuable vintage technology of treasured vintage home computing, technology and retro video games, may be worth insuring.

Who Was Elsa Schiaparelli?

The Rise of the Schiaparelli Fashion House

The Golden Age of Schiaparelli Couture

Why Schiaparelli Pieces Are Highly Collectable

Schiaparelli Jewellery and Surrealist Design

Surrealist Collaborations with Salvador Dalí

Iconic Schiaparelli Perfumes and Collectables

The Revival of the Schiaparelli Brand

Schiaparelli in Today’s Collectors’ Market

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