A Beginner’s Guide to Chinese Snuff Bottles

Snuff bottles are one of the most distinctive and varied forms of Chinese art. While they are not typically the first medium that comes to mind when collectors think of Chinese antiques, they are an exciting area of collecting and play an important role in Chinese art history. In this article, we’ll explore a handful of the most popular types of snuff bottles.

An Imperial blue-and-white snuff bottle with fifty written shou characters and a Qianlong mark, sold at Bonhams New York in 2021. Photograph by Bonhams.
An Imperial blue-and-white snuff bottle with fifty written shou characters and a Qianlong mark, sold at Bonhams New York in 2021. Photograph by Bonhams.

Imperial origins

While snuff bottles themselves are Chinese, an integral part of their history is European. Before the invention of snuff bottles as we know them today, tobacco was introduced to China during the late Ming Dynasty (1368–1644) through contact with European traders and missionaries. By the early Qing Dynasty (1644–1912), snuff had become fashionable at court, and the Chinese snuff bottle emerged as a distinct art form, influenced in part by earlier European snuff-taking traditions. Over time, snuff bottle designs became increasingly intricate and the range of materials more varied, culminating in an artistic height during the eighteenth century. Snuff bottles are often created in traditional rounded forms, but sometimes take on more creative shapes.

An Imperial, Jesuit-style snuff bottle from Qianlong’s court, evidencing cultural exchange between Portugal and China, sold at Bonhams for $121,150 (91,500 GBP) in 2026. Photograph by Bonhams.
An Imperial, Jesuit-style snuff bottle from Qianlong’s court, evidencing cultural exchange between Portugal and China, sold at Bonhams for $121,150 (91,500 GBP) in 2026. Photograph by Bonhams.

Snuff bottles are a perfect entry point to Chinese art collecting for novice collectors, with portability, availability on the auction and retail markets, frequently accessible price points, and a fascinating history. The market is not solely in the three-to-low-four-figure range, with Imperial or more unique and finely crafted bottles fetching auction results rivaling those of larger Chinese art forms. What sets snuff bottles apart from other Chinese antiques is the wide breadth in form, encompassing nearly every existing Chinese medium, excluding textiles and furniture. Some examples of snuff bottle types include porcelain, lacquer, cloisonné, jade, painting, calligraphy, and glass, among others. In Western art terminology today, snuff bottles are categorized as “decorative art”, as they originally served a utilitarian purpose, but snuff bottles have also historically been considered inherent standalone art objects. The distinctions of “fine art” vs “decorative art” do not exist in China in the same way; therefore, when working with snuff bottles, it is more productive to view snuff bottles as a unique marriage of cultures and uses.

A blue-and-white snuff bottle with base sold at Christie’s Hong Kong in 2020. Photograph by Christie’s.
A blue-and-white snuff bottle with base sold at Christie’s Hong Kong in 2020. Photograph by Christie’s.

Porcelain

Porcelain snuff bottles comprise a large portion of snuff bottles available in today’s market. Within this broad category, porcelain snuff bottles can be subcategorized into many further groups, mirroring those of larger porcelain items, with blue-and-white snuff bottles among the most popular. Blue-and-white snuff bottles are painted with precision and painstaking detail, reflecting the styles, shapes, themes, and technology of their larger blue-and-white porcelain counterparts. For example, many snuff bottles are in the shape of meiping vases, a popular shape for larger wares across Dynastic China. Such an example includes a blue-and-white snuff bottle decorated with dragons and in the shape of a meiping vase, sold at Christie’s Hong Kong for 25,000 HKD (2,410 GBP) in 2020. Snuff bottles are often accompanied by small bases in the shape of porcelain plates. Other common blue-and-white snuff bottle themes include landscapes, young boys, and various themes found in larger wares.

A blue-and-white with red snuff bottle with base sold at Christie’s Hong Kong in 2023. Photograph by Christie’s.
A blue-and-white with red snuff bottle with base sold at Christie’s Hong Kong in 2023. Photograph by Christie’s.

Aside from blue-and-white snuff bottles, other common porcelain types include famille verte, famille rose, or red-and-whites. Sometimes, as with larger wares, a bottle can include both blue and red on white, such as this dragon snuff bottle sold at Christie’s Hong Kong for 35,280 Euros (30,557 GBP). As the result nearly tripled the preauction estimate, this is a fine example of market demand for the genre.

Lacquer

Lacquer snuff bottles are another popular category. As with their larger counterparts, their value is affected by factors including size, age, whether they are Imperial, quality of craftsmanship, condition, provenance, and literature / exhibition history. For example, this lacquer snuff bottle depicting an outdoor scene of two women sold at Christie’s New York earlier this year for $10,160 (7,675 GBP), exceeding the preauction estimate of $4,000 – $6,000. The bottle likely performed so well because it is Imperial and shows strong provenance and exhibition history.

A lacquer snuff bottle sold at Christie’s New York in 2026. Photograph by Christie’s.
A lacquer snuff bottle sold at Christie’s New York in 2026. Photograph by Christie’s.

Glass

Glass snuff bottles, perhaps more than any other category, demonstrate a wide stylistic variety worthy of their own article. They can be painted from the inside or outside, be monochrome or polychrome, come in creative or traditional shapes or textures, and were created across different periods. Some popular themes include landscapes, garden scenes, or figurative scenes. A particularly creative example is an Imperial bottle in the shape of a fish, displaying a Qianlong mark on the underside, sold at Sotheby’s Hong Kong in 2023 for 330,200 HKD (31,818 GBP).

Whereas Contemporary snuff bottles of other materials predominantly consist of reproductions of antique styles, Contemporary glass snuff bottles are sometimes made in more modern styles. For example, Contemporary glass snuff bottles can be painted to display prominent figures. As Contemporary snuff bottles are no longer associated with snuff itself, the line between the Western categories of “fine art” and “decorative art” becomes blurred, since the original utilitarian purpose has now vanished. This further demonstrates the inapplicability of Western terminology in Asian art contexts.

An Imperial glass bottle in the shape of a fish sold at Sotheby’s Hong Kong in 2023. Photograph by Sotheby’s.
An Imperial glass bottle in the shape of a fish sold at Sotheby’s Hong Kong in 2023. Photograph by Sotheby’s.

Snuff Bottle Collecting Today

I was remiss not to include more categories this article, given the abundant and vibrant world of snuff bottles, but this introduction should hopefully suffice to pique further exploration, as there are many opportunities on both sides of the pond to view and handle them. Snuff bottle collecting has been most popular in the twentieth and twenty-first centuries, with a sometimes concentrated but dedicated market of enthusiasts active today. Snuff bottles appear in most major museum collections of Chinese art and are regularly offered at auction houses working with Chinese art and with specialist private dealers. Susan Page Snuff Bottles is the premier London-based dealer for snuff bottles and participates in Asian Art in London each autumn, where attendees may view snuff bottles in person. Additionally, the International Chinese Snuff Bottle Society is an invaluable educational resource for collectors of all experience levels, academics, and enthusiasts.

Regardless of your favorite type of Chinese art, Chinese snuff bottles offer something for everyone!

Can AI Value Your Collection? The Reality Behind the Technology

Can AI Value Your Collection? The Reality Behind the Technology

Artificial intelligence is already changing the way we research, work and communicate, but what does it mean for valuations?

In this webinar, Asian Art Specialist Ashley Innes & Senior Valuer Alastair Meiklejon explores how AI can support the valuation process, where its limitations lie, and why professional judgement remains essential.

Ashley discusses the risks of relying on AI for object identification, comparable research and valuation conclusions, as well as the ethical issues around client privacy, image editing and accountability.

The session also looks at the useful role AI can play when used carefully, particularly as a research and report-writing tool.

A practical discussion for collectors, insurers, brokers and anyone interested in how technology is affecting the valuation world.

Summer exhibitions

Summer 2026 Must-See Exhibitions

With the appearance of summer there are an array of fantastic exhibitions and displays of artwork, sculpture, ceramics, and jewellery across the UK. Fortunately, our team of nationwide specialists are here to pick out their selections for this year’s calendar:

Cecily Brown: Picture Making
Serpentine Gallery
Running until 6th September

“I recommend this exhibition. Cecily Brown is a truly great painter and her work is little known beyond those of us already involved in the art world. Amazingly for such a major artist this is her first London show and is a must see …. It’s already open and runs over the summer into early September.”

Grima at the Tomasso Gallery
Tomasso Gallery, London
From 11th – 20th June

“I’m really looking forward to this year’s instalment of the Grima exhibition at the Tomasso Gallery. In what will be its fourth year, this week-long showcase of Andrew Grima’s work, including jewellery and watches from his iconic ‘About Time’ collection for Omega, and contemporary Grima Jewellery pieces is one of the best opportunities to see such a breadth of his work together. For our review of the 2025 edition of this special annual exhibition, take a look at our article here.

London Watch Week
Various locations, London
3rd-6th June 2026

“For those with a passion for horology, London Watch Week has you covered. Last year included events hosted by Bonhams, Pragnell, Oris, plus dedicated days to celebrate independents, and vintage wristwatches – organised by Lucy Cheesewright, Justin Hast and Tom Exton – this carefully curated event will cover numerous facets of the watch world.”

London Watch Fair
The Renaissance Hotel, Heathrow
14th June 2026

“If the Watch Week wasn’t enough, the London Watch Fair takes place just over a week later on 14th June and provides visitors with the chance to see (and buy!) vintage watches from some of the best dealers in the business. With seventy traders lined up for this specialist fair, this is a fantastic opportunity to see rare models, discover new collecting niches and make connections with dealers.”

The Bayeux Tapestry

The British Museum, London
September 2026-July 2027

“To say the upcoming Bayeux exhibition at the British Museum will be a once-in-a-lifetime exhibition would be an understatement – the Bayeux Tapestry hasn’t gone on tour since the Napoleonic era! This will be the first time it has visited the UK since its creation nearly a thousand years ago, so reserve your tickets promptly when they go on sale in July for the September opening.”

Quentin Blake Centre for Illustration
Clerkenwell, London
Opening 5 June 2026

“While not an exhibition I am really excited to visit the Quentin Blake Centre for Illustration which officially opens in London this June. Illustration art is one of my greatest passions, so I am fascinated to see the programme of exhibitions in this unique dedicated space.”

May Morris: Crafting a Legacy

Lady Lever Art Gallery, Liverpool
25th April – 1st November

“This exhibition is a celebration of the wide-ranging creative output of Arts and Crafts designer and maker, May Morris, the younger daughter of William Morris. A vibrant display of embroideries, wallpapers, watercolour designs, costume and jewellery will showcase her many talents.”

Gwen John: Strange Beauties

National Museum Cardiff
Until 28th June

‘It was a joy and a revelation to go to the Gwen John Exhibition at Amgueddfa Cymru – Museum Wales in Cardiff, last week. The drawings are almost entirely from their own collection, which numbers more than 900 works, purchased from the artist’s nephew’s estate in 1976. The oils are borrowed from all over the globe. There are only 158 known. One observation I made after looking closely at so many tiny drawings, was that Gwen spent most of her time painting these portraits and still lifes in a small studio. There is little sense of space or depth in these drawings so, despite feeling “more at home in the country than in the town”, her landscapes are strangely ambiguous. She can’t cope with or describe the great outdoors. It isn’t intimate enough.”

Elizabeth 1, Queen & Court
Philip Mould & Company
14th May – 10th July

“This exhibition will include the earliest surviving life-size, full length portrait of Queen Elizabeth I, together with rarely seen works of some of the key figures from her close circle of courtiers and confidantes. This ‘cast’ of Elizabethan portraiture, rarely exhibited, will show a rare glimpse of how portraiture was used as a tool of power in the 16th century.”

Firsts London 2026 – London’s Rare Book Fair

Saatchi Gallery, King’s Road, London
14th – 17th May

“Firsts London is one of the world’s most popular and high-profile rare book events. Whether you’re a collector looking for the next masterpiece to add to your library, or a bibliophile who loves browsing second-hand classics, Firsts London is the event for you. Discover titles by distinguished authors, ephemera from celebrity readers and manuscripts from history’s great moments, all in the heart of Chelsea.
Are you new to the world of rare books, or just want an expert guide to the fair? Firsts’ selection of talks and tours are a great way to learn more about book collecting and make the most of your visit. From deep-dives into revolutions in printing, to perspectives on careers in the book trade, these free events are a chance to meet experts and learn some of the secrets of the trade.”

Photo London 2026
London Olympia
14 to 17 May 2026

“Photo London is the UK’s leading international fair for photography and image-based art. Each year it brings together the world’s most acclaimed photographers, galleries and curators alongside a new generation of emerging talent.”

The Other Photography Fair

London Olympia
16 May 2026

“The Other Photography Fair showcases photography in its many forms, with a special focus on vintage works from the 19th and 20th centuries. Supported by Vintage Photo Fairs Europe and sponsored by the Chiswick Auctions Fine Photographs Department, the fair gathers leading international dealers, collectors, and specialists under one roof.
Alongside historic photographs, visitors will find photobooks, rare cameras, and live wet plate collodion and cyanotype workshops, bringing early photographic processes to life.”

Fired Legacies: The Ceramic World of Rich Miller
Watts Gallery, Godalming, Surrey
Opening 5 June 2026

“As a novice potter and fan of the Channel 4 show, The Great Pottery Throwdown, I am looking forward to seeing Rich Miller’s first exhibition at Watts Gallery. The exhibition delves into his own heritage and an exploration of British colonial history, and unearths the narratives of trade, labour and identity that have shaped contemporary British society.”

UK art exhibitions 2026

The Art World This Spring: 2026’s Must-See Exhibitions

With the appearance of spring there are an array of fantastic exhibitions and displays of artwork, sculpture, ceramics, and jewellery across the UK. Fortunately, our team of nationwide specialists are here to pick out their selections for this year’s calendar:

Queen Elizabeth II: Her Life in Style
The Kings Gallery, Buckingham Palace.
From 10th April until 18th October

2026 marks what would have been the 100th birthday of two of modern histories most iconic women – Queen Elizabeth II and Marilyn Monroe – to mark this there are two individual exhibitions opening in celebration of their lives. Firstly, Queen Elizabeth II : Her Life in Style opens in April at the Kings Gallery – I am excited to see highlights from her wardrobe and how fashion created her enduring image.

UK art exhibitions 2026 - Queen Elizabeth II: Her Life in Style
Queen Elizabeth II: Her Life in Style

Marilyn Monroe: A Portrait
National Portrait Gallery.
From 4th June until 6th September

The second, Marilyn Monroe: A Portrait will bring together photograph and works inspired by Marilyn. She is one of the most recognisable figures of the 20th century but works depicting her are varied from when she was a teen model to later more poignant images.

UK art exhibitions 2026
Marilyn Monroe: A Portrait

Hawai’i: a Kingdom Crossing Oceans
British Museum, London
From 15th January until 25th May 2026

“Hawai’i: A Kingdom Crossing Oceans at the British Museum is not to be missed! Exhibitions about Hawaii are very rare in the UK, so this is a golden opportunity to learn about the complex historical relationship between the two countries and Hawaii’s rich culture.”

Hawai’i: a Kingdom Crossing Oceans
Hawai’i: a Kingdom Crossing Oceans

National Trust Jewellery on Display
Nationwide, National Trust Properties.

I was amazed and delighted last year when my local National Trust property, Calke Abbey, announced that they would be putting their previously unseen jewellery collection on display. This incredible selection of jewels are reflective of the Harpur-Crewe family’s history of exploration in Ancient Egypt, and high society lifestyle – with bespoke Egyptian Revival pieces made by Collingwood & Son, set with Egyptian agate beads gathered by Vauncy Harpur Crewe in 1870, and a sensational red topaz and aquamarine brooch purchased in 1836. A collection well worth seeing, and indeed many more at properties throughout the UK – Killerton House in Devon has a ‘History off the Hanger’, and further pieces on display at Erddig in Wrexham, Sissinghurst in Kent, Wallington in Northumberland, Tyntesfield in North Somerset, Belton House in Lincolnshire, and many properties across the UK.

National Trust Jewellery on Display
National Trust Jewellery on Display

Made in Ancient Egypt
The Fitzwilliam Museum, Cambridge.
Running until 12th April 2026

The Fitzwilliam Museum are displaying a fantastic selection of Ancient Egyptian artefacts until April, including ceramics, sculpture, and yes- jewellery. This exhibition is the first to explore Ancient Egypt through the lives of its craftspeople- with many objects never before displayed in the UK. 

Made in Ancient Egypt The Fitzwilliam Museum, Cambridge.
Made in Ancient Egypt at The Fitzwilliam Museum, Cambridge.

Stubbs: Portrait of a Horse
The National Gallery, Room 1
Running until 31st May

Another exhibition I am keen to see, which strays into our paintings specialists’ territory, is the George Stubbs exhibition at The National Gallery. Showcasing two of Stubbs’ most monumental works, of Scrub and Whistlejacket – two of the first life-size portraits to depict horses without a human presence in British History.

Stubbs: Portrait of a Horse The National Gallery
Stubbs: Portrait of a Horse at The National Gallery

Winston Churchill: The Painter
The Wallace Collection.
From 23rd May – 29th November

My recommendation is an upcoming exhibition at the Wallace Collection, dedicated to Winston Churchill’s paintings. In painting, Churchill found a respite from public pressures and a source of joy that spanned his lifetime. Displaying 50 of his works together, with just under half from private collections, this exhibition is the most comprehensive display of his work to date.

Winston Churchill: The Painter at The Wallace Collection.

Samurai and Beyond at the British Museum

I recently had the thrill of attending the preview evening of the British Museum’s newest exhibition Samurai, which explores Samurai culture from its Japanese origins through its international influences today.

The term “Samurai” refers to feudal Japan’s warrior elite class, which emerged in the late Heian period and rose to political dominance in the Kamakura period. One might have expected the British Museum’s Samurai exhibition to just be an assemblage of armors, but Samurai was unlike any exhibition I had ever seen on the topic, placing unusual emphases on Samurai activities outside the battlefield, depictions of Samurai in other Japanese art forms, art produced by Samurai, women in the Samurai sphere, and perhaps the most shocking – Star Wars memorabilia! From a market perspective, Samurai are worth collectors’ attention, as they attract wide interest. Although dedicated Samurai auctions are rare, an example is Sotheby’s 2021 Samurai auction, which saw multiple lots selling in the 200,000 – 400,000 GBP range.

Although not the focus of the exhibition, the Samurai armor displays were striking and shed light on fashions and practicalities for different types of Samurai across Japanese periods. One such example featured armor for a fifteenth-century archer, who would have worn ōyoroi armor, which was angular and loose to allow the wearer ample space to draw his bow. This piece includes approximately 2,000 scales of lacquered iron or leather to enhance the practicality for the wearer. Samurai armor can perform well at auction, especially the more complete the piece is (such as this armor set from the 2021 Sotheby’s Samurai auction, which sold for 378,000 GBP), although individual elements such as helmets (such as this helmet from the same auction, which sold for 52,920 GBP) have a strong market as well. Weapons such as swords are also of market interest.

Fifteenth-century Japanese armor for a Samurai archer on display at the British Museum. Photograph by Ashley Innes.
Fifteenth-century Japanese armor for a Samurai archer on display at the British Museum. Photograph by Ashley Innes.

Instead of merely displaying armor, the exhibition did a spectacular job of immersing visitors into the world of the Samurai, demonstrating that these warriors were not isolated, but fit within broader Japanese culture. Samurai included a plethora of examples of Samurai depicted in art. Many of these were japan woodblock prints, which consistently enjoy a strong market, especially for famous nineteenth-century artists such as Hiroshige or Hokusai. Samurai were not always warriors fighting in battle; sometimes they carried out far more mundane administrative tasks, such as tax collection or land management or protective roles such as policing, firefighting, and security. Katsushika Hokusai, who is best known for the Great Wave, also frequently depicted Edo scenes of everyday life, such as this print of land surveyors

Hokusai’s woodblock print of land surveyors (1848) on display at the British Museum. Photograph by Ashley Innes.
Hokusai’s woodblock print of land surveyors (1848) on display at the British Museum. Photograph by Ashley Innes.

For Japanese art collectors, factors such as condition and edition size make a considerable difference to value. The artist and recognizability also play an important role; for example, a Hokusai Great Wave print sold at Sotheby’s last November for a record-breaking 21,725,000 HKD (2,124,000 GBP).

Since its opening, the Samurai exhibition has been praised for its ample curation about Samurai women, who have historically been excluded from discussions about Samurai, as the stereotypical Samurai image is of a warrior. The exhibition remedies this omission, as women comprised half of the Samurai class and therefore made significant contributions to many areas of life. I felt that the exhibition really did women justice in this regard, as the curation did not treat them as a mere afterthought only mentioned sporadically, but they instead were featured in multiple parts of the exhibition. My favorite object was a bright red jacket and hood belonging to a female firefighter from Edo Castle. Unfortunately, this type of textile is so niche that I’m unaware of any existing auction history for it, but now that I’ve seen one, I personally will be keeping my eyes peeled…

A firefighting jacket and hood worn by a female firefighter on display at the British Museum. Photograph by Ashley Innes.
A firefighting jacket and hood worn by a female firefighter on display at the British Museum. Photograph by Ashley Innes.

A real and completely unexpected treat near the end of the exhibition was one of Darth Vader’s original costumes as seen in Star Wars. The costume design for this character was inspired by Samurai warrior armor, which is especially noticeable in the helmet, which resembles a Samurai helmet. While this is obviously not categorized as a Japanese Samurai object, it is worth mentioning that the collector interest for Star Wars memorabilia is substantial. While Darth Vader costume props have sold well in the past, just last year, Darth Vader’s lightsaber broke the record for the most expensive Star Wars prop, selling at Propstore Auction for $3,654,000. Star Wars lightsabers are linked to traditional Samurai swords.

If visiting the Samurai exhibition, be sure to allow sufficient time to see everything, as the sheer volume of objects makes this an exhibition not to skim through. The Samurai exhibition is on through 4 May (perhaps this date has something to do with Star Wars?) and, in addition to the British Museum’s upcoming Bayeux exhibition, is bound to be one of London’s top exhibitions for 2026!

Darth Vader’s mask on display at the British Museum. Photograph by Ashley Innes.
Darth Vader’s mask on display at the British Museum. Photograph by Ashley Innes.

To arrange valuation of your collection, call us on 01883 722736 or email us at [email protected].

Year of the Fire Horse Chinese art

Lunar New Year: Year of the Fire Horse

新年快乐! It’s that time of year again – Lunar New Year is right around the corner! At Doerr Dallas, we wish you all a healthy and prosperous year for 2026, the Year of the Fire Horse (丙午), which falls on 17 February this year.

Lunar New Year is the largest festival in China and is widely celebrated throughout East and parts of Southeast Asia. The horse is one of twelve animals in the Chinese zodiac and fire is one of five zodiac elements (wood, fire, earth, metal, and water). This means that while the Year of the Horse falls every twelve years, the Year of the Fire Horse only occurs once every sixty (the last one was in 1966 and the next one won’t be until 2086!). Last year was the Year of the Wood Snake and the previous year was the Year of the Wood Dragon. People born in the Year of the Fire Horse are characterized as independent, courageous, and charismatic. 

After the dragon, which is easily the most represented animal in Chinese art from the zodiac, the horse is the next most popular animal to appear across Chinese visual media. The horse is timeless and always in style when it comes to Chinese antiques and Contemporary art, regardless of whether the work was intended for domestic use or destined for the export market. The types of Chinese art featuring horses are too numerous to discuss in detail here (including ceramics, sculpture, paintings, textiles, jade, etc), so in the spirit of this being the Year of the Fire Horse, let’s explore objects that have been through the firing process!

Han Horses

In ancient Chinese cultures, royalty and the upper classes were buried with valuable items believed to guide them through the afterlife. Horses symbolized social status, military power, and connections with foreign cultures, such as the Roman Empire. The Han and Qin Dynasties were some of the most popular periods for the practice of including burial objects to help the deceased into the afterlife. In the second century BCE, Central Asian horses were introduced to China, which were much more desirable than local breeds.

A Han horse sold at Bonhams in 2022 for £35,512.50
A Han horse sold at Bonhams in 2022 for £35,512.50
A bronze Han horse on display at Compton Verney in Warwickshire. Photograph by Ashley Innes
A bronze Han horse on display at Compton Verney in Warwickshire. Photograph by Ashley Innes

Han burial horses are characterized by their large eyes, open mouths, upright ears, clipped manes, knotted tails, and a distinct S-shaped head and neck. These horses were often painted and glazed. Sometimes a separate saddle can be attached to the horse, while other times it is drawn or incised ono the body. Models shown in movement (such as this horse sold at Bonhams in 2022 for $35,312.50) are typically more valuable than horses depicted still. Most are terracotta, but occasionally high-quality bronzes appear at auction and in museum collections and are higher value, such as this horse at Sotheby’s that sold for 945,000 HKD in 2022 or this horse on display at Compton Verney in Warwickshire.

Tang Horse Figurines

When one thinks of horses in Chinese art, Tang burial figurines are often the first to come to mind. The Tang Dynasty (690 – 705 CE), while short, was one of China’s cultural golden ages. Continuing from the Han tradition of burying horses with the deceased to assist in the afterlife, Tang horses are sancai wares, meaning lead-glazed earthenware with “three colors”. The most common colors are brown, green, and cream, but in practice these figurines can also feature blue, black, or other colors. Tang funerary horses were typically shown standing still or with one front leg raised.

Tang sancai horses are included in most major museum collections of Chinese art and prominently appear on the market. Their abundance is a double-edged-sword; these horses can be a more accessible entry point for aspiring collectors, but the market is more competitive, so only those with scientific authentication (such as the Oxford TL test) or exceptional size, quality of craftsmanship, provenance, or condition stand out (such as this Sotheby’s lot in 2021 selling for 414,300 GBP).

A Tang sancai horse sold at Sotheby’s for 414,300 GBP in 2021. Photograph by Sotheby’s.
A Tang sancai horse sold at Sotheby’s for 414,300 GBP in 2021. Photograph by Sotheby’s.

Tang horses can appear standalone or with accompanying human figures. Some of my favorite Tang horses feature court ladies as riders, which exemplify the relative freedoms that noblewomen enjoyed in China during this period. These works periodically appear at auction (such as this Bonhams lot in 2024 selling for $10,240 and this Bonhams lot in 2024 selling for $7,040). One of the finest museum examples is on display at the Musée Guimet in Paris, featuring a terracotta group of female polo players.

A group of Tang terracotta female polo players on display at the Musée Guimet. Photograph by Ashley Innes.
A group of Tang terracotta female polo players on display at the Musée Guimet. Photograph by Ashley Innes.

Horses on Porcelain Snuff Bottles

While horses feature prominently throughout Chinese porcelain, I would be remiss not to at least briefly mention snuff bottles in this discussion, as they can be an accessible entry point for novice Chinese art collectors. Porcelain is merely one of many forms of snuff bottles to feature horses (such as lacquer, jade, glass, etc) and has been included in this discussion of the Year of the Fire Horse because porcelain is kiln fired. An example is this Qing red-and-white snuff bottle, which sold at Sotheby’s last year for $635. However, some snuff bottles come at a higher price bracket, such as this bottle selling at Sotheby’s in 2019 for 112,500 HKD.

A red-and-white snuff bottle featuring a horse. Sold at Sotheby’s in 2019 for 112,500 HKD. Photograph by Sotheby’s.
A red-and-white snuff bottle featuring a horse. Sold at Sotheby’s in 2019 for 112,500 HKD. Photograph by Sotheby’s.

Wherever you fall on the Chinese zodiac, we hope you enjoy the horses you encounter this year in all of China’s art forms!

To arrange an asian art valuation call us on 01883 722736 or email us at [email protected].

Under the Christmas Tree

Under the Christmas Tree

What are our team hoping for this Christmas?

“I was asked recently what you buy a girl who has everything! After some thought, I remembered meeting with the jewellery designer, Lotte Leigh Fine Jewellery who creates and designs jewellery completely unique and deeply personal, so when thinking of myself, I decided this would be the perfect gift. I was left jewellery by my late mother, and I would love to rework those pieces into something new that I would wear every day. It would be a wonderful way to keep her close, carry those memories and give them a new life in a way that feels truly my own. So, I cannot wait to sit down with Lottie to start my journey.”

The Keep, Colchester Castle, John Constable
The Keep, Colchester Castle, John Constable

“I’ve spent all my adult life and some of my childhood loving John Constable. I have been lucky enough to own a few oil paintings by him, temporarily, but I’ve always had to sell them. This Christmas, what I really want, is a drawing by him that I can keep. He is quite prolific, carrying a large and a small sketchbook with him wherever he went even on honeymoon! So, they come up at auction quite often. He has what they used to call “a good pencil” in other words he can draw beautifully. Any rural scene by the great man would do. “I never saw an ugly thing in my life: for let the form of an object be what it may – light, shade, and perspective will always make it beautiful”, is what Constable once said and when he is the man recording that object in pencil on paper, it is true. The little drawing that came up at Woolley and Wallis in 2023 would do. £16,500 isn’t that much, dear mother-in-law!”

The grand nœud de corsage de l’Impératrice Eugénie

“Money does seem to always get in the way of getting the most exquisite jewellery. Seeing as this is not the case for this year’s Christmas presents, I would choose to have the grand nœud de corsage de l’Impératrice Eugénie, stolen at the Louvre on 19th October. How I hear you asking? Or firstly I’d place pay for the greatest, fearsome, most Talented detective: Inspector Jacques Clouseau to find the stolen jewel and catch the criminals (one is currently still on the loose). It is such a shame to think that this 19th Century jewel, which would have required hundreds of hours of work to complete, might have been broken into pieces, as I write this. In 1864, Eugénie decided to stop wearing the imposing jewel, made of gold and silver and measuring 22.2cm long, 10.5cm wide. It was then sold in 1887 (during a nine-day auction when the French government sold most of the Crown jewels, keeping only a few considered National Treasures) to Caroline Astor, and subsequently to the Duke of Westminster for his daughter Lady Lettice Grosvenor, bought by jeweller Ralph Esmerian in 1980, acquired by the Louvre in 2008… And finally stolen last month.

So, Inspector Clouseau, if there’s ever a good time to come out of Hollywood retirement, now would be it! The French government needs you, and so do I for my Christmas present wish to come true!”

Rabbit and the Moon signet ring

“2025 has seen colour and craftsmanship become more sought after in a jewellery world of offerings increasingly with no soul. It was with utter delight I discovered Castro Smith and his beautiful, hand engraved jewels and signet rings. His award winning designs have been featured around the world but works quietly in the UK with skills often considered old-fashioned but to me they are beautiful and evoke the essence of true handcrafted devotional gifts. Please, please may I find the Rabbit and the Moon signet ring under the tree this year, only available to order from £2500.”

Qianlong-period porcelain vase
Qianlong-period porcelain vase

“If I could receive any gift this holiday season, I would choose an incredibly rare large ruby-ground sgraffiato yangcai “lotus” bottle vase that I enjoyed viewing at person at Sotheby’s New Bond Street earlier this autumn as part of Asian Art in London. This Qianlong-period porcelain vase knocked preauction estimates out of the ballpark in November, selling for 304,800 GBP, when it was only estimated to sell for 100,000 GBP – 200,000 GBP! I love the elegance of the yuhuchunping shape, a traditional Chinese form with a long, slender neck and a bulbous bottom. The vase employs the yangcai technique, a form of wucai technology reserved for foreign colors of the period. The sgraffiato, a carving through the top layer so that the next layer is visible, showcases the exquisite level of craftsmanship from the Imperial kilns at Jingdezhen. As my favorite color is pink, I would be delighted to find this in my stocking – but perhaps not hanging over the fireplace, given the vase’s delicate nature!”

North West coast of Scotland

“If I could wish for a dream gift this Christmas it would be a little patch of land on the North West coast of Scotland. Having spent family holidays there from the 1980s to the current day, it holds a special place in my heart. From Arisaig to Achiltibuie, the deserted beaches, turquoise water, and star-studded skies are truly magical. Personal experience shows that the best defence against the dreaded midgies is a beach fire and the famous four seasons in one hour should be embraced! A place to unwind away from daily life, often with no phone signal, it’s the perfect haven.”

Constable Cloud Studies
Constable Cloud Studies

“I would like to have this wonderful, tiny (11.3 x 23.5 cms) cloud study by one of the greatest English landscape artist of all time, John Constable (1776-1837). I came across Constable Cloud Studies in my first job in a West End Gallery many years ago now, we had three in stock and each one was a gem, I promised myself that one day I would own one. This one sold at auction for £453,600 on July 1st this year, so it may be a bit of a stretch for me just now , so it would be a very welcome surprise to find this one under the tree on Christmas morning!”

Boodles Tennis Bracelet
Boodles Tennis Bracelet

“After spotting the Boodles Tennis Bracelet, I couldn’t help but think it would be the perfect Christmas gift. As someone who plays for a local Division 2 tennis team in Sussex, it feels like such a fitting piece — elegant, classic, and with just the right amount of sparkle to capture the spirit of the game. Since starting my new role at Doerr Dallas Valuations in April, I have developed an even greater appreciation for beautifully crafted jewellery, and this bracelet really stands out to me. It is timeless yet meaningful, and I can just imagine how special it would feel to wear it, both on and off the court.”

Dairy Queen at Night from front, US 6, Iowa City, IA 1988, by American photographer Jim Dow
Dairy Queen at Night from front, US 6, Iowa City, IA 1988, by American photographer Jim Dow

“Underneath my Christmas tree this year I would love to find the photographic print, Dairy Queen at Night from front, US 6, Iowa City, IA 1988, by American photographer Jim Dow. This image holds a special place in my heart. When I look at it, childhood memories of summer nights and walks to this specific ice cream parlour down the street with my family flood back into my mind. What I love about photography is how one simple image can evoke so many feelings and emotions, and this one fills me with so much happiness. While it doesn’t necessarily look the same, this ice cream shop is still there! Dependent upon the size, a limited edition print can be purchased from $3,000-$9,000. ”

Liz Bailey, Jewellery, Watch & Silver Specialist

Tiffany Bird on a Rock collection
Tiffany Bird on a Rock collection

“It is so hard to narrow down what I’d like under the tree this year – I’ve seen so many fabulous pieces in collections that have been added to my wishlist! One watch definitely remains, and having seen their 150th anniversary display at Dubai Watch Week I would simply love an Audemars Piguet Frosted Mini Royal Oak. The frosted effect is created through a hammering technique using the culet of a diamond, and these watches have been worn by icons such as Raye and Serena Williams. To add some sparkle to my jewellery collection, I’d certainly be on the lookout for a piece from the new Tiffany Bird on a Rock collection, reimagining the original 1965 design by Jean Schlumberger. I was fortunate enough to try on the Lovebirds ring, and it was indeed love at first sight. The watch costs a cool £56,600 and the ring a mere £32,200!”

Richard Fattorini, Rare Books & Manuscripts, Historical Photographs and Maps Consultant Specialist

Très Riches Heures du Duc de Berry

“I have always admired the beauty and skill that goes into creating an illuminated manuscript, and this autumn I was thrilled to visit Chantilly to view an exhibition of one of the most famous and beautiful illuminated medieval manuscripts in the world, the Très Riches Heures du Duc de Berry. This spectacular manuscript on parchment was created in the early 1400s for John, Duc de Berry, the brother of King Charles V of France, by Limbourg brothers Paul, Johann and Herman and used rare and expensive pigments, including lapis lazuli, and pure gold. A single illuminated page from this book would be worth millions, but other medieval illuminated manuscripts by lesser artists can be purchased for a few hundred pounds. This Christmas I would be overjoyed to receive an illuminated leaf which would let me connect with a world that valued slow craft, symbolism, and the power of storytelling. The calligraphy, colours, details and gold illumination invite contemplation, reminding one to slow down and appreciate artistry in its purest form. It would be a gift that blends beauty, scholarship, and wonder, something timeless in an increasingly digital world.”

Alastair Meiklejon, Senior Valuer 

Cartier Ballon Bleu de Cartier watch
Cartier Ballon Bleu de Cartier watch

“Is a red octagonal box too obvious? Possibly. But then again, Who honestly cares, And this watch….this glorious, green-dialed, 18ct yellow-gold beauty, is not here for subtle nods and polite applause. It’s here to enter the room before you do. Cartier, frankly, have been on a quiet (and sometimes not-so-quiet) tear over the last few years, and this might just be one of the greats of the line. Let us remember: the Ballon Bleu was a hit the moment it landed. I know, because I sprinted out and bought one. The big one. The too big one. But here’s the thing, by the time I’d realised it was too big, I was already emotionally invested. Like a slightly impractical dog, or a Pelaton – You don’t return it; you adapt your life around it. And now? Cartier have gone and done this. A green dial in yellow gold that pops harder than champagne corks on the riviera. The price of £15,200 mean its only two bottles of house red off what could be deemed a ’sensible purchase’ and nothing says Christmas like gold and green…..honestly – look it up!”

Love Letters bracelet by Pragnells

“I have wanted one of these for a long time. These genius ‘Love Letters’ bracelets are one of Pragnell’s very clever inventions. It gives you the opportunity to create your own bracelet online if you can’t get to the showroom, by choosing the letters or words you would like, with the option of symbols such as a heart, in-between or next to…You can pave set with diamonds whichever links you would like too!.
I would put my twin boys names with a heart between that is pave set with diamonds.. These are so wearable that I don’t think I’d ever take it off!”

Jenny Knott, Silver Specialist

diamond and blue topaz snowflake sautoir by KiKi McDonough
Diamond and blue topaz snowflake sautoir by KiKi McDonough

“On December 1st I tune my radio to Classic FM and immerse myself in Christmas music. I enjoy more recent Christmas tunes too, and although I have had enough of rocking around the Christmas tree long before Christmas day, I’ve never enough of the snow. Indeed, ‘Let it snow, let it snow let it snow’. So, to indulge myself this Christmas, my money no object Christmas present under the tree would be tickets to Vienna to hear Christmas music at the Hofburg Palace and something appropriate to wear for a snowy Christmas concert, perhaps this diamond and blue topaz snowflake sautoir by KiKi McDonough. It’s a snip at £9500, so let’s hope that it’ll be nestling somewhere amongst the pine needles.”

Chanel 2.55 handbag
Chanel 2.55 handbag

“This Christmas I would love a Chanel 2.55 handbag under the tree. More than just an accessory, the Chanel 2.55 is a wearable piece of fashion history, with virtually every design detail carrying a personal connection to the life of its creator, Gabrielle “Coco” Chanel. Unveiled in February 1955, the bag’s name is simply its birth certificate: 2 for the month and 55 for the year.
The bag’s revolutionary design was centred around the long shoulder chain, which was a fashion breakthrough that finally freed women’s hands.
Perhaps the most fascinating element is a secret that lies beneath the surface: a discreet zippered compartment hidden inside the front flap. Legend holds that Coco Chanel used this small, private pocket in her original bag to store her love letters, a quiet nod to her personal romantic history.”

Ceratosaurus skeleton
Ceratosaurus skeleton

“Under the Christmas tree, if money were no object, I would like to discover something I would have dreamt of owning as a child, a Dinosaur! Sotheby’s recently sold a mounted Ceratosaurus skeleton – Ceratosaurus were a species carnivorous dinosaur, with a name referencing the slight horn between is nostrils. The example sold by Sotheby’s, was around 150 million years old. The skeleton was that of a juvenile. Money would really have to be no object – it fetched just over $30.5 million.”

Hermès Pink and Red Epsom Special Edition
Hermès Pink and Red Epsom Special Edition

“I was on the hunt recently for a new handbag, and not being of neutral tastes, I spotted this fabulous limited edition pink and red Epsom bag from Hermes. The classic shape but bold colour way would make it such a fun bag to use – and a definite conversation starter! Costing around £25,000 I’m pretty sure it’s beyond my husbands budget, but a girl can dream!”

Aphrodite’s Treasures: Antiques from the Greek Island of Kythira

In early September, I had the opportunity to visit the Greek island of Kythira (sometimes spelled Cythera or Kythera), about a 45-minute flight or six-hour ferry ride from Athens. Kythira is located between Crete and the mainland, making it an important trade center from Greek antiquity up through the 19th century. While there are many interesting historical aspects to Kythira, its greatest claim to fame is that it is the birthplace of the Greek goddess Aphrodite.

View of Kapsali Beach from the top of Castle Chora. Photograph by Ashley Innes.
View of Kapsali Beach from the top of Castle Chora. Photograph by Ashley Innes.

Today, Kythira is typically overlooked by international tourists, serving instead as a well-kept secret holiday spot for mainland Greeks. Despite its reputation as a beach destination, Kythira is an archaeology enthusiast’s delight, with plenty of Venetian ruins and several museums to explore. My favorites were the Venetian ruin Castle Chora (which was understandably devoid of art) and the Kythira Archaeological Museum.

The Kythira Archaeological Museum

The Kythira Archaeological Museum is home to both archaeological objects and works of art. When I visited, I was impressed by the detailed level of curation (especially for a small museum), the variety of media, the interactive video displays, and the braille coverage and tactile pottery exhibit, which reproduced ancient vessels for visitors to explore themselves. The exhibition spans Kythira’s history from the 9th millennium BCE through the Roman Empire, highlighting Kythira’s various roles in agriculture, trade, and military activity in various periods.

Greek Sculpture

The museum’s key object is the Lion of Kythira, a large stone sculpture of a seated lion from the 6th century BCE. The Lion of Kythira was discovered in the 19th century near Kastri and likely would have served as a funerary guardian or votive offering. As Kythira was a popular stop on various trade routes, many items discovered in Kythira are from elsewhere; this lion is possibly from Palaiokastro on the island of Crete. The Lion of Kythira now enjoys the stability of a permanent home at the Kythira Archaeological Museum, but experienced a turbulent century of looting and earthquakes after its 19th-century discovery.

The market for ancient Greek sculpture is tightly regulated, as these items are not allowed to be removed from Greece, so the strongest markets are in the US, UK, and France. For collectors interested in this field, provenance is of the utmost importance. There are no direct comparable sculptures for the Lion of Kythira on the market (especially of this size and condition), but there are Greek or Cypriot lions and other similar sculptures from this period available, such as this 6th century BCE Cypriot lion head or this 6th century BCE head of a kouros from the Greek Islands or Sicily.

The Lion of Kythira at the Kythira Archaeological Museum. Photograph by Ashley Innes.
The Lion of Kythira at the Kythira Archaeological Museum. Photograph by Ashley Innes.

A Hygieia Sculpture and the Spread of Greek Fashion

The Kythira Archaeological Museum displays an abundance of funerary objects and other artifacts from the Ionian Islands from as early as the 9th millennium BCE, giving insight into the ebb and flow of life on the island, which was much busier during some periods and possibly completely deserted at others. The greatest interest for the earlier objects remains in Greece; the international market is not as strong for this type of ceramics as it is for later Greek pottery. The greatest market interest remains in the later Greek and Roman items, of which the museum had plenty, including an impressive coin collection. There were many later Greek and Roman items to choose from, but one of my favorites was a simpler Hellenistic sculpture of a female torso draped in robes. Made in or near Athens in the late 4th–early 3rd century BCE, it likely represents Hygieia, the goddess of health.

Statue of Hygieia at the Kythira Archaeological Museum. Photograph by Ashley Innes.
Statue of Hygieia at the Kythira Archaeological Museum. Photograph by Ashley Innes.

Hygieia caught my attention due to the styling of her robes, a tradition that originated in Greece. As an Asian art specialist, I immediately recognized this is as the Graeco-Roman style that would eventually reach India and appear in Gandharan coins and sculptures of the Buddha, which would be the Buddha’s first andromorphic representation (you can read more about this in my recent article on Gandharan friezes). Later, a version of these robes would reach China via the Silk Road (you can read about an example of this in my recent article on North American museums). Collectors interested in this style of robes do not have to search far, as it is prevalent in the artistic heritage so many cultures (and yet presents itself uniquely in each). This statue of Hygieia is not the flashiest object at the museum, but it is an important reminder of the timelessness of Greek fashion and the longevity of influence, even many centuries later and halfway across the world.

A Gandharan frieze at the Smithsonian National Museum of Asian Art for comparison. Photograph by Ashley Innes.
A Gandharan frieze at the Smithsonian National Museum of Asian Art for comparison. Photograph by Ashley Innes.
Photograph of the first known dated Chinese Buddha at the Asian Art Museum for comparison. Photograph by Ashley Innes
Photograph of the first known dated Chinese Buddha at the Asian Art Museum for comparison. Photograph by Ashley Innes

If you ever find yourself in Kythira, take a break from the beach and enjoy the rich history and material culture the island has to offer!

To arrange a valuation of your Asian Art or other collection, call us on 01883 722736 or email us at [email protected].

 

Winter Exhibitions

The Art World This Winter: 2025/2026’s Must-See Exhibitions

Winter is drawing in, so what better time to immerse yourselves in a great exhibition. Thankfully, our team of specialists across the board have compiled their list of must-see events throughout the country. With picks covering contemporary art, cinematic icons, fabulous jewellery and exciting new creatives, there really is something for everyone.

Wes Anderson: The Archives

The Design Museum, London
From 21st November until 26th July 2026

“This exhibition at The Design Museum is an exciting opportunity to have an insight into the mind of one of the most innovative and unique film directors working today”

William Nicholson

Pallant House Gallery, Chichester
From 22nd November until 10th May 2026

“This will be the first major exhibition of William Nicholson’s work since 2005. Nicholson’s work influenced not only British art but illustration and design.”

Hawai’i: a Kingdom Crossing Oceans

British Museum, London
From 15th January until 25th May 2026

“This winter I’m looking forward to visiting Hawai’i: a Kingdom Crossing Oceans at the British Museum. There aren’t a lot of opportunities to learn about Hawaii’s material culture on this side of the pond, so it’s not to be missed.”

Marie Antoinette Style 

Victoria & Albert Museum, London
Running until 22nd March 2026

“I also really enjoyed viewing the Marie Antoinette Style exhibition at the V&A this autumn, which will be on through 22 March. Despite the exhibition’s name, the breadth of materials on display is far wider than fashion, showing that there is much more to Marie Antoinette than “let them eat cake!”

Daphne Wright: Deep-Rooted Things

Ashmolean Museum, Oxford
Running until 8th February 2026

“The fourth instalment in the Ashmolean NOW exhibition series, where contemporary artists are invited to create works inspired by the museum’s historical collections. Daphne Wright presents a series of sculptures that have been curated by Ashmolean director, Xa Sturgis. Two key Ashmolean pieces that speak directly to Wright’s work are included in the exhibition: the fragments of a young Hercules defeating the Nemean Lion in plaster and Rachel Ruysch’s intricate painting, ‘A Forest Floor’ Still Life of Flowers.”

Images of Authority: Portraits Between Iran and Europe

Ashmolean Museum, Oxford
Running until 15th March 2026

“Another exhibition to take place at the Ashmoleon explores the portraiture of three contemporaneous rulers, Fath Ali Shah Qajar (1797-1834), King George III (1760-1820) and Napoleon Bonaparte (1799-1814).”

Emily Kam Kngwarray: Aboriginal Art

Tate Modern, London
Running until 11 January 2026

“I’ve seen these wonderful paintings in Melbourne, this is the first time they have been shown in Europe”

Eric Ravilious

The Towner Art Gallery, Eastbourne
Permanent Collection

“I’ve always loved Eric Ravilious and now there is a permanent collection of his wonderful watercolours in his hometown of Eastbourne. They are a revelation.”

Caravaggio’s Cupid

Wallace Collection, London
From 26 November 2025 until 12 April 2026

“Don’t miss the chance to see Caravaggio’s masterpiece on loan for the first time in Britain from the Gemäldegalerie in Berlin.”

Surrealist Jewels 101. Surrealist Masters 

Independent Designers
Louisa Guinness Gallery
From 26th September until 7th November

“This exhibition marks the 101st anniversary of the Surrealist movement and will explore this wonderful design movement through both contemporary and modern jewellers. Featuring rarely seen works by the likes of Salvador Dalí, Claude Lalanne, Max Ernst, Man Ray, Niki dd Saint Phalle and Arman.”

KNOX: Order & Beauty

National Art Gallery at the Manx Museum

Running until 1st March

“I’d love to head over to the Isle of Mann to catch world’s largest exhibition of works by Archibald Knox. Featuring over 200 items of silver, pewter, jewellery, manuscripts and drawings, many of which have never been exhibited before.” 

British Museum’s Tudor Heart Appeal

“Although not strictly an exhibition, I’ll be following closely the British Museum’s Tudor Heart appeal, a national fundraising campaign launched in October 2025 to raise £3.5 million by April 2026 to acquire the 24 carat gold Henry VIII pendant for the nation. I’ll head straight to the British Museum to view the pendant as soon as possible whilst it’s on display during the campaign.”

Drawing the Italian Renaissance

The King’s Gallery, Palace of Holyrood House, Edinburgh
Running until 1st March 2026

“The Renaissance period saw a new found appreciation for creativity. Drawing in this era evolved from an essential tool of workshop practice to a revolutionary art form. Featuring work by Leonardo da Vinci, Michelangelo and Titian from the Royal Collection this is a must see for all art lovers”

Kerry James Marshall: The Histories

Royal Academy, London
Running until 18th January

“My pick of the Winter exhibitions has to be the very gifted painter, Kerry James Marshall at the Royal Academy. I’m drawn to this exhibition for Kerry James Marshall’s masterful technique and his reworking of Western art historical traditions. His large-scale, symbol-rich paintings powerfully center Black narratives, offering both critical reflection and visionary storytelling through paint.”

Freize London

This Year’s Asian Art Highlights at Frieze

Highlights at Frieze

As an Asian art specialist living in London, each year I attend Frieze Masters and Frieze London to gauge current Asian art market trends. There have been many shifts over the past five years, due to a combination of post-pandemic markets, an increasing demand for non-Western art forms, and even AI’s impact on the availability of art market information (with varying levels of accuracy, as is discussed in my recent article here). There was a wealth of Asian art available at both fairs this year, so I have selected a handful of highlights from each.

Frieze Masters

Frieze Masters has traditionally prioritized artworks that are antique through Modern (i.e. not Contemporary), but the past few years have seen more flexibility in this area. This year, Contemporary Japanese ceramics and other decorative arts took the spotlight. Joost van den Bergh Gallery is known for its antique Indian art, but has also displayed Contemporary Japanese art at recent fairs. This gallery included Japanese ceramics at Frieze Masters this year, with three celadon crackle wares by ceramicist Nakashima Hiroshi (1941-2018). Nakashima Hiroshi was best known for his celadon wares with a Guan-inspired crackle glaze. Most of his celadons are a pale blue, which made the green vase on display (asking price: 8,500 GBP) at Frieze Masters stand out. Guan/Ge crackle wares originated in Song Dynasty China, but spread throughout East Asia and are now popular globally. Nakashima’s ceramics artfully balance East Asian tradition with delicate and masterful Contemporary Japanese craftsmanship, often taking on shapes that would not have been found in Dynastic China. Thomsen Gallery, which is known for its Japanese lacquer, bamboo, ceramics, and folding screens, was the other main Japanese highlight at Frieze Masters.

Green celadon vase with a Guan-style crackle ware by Nakashima Hiroshi (1941-2018), circa 1990, 43cm high, 32cm diameter. Asking price: 8,500 GBP. Viewed at Joost van den Bergh Gallery at Frieze Masters 2025. Photograph by Ashley Innes.
Green celadon vase with a Guan-style crackle ware by Nakashima Hiroshi (1941-2018), circa 1990, 43cm high, 32cm diameter. Asking price: 8,500 GBP. Viewed at Joost van den Bergh Gallery at Frieze Masters 2025. Photograph by Ashley Innes.

I would be remiss to cover Frieze Masters without mentioning an antique object. I was delighted to come across an Epirus embroidery at Moshe Tabibnia Gallery, which is known for its Asian textiles. Epirus textiles are not strictly considered Asian art, but rather more of a hybrid category associated with the Ionian and northwestern Greek regions under Ottoman rule. For this reason, they are often grouped together with other Asian art objects. Epirus textiles are easily identifiable by their vibrant reds, blues, and greens against a neutral background. Common motifs include parrots, vases, and flowers, which are found here. This textile was already sold by the time I viewed it, but similar textiles are often sold on the London market for roughly 5,000 GBP – 15,000 GBP, depending on size, level of craftsmanship, and condition.

Epirus textile on a beige linen ground cloth, darning stitch with polychromatic silk threads by an anonymous artist, 17th century, 53 x 46 cm (fragment). Viewed at Moshe Tabibnia Gallery at Frieze Masters 2025. Photograph by Moshe Tabibnia Gallery.
Epirus textile on a beige linen ground cloth, darning stitch with polychromatic silk threads by an anonymous artist, 17th century, 53 x 46 cm (fragment). Viewed at Moshe Tabibnia Gallery at Frieze Masters 2025. Photograph by Moshe Tabibnia Gallery.

Frieze London

Of the Asian art selections available at Frieze London (which only features Contemporary art) this year, Korean paintings were the predominant recurring theme. Over the past few years, I have seen works by Contemporary Korean artist Ha Chong-Hyun (1935 – ) displayed at both Frieze Masters and Frieze London. Ha Chong-Hyun is a leading artist of the Korean Dansaekhwa (monochrome) movement. While I didn’t come across any at the former this year, at least three galleries (Kukje Gallery, Tina Kim Gallery, and Almine Rech) featured his paintings at Frieze London. The artist’s oil on hemp cloth paintings are instantly recognizable for his technique of pushing paint from the back of the hemp cloth material so that it seeps through to the front, creating a distinct, three-dimensional surface, often in rectangular shapes. While the prices were not publicized, this artist is considered blue-chip with a very stable market. Last year, his auction results averaged approximately $90,000 (often far exceeding this!).

Conjunction 24-37 by Ha Chong-Hyun, 2024, oil on hemp cloth, 162cm x 130cm. Viewed at Kukje Gallery at Frieze London 2025. Photograph by Ashley Innes.
Conjunction 24-37 by Ha Chong-Hyun, 2024, oil on hemp cloth, 162cm x 130cm. Viewed at Kukje Gallery at Frieze London 2025. Photograph by Ashley Innes.
Conjunction 22-66 by Ha Chong-Hyun, 2022, oil on hemp cloth, 227cm x 182cm. Viewed at Tina Kim Gallery at Frieze London 2025. Photograph by Ashley Innes.
Conjunction 22-66 by Ha Chong-Hyun, 2022, oil on hemp cloth, 227cm x 182cm. Viewed at Tina Kim Gallery at Frieze London 2025. Photograph by Ashley Innes.
Conjunction 24-82 by Ha Chong-Hyun, 2024, oil on hemp cloth, 162cm x 130cm. Viewed at Almine Rech Gallery at Frieze London 2025. Photograph by Ashley Innes.
Conjunction 24-82 by Ha Chong-Hyun, 2024, oil on hemp cloth, 162cm x 130cm. Viewed at Almine Rech Gallery at Frieze London 2025. Photograph by Ashley Innes.

I wonder what trends we will see at London’s Frieze fairs next year? The past few years have demonstrated a rapid evolution of collectors’ tastes and market trends – I look forward to discovering what is in store for 2026.