Caring for your items

Without doubt, one of the most common questions that we at Doerr Dallas Valuations get asked is “What is the best way to take care of… (insert as appropriate)” and the simple answer is that everyone has their own way and own interpretation for different items – some people swear by old wives tales, whilst some find new solutions and potions on Amazon and insist that their carpet has never looked cleaner. So as a rough guide I have compiled the following advice for certain groups of items.

Furniture

When people ask about furniture, it is generally whilst talking about wood items, such as mahogany, oak, walnut, rosewood, and many other weird and wonderful materials that we are privileged to work with.

The first thing to say is – look at where the item is kept; Is it in sunlight? Next to a radiator? In a damp shower room?

If any of these answers are ‘yes’ then seriously consider relocating the items, as ultimately, it’s not going to end well. Warping, fading and serious cracks may appear after time and that will result in a costly visit to the restorers.

Whilst we all remember the smell of the spray cans of furniture polish commonly seen in the 80s and the 90s, these really are not a good way of polishing or cleaning antique furniture, the artificial chemicals will gradually damage the finish and leave you with an item needing to be professionally restored – the general rule of thumb, is less is more.

A lint free cloth with natural beeswax is always the best route, applied until the wood is nourished (this might take a little while, but have patience) will gradually bring back a nice genuine shine and bring out the grain of the wood, as opposed to a silicone type shine that a spray can will bring – it also smells a lot better in my opinion.

Any metal work, such as handles or escutcheons, should be dealt with very carefully – personally I would leave them well alone and enjoy the patina that develops over time, especially with brass work. However if you have to clean them, a very fine wire wool, used sparingly is really your best option – never, ever use Brasso, or similar products as you will end up with a rather ugly rash around wherever you have used it.

Ultimately, furniture is there to be used and a good tablecloth or coasters are one of the most simple ways of keeping the piece in tip top condition – you are more likely to damage it with a stray glass of red wine, rather than normal use over decades.

Rugs

Rugs and carpets are some of the most susceptible items in the household to damage, but how do we avoid the wear and tear?

Again, much like furniture, one should always think about where a carpet is going to be positioned, direct sunlight and damp areas are of course a big no due to the impact that both factors can have on the material. Additionally, turning a rug is a really good idea – for example if in a drawing room, there will always be that one corner that is worn more frequently than the others, and turning the rug will spread the wear more evenly – why not try them in different parts of the household?

When it comes to spillages, again the glass of red wine seems to be the biggest culprit of terrible stains. The experts are unanimous in their recommendations – DO NOT SCRUB – always blot the stain with a kitchen towel and then flush with water, and repeat… this may take some time.

If you are lucky enough to have a furry friend, then they present a slightly different problem and a slightly different method of attack; white vinegar diluted with water is generally considered to be the best option, as the chemicals in urine can attack the fibres and cause significant damage – the logic behind the vinegar is that it works against those chemicals.

The one area that I would strongly recommend not doing anything to, is silk rugs. Whilst there are options out there, the risk for things going horribly wrong are so great, and ultimately a good carpet cleaner or restorer will be able to advise you as to what action to take.

So whilst furniture and rugs are both somewhat daunting in terms of maintenance, it really is a case of keeping on top of little things regularly and they will continue to give you years, if not decades of reliable service.

Jane Birkin

Jane Birkin was a British-French actress, singer, and model. She was born in Marylebone in 1946 and moved to France in the 1960’s. She gained international fame for her role in the film ‘Blowup’ and is also known for her collaboration and relationship with French singer Serge Gainsbourg, with whom she recorded the iconic song ‘Je t’aime… moi non plus’. She had a successful career in music, film, and fashion, and was an influential figure in popular culture. In addition to her acting and musical credits, by a chance encounter, she lent her name to the Hermès Birkin handbag, the most iconic and sought-after luxury handbag in the world.

The Birkin bag was created by the French fashion house Hermès in 1984 and came into existence after Jane Birkin sat next to Jean- Louis Dumas, the then-CEO of Hermès, during a flight from Paris to London.

A Chance Encounter

Birkin had been upgraded to first class on an Air France flight and found herself sitting next to Dumas. Having just had her handbag destroyed by her then husband Jacques Doillon, she doesn’t recall which handbag she had decided to travel with that day. However, it was at the beginning of the journey, when trying to fit her bag in the overhead compartment that all the contents fell out. As she scrambled to collect her possessions, the gentleman next to her suggested that she should have a handbag with pockets, to which she replied, “The day Hermès makes one with pockets I will have that.” And he said: “But I am Hermès, and I will put pockets in for you.”

Birkin went on to suggest they make a handbag that is bigger than the Kelly but smaller than a suitcase. They went on to design it by roughly sketching the design on an in-flight sick bag! Once completed Dumas promised to create it, saying, “I’ll make it for you.”

In 1984, Dumas created a black supple leather bag for her: the Birkin bag, based on her design.

Birkin later went to Hermès to purchase the result of her in-flight special order, and Dumas gifted her the bag in exchange for her lending her surname to christen the design. She said she was very flattered to have the handbag named after her. Hermès later paid her £30,000 a year in royalties for using her name which was then passed on to her nominated charities. Jane Birkin loved her bag and decorated the straps with beaded bracelets, a miniature harmonica, and even a Hermès watch. About the watch, she said: “I don’t like to wear them, but sometimes you need the time.”

Birkin once commented that “Now when I go to America to sing, they say, ‘Birkin? Like the bag?’” I say, “Yes indeed: and the bag will now sing.”

The Birkin Bag

The Birkin bag is known for its classic and timeless design. Featuring clean lines and minimal hardware, it is a structured, rectangular tote bag that is available in various sizes, colours, and materials, including leather, exotic skins, and special limitededition versions. It is meticulously handcrafted by skilled artisans at Hermès workshops. The construction process is labour-intensive and can take several days to complete, ensuring exceptional quality and attention to detail. Due to this timely construction, it is renowned for its exclusivity and limited availability. Hermès restricts the number of bags produced each year, leading to high demand and often long waiting lists for customers wishing to purchase one.

The Birkin bag is considered a symbol of luxury and status. Its high-quality materials, craftsmanship, and prestigious brand association contribute to its premium price tag, often reaching anywhere from tens of thousands of pounds to hundreds of thousands for rare and unique examples. Due to its association with Jane Birkin, it is also extremely popular with celebrities and fashion icons. This further elevated its status as a fashion statement and investment piece.

The Birkin bag’s desirability and limited supply have contributed to a thriving resale market. Pre-owned Birkin bags not only retain their value very well but often appreciate over time, making them an attractive investment for collectors and fashion enthusiasts. The demand for Birkin bags is incredibly high, and the waiting list to purchase one is extremely long. It’s not uncommon for customers to wait months or even years before they can get their hands on a Birkin bag.

Value

Since the death of Jane Birkin, it has been reported that there has been an increase in searches for the Birkin bag by online pre-owned platforms and boutiques.

With no advertising, the Birkin bag’s cultural cache came from its scarcity, with secondhand versions increasing in value and often overtaking their original price.

Today, the Birkin bag has a starting price of about £7,000 with some worth up to £500,000 making it the world’s most expensive handbag with resell prices breaking global records.

Here are some examples of the Hermès Birkin selling for record breaking prices auction.

Its not only the exotic skins that sell for exceptional prices but all the Classic examples.

Here is an example of a biscuit Togo Birkin bag, with gold hardware, selling at auction in New York for $29,000.

I wonder how much the Birkin handbag will retail for in another 40 years. When the Birkin bag was first introduced in the 1980’s its RRP was $2000 now that price is over $10,000 and the second-hand figure is even higher! With these increases happening every year its essential to review your handbags value.

It’s amazing to consider the events of that day and how if Jane Birkin hadn’t been upgraded to first class, the Birkin bag may never have been designed.

Coral…. Did you know?

There are six types of precious coral from deepest red to porcelain white and none are endangered.

Did you know that Mediterranean Rubrum coral is still dived for by hand by around 50 licenced divers at a depth of 50 metres? Japanese and Taiwanese coral is even deeper; at a depth of 80 metres to 300 metres and can only be harvested by a submersible with strict quotas.

It is reef and shallow water coral, such as golden and black coral, that are endangered. These are known as common coral and reside on the global CITES protection list.

Did you know that coral was used in Rome as early as 1500 BC? It has been used as amulets in the Catholic faith for centuries and revered in Buddhism. To this day it is an expression of status and wealth in Benin in Africa, Poland and Ukraine and it has been used as currency across the world.

In the Mediterranean, coral harvesting has been documented since the 15th century and its secrets and systems were passed down through each generation of a family. This industry was particularly buoyant at Torre Del Greco, a beautiful fishing village on the slopes of Vesuvius. Which for decades in the 1800’s saw almost every local family involved in the coral trade in some form from diving to forming the beads to selling the strings of coral. This development and success of the coral industry at Torre del Greco was arguably thanks to Ferdinand IV of Bourbon, who worked to regulate the fishing of coral from this area of Naples and protect local jobs. He recognised the huge demand for beautiful coral jewellery and religious accessories, the ownership of which was seen as a status symbol across Spain, Italy, Poland and Ukraine, which lasts to this day. Look through several Old Master paintings and you may well find coral pieces to denote protection and wealth.

Even good things come to an end and the Mediterranean monopoly on coral supply was to change in the 1870’s when a different species of coral, ‘Momo’ coral was discovered in Japan and later in Taiwan and Hawaii. These finds would open up coral appreciation to the world and the largest market for coral is now the Far Eastern market.

Collectors are starting to wake up to the beauty of coral that Cartier and Van Cleef and Arpels have been giving to their high net worth clients for over a century.

Precious coral, particularly antique and vintage pieces, are becoming very sought after and gaining good prices at European auctions. Keep an eye out for depth of colour and condition, and a smattering of diamonds is always nice too.

Vintage Coral

Did you know that the size of coral necklaces depend on the type and size of coral branch? Mediterranean coral can grow up to eight millimetres in diameter, however Midway coral from Hawaii up to 20 millimetres. Each piece of harvested coral from deep in the ocean is cleaned, divided and polished by hand into perfect beads, then matched into earrings and necklaces. It can take over a year to make a larger sized necklace.

A new harvest of Rubrum coral from the Mediterranean at the Livorino workshops

There is a huge market in China and the Far East for the top quality Oxblood and Momo coral pieces. So much of the finest coral will make it’s way there and prices rival that of fine jade.

However, you may well have vintage pieces in your jewellery box and I strongly suggest you review their value. It may just surprise you.

The Evolution and History of Diamond Cutting

Believed to be a gift from God, diamonds were first discovered in India in the 4th Century BC and were recognised for their hardness and strength. They were worn as adornments to ward off evil and provide protection in battle. Diamonds were also used as a medical aid; thought to cure illness and heal wounds when ingested. This was later dismissed, and it was thought that diamonds were highly poisonous; a rumour introduced to stop miners stealing diamonds by swallowing them.

Up until the 18th Century the only known source for diamonds was in India and their value was still considered much less than sapphires and rubies.

Alexander the Great opened a small trade between the East and the West in the mid-4th Century but it wasn’t until much later in the 14th and 15th century when diamonds entered Europe through Venice. They made their way north to Bruges, Antwerp and Amsterdam making these cities bustling diamond centres. It was at this point that European and Indian cutters begin to experiment with diamond cutting.

Point Cut Diamond

The earliest diamond cut is the point cut and was popular in the 15th Century. Cutters used diamond grit and olive oil to simply polish stones in their natural octahedral form. Olive oil was used due to its ability to tolerate the high temperatures caused by polishing.

Below is a diamond crystal in its natural octahedral form and a diamond ring set with multiple polished point cut diamonds.

Point cut diamonds are very rare as many of the original diamonds were re-fashioned as cutting techniques and styles changed. Here is an example of point cut diamond selling at auction for £11,000, well exceeding its pre-sale estimate of £1,800 – £2,400.

The Table Cut

In the mid-15th Century cutters designed the table cut diamond, they used the same polishing methods and simply removed the top point of the octahedral shape to produce a table.

This style of cutting possessed far better optical qualities than its predecessor, with greater brilliance and fire. It also displayed, when viewed from above, the impression of a table within a table, which fitted perfectly with Renaissance Europe’s love of classical proportions. The table cut became far more desirable than the point cut, which is why it is now rare to see examples of the point cut diamond as most were re-fashioned into the table cut.

Throughout the 16th and 17th century, variations of the table cut shape such as rectangles, triangles and tapered diamonds appeared.

Here are some more examples of diamonds with a table cut selling through auction.

The Rose Cut

The early 16th century saw the birth of the rose cut diamond. This made use of the flat rough instead of the octahedral crystal that we have seen so far. It proved the most efficient way to retain the weight of a flat crystal. The flat bottom and faceted domed top proved much more effective at displaying brilliance but not fire.

The Mazarin Cut

After developing and perfecting table and rose cuts, European cutters started to experiment with new cuts and styles. Cardinal Jules Mazarin requested that cutters in Europe designed a faceted diamond. The result was a cushion shaped diamond with 34 facets called the Mazarin cut, also known as the double cut.

The Old Single Cut

The mid-17th century saw the introduction of the single cuts. Like the point and table cut, the single cut resembled the shape of the octahedral rough. It also displayed more potential for brilliance than the table cut because it had more facets. This cut served as the basis for the modern brilliant cut and even today, the single cut is still used on smaller diamonds.

In the early 17th Century, the mines in India were running low on diamond source and European cutters needed more stones to continue experimenting with cuts. Luckily at this time, while miners were panning for gold in Minas Gerais, Brazil, a few odd crystals, and pebbles were found. Not knowing what they had discovered the miners used these stones to keep score during games of cards. It wasn’t until an official saw them that they realised that in fact it was a new diamond source.

The discovery of alluvial deposits in Brazil meant great things for the cutters in Europe. The diamonds rivalled those of India, and Brazil became the main source of diamonds for Europe.

At this time, Europe had a great desire to experiment and evolve the diamond cut, and there was an increasing interest in optical science. With the aid of advanced lighting and the modernisation of technologies, the developments of the first modern brilliant cuts could start to take place.

The Peruzzi Cut

The new rough from Brazil was used to create the first old mine cut also known as the Peruzzi Cut; this has the same number of facets as the round brilliant, but with a high pavilion it resembles a cushion shape. In 1750, a London jeweller called the new style of cut a passing fad and said the classic rose cut would outlast them all.

Today, antique cushion cut diamonds remain extremely popular and sell very well. Here are some examples – notice how almost all exceed their pre-sale estimates.

The round brilliant cut diamond

Years of experimentation with cutting led to the production of the modern brilliant. We can see examples of the modern brilliant cut being traced to the 1800’s. Henry Morse had been trying to achieve the optically efficient cutting design. It was however Marcel Tolkowsky in 1919 who published his PhD thesis called Diamond Design. This used mathematical calculations that considered how to display both brilliance and fire in a diamond. Tolkowsky understood that if a diamond was cut too shallow or too deep that the light entering the stone would leak out of the side; this discovery was achieved by systematically analysing the optics of a diamond. Although this was revolutionary for its time, there have been other claims on the perfectly proportioned diamond. In 1940, Eppler produced the European Cut and later in 1970 The IDC (International Diamond Council) also produced a set of ideal ranges.

Compared Results

These differing proportions are all aiming to show the viewer the perfect amount of brilliance and fire. Brilliance is the reflection of light from the back facets when viewed from the top of the stone. Fire is the splitting of white light into the spectral colours as the light passes through inclined facets.

Altering the angle of the crown will affect the balance of brilliance and fire.

Fancy Cuts

In more recent times we have seen variations of the round modern brilliant cut diamond. Cutters have applied the same perfected proportions displaying great amounts of fire and brilliance and applied them to the Pear and Marquise cuts. The Pear and Marquise cuts have been around for centuries but never before displayed the optimum optical properties. Furthermore, this led to the production of more fancy shapes in the brilliant cut; heart cut and princess cuts are now examples of this. Triangular diamonds cut in this way were even named the Trillion cut.

With many attributing factors that have been considered in the cutting of diamond throughout its evolution; from a polished octahedral crystal through to the brilliant cut diamond displaying fire and brilliance, I wonder what the next seven centuries will bring. Will our future generations look back and consider the brilliant cut diamond a primitive design compared to what this stone, advanced technologies and creative cutters achieve in the future?

 

Andy Warhol’s Birthday

Andy Warhol, born Andrew Warhola, was born on August 6, 1928, in Pittsburgh, Pennsylvania, to Slovakian immigrant parents. Andy was the fourth of five children, his father worked as a construction worker, and his mother was a homemaker and they lived in a working-class neighbourhood in Pittsburgh.

Andy was ‘dogged’ by illness, at the age of eight, he contracted a rare and severe illness called Sydenham’s chorea. This left him bedridden for several months, during which time his mother helped fill his days by giving him drawing lessons, which ignited his passion for art. Andy attended Schenley High School in Pittsburgh, where he demonstrated early artistic talent and where he was recognised and encouraged in these abilities. After graduating in 1945, he went on to study at the Carnegie Institute of Technology (now Carnegie Mellon University) in Pittsburgh.

After completing his studies in 1949, Andy moved to New York City, where he began his career as a commercial artist and illustrator. He worked for magazines, advertising agencies, and retail stores, quickly gaining recognition for his unique and imaginative art style.

By the late 1950s, he had started experimenting with Fine Art and had begun producing paintings, drawings, and prints. He found his inspiration in everyday objects and popular culture, leading him to create many of the works that would become iconic representations of the Pop Art movement and synonymous with Andy Warhol.

In the 1960s, he established his now famous studio space called “The Factory.” It was a hub for creative collaborations, attracting artists, musicians, writers, and celebrities, alike and it rapidly became a centre for the avant-garde in New York City.

Warhol’s fascination with celebrity culture led him to create portraits of many famous personalities, including Marilyn Monroe, Elvis Presley, and Elizabeth Taylor.

Andy Warhol’s creativity extended way beyond painting and drawing and he ventured into film, creating the experimental movies “Chelsea Girls” (1966) and “Empire” (1964), a slow-motion film of the Empire State Building.

Andy Warhol, well known for his contributions to the Pop Art movement and his choice of subjects for his art, was heavily influenced not only by celebrity and popular culture but also brand names, crime and for some reason car crashes. Some of his most famous paintings include the following:

The market for Warhol’s work has existed from day one and interest from buyers is truly international, with his work being sold across the world, where it is both a highlight and a mainstay of all the major and minor auction houses and galleries across the world. His major works continue to change hands for multi-million pound sums and the second and third most expensive Warhol works sold at auction to date are as follows:

Andy Warhol's art and history

Behind the scenes Andy Warhol is just as fascinating, here are a few little known facts about him.

Time Capsules:
Warhol was an avid collector and archivist. He had a fascination with preserving everyday items and created what he called “Time Capsules.” These Time Capsules were essentially cardboard boxes in which he stored various objects such as newspapers, correspondence, photographs, art supplies, and random items from his daily life. Over the years, he filled over 600 of these Time Capsules, which provide a unique insight into his life and the culture of the time.

Religious Devotion:
Despite his flamboyant and controversial public persona, Warhol was a devout Byzantine Catholic. He attended church regularly, and his religious beliefs played a significant role in his life. He even commissioned religious-themed artworks, including several portraits of Jesus Christ.

Art Collector:
Warhol was an enthusiastic art collector and he had his own extensive collection of art, including works by fellow contemporary artists and art pieces from various periods and styles. Following his death, Sotheby’s auction house held a nine-day auction in 1988 where they sold off more than 10,000 items from Warhol’s personal collection, which fetched tens of millions of dollars.

Underground Filmmaker:
As mentioned earlier in this piece Warhol is well-known for his contributions to the visual arts and he was also a pioneer in underground filmmaking. In the 1960s, he produced a series of experimental films that challenged traditional cinematic conventions. One of his most famous films is “Sleep” (1963), which depicts his friend John Giorno sleeping for over five hours. Warhol’s films often explored themes of monotony, voyeurism, and the passage of time.

Wig-Wearing Icon:
Andy Warhol’s signature silver-white wig became an essential part of his public image. He began wearing wigs in the 1960s to create a distinctive look, and it quickly became one of his trademarks. The wig allowed him to transform his appearance and present himself as an enigmatic figure in the art world and popular culture

Cookbook Author:
In 1959, Warhol and his friend Suzie Frankfurt co-authored a quirky and amusing cookbook titled “Wild Raspberries.” The book, which was never intended to be a practical guide to cooking, featured illustrations and handwritten recipes for dishes like “Omelet Greta Garbo” and “Piglet a la Cubist.” This limited edition book is now a highly sought-after collector’s item.

These lesser known facts highlight the diverse and eccentric aspects of Andy Warhol’s life and artistic pursuits. His impact on various forms of art and culture continues to be influential and celebrated to this day.

Throughout his life, Andy Warhol continued to push the boundaries of art, leaving a lasting impact on the art world and popular culture. His early experiences and upbringing shaped his artistic style and many of the themes he explored in his work.

 

Read more about investing in Warhol art here.

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Posters, Film Ephemera and Comics

For those of you that have read my previous article on collectible comics you may ask the question, Why combine an article on posters, film ephemera and include comics as well?

Well, the simple answer is that comics now are just as much a part of film ephemera as posters, as one can see when Marvel release a new film from their vast range of available titles, the value of the comic that it is based on soars through the roof!

Look at titles such as Captain America – in April of 2022 the first of the series in a CGC graded 9.4 condition sold for $3.1 million, which even five years ago would have been unthinkable.

What is key to a comic book though, as well as a good title is of course the condition. If there are any marks, stains, tiny rips or even folds, it can wipe tens of thousands of dollars from the books value. Even since my last article on comic books, this has become even more paramount to achieving the ultra-high prices we have seen in the past few years. The way that collectors are now amassing their collections is that it has to be the very best, and if something better comes along – then they need to own it. This has fuelled the market in the last few years with some comics coming out of the woodwork, along with some well known examples.

The film poster market is something that anyone can get excited about – if you have a favourite film, it is very likely that they promoted it with a campaign of posters and as such, it is just as likely that you can source one in 2023. There are a few guidelines for poster that generally include only buying originals and for films that have attained either classic or cult status. So when looking to purchase be sure of authenticity and origin – for example posters in different languages can prove to be worth a lot less money than the native tongue, as seen in items from James Bond films. But in rarer forms, it can be worth even more, seen in the illustrated example of Casablanca from 1942. The film poster market is a tightrope so advice should always be sought out.

Film ephemera has again rocketed, with specific auction houses now specialising on huge sales from major Hollywood studios and collectors. That means you can buy anything from Harrison Ford’s infamous fedora hat (if you have the $300,000 that it recently achieved) to a helmet from a Stormtrooper, from the iconic Star Wars film series.

What has recently come to my attention after looking at quite a few collections over the last few years is actually…Pokemon cards.

This global phenomenon started back in 1996, when Pokemon was released as a trading card game, Pokemon – actually an abbreviated phrase meaning “Pocket monsters”. It quickly became a massive success with over 50 billion cards in circulation, which is a monumental figure. In recent years due to major celebrity endorsement, these items have sold on the secondary market for figures that could never have ever been imagined, as some of the rarest cards trading for over $1,000,000. With mythical collections being kept quiet and never discussed, it’s certainly going to be one of the hobbies and collectible items that stays with us for a long time.

So, should you wish to either buy up some old memories, or maybe invest in some new ones, the market for comic books, film ephemera and even Pokemon cards are clearly satisfying on many levels within the industry!

Rubies

Ruby is the birthstone for July

The name comes from the Latin ‘ruber’ meaning red. It is seen as a symbol of love and commitment. In Asia particularly, it is associated with luck, passion and power.

Burmese warriors had rubies set into their armour, as they believed they would offer them protection in battle. Some even had rubies embedded in their flesh for added security.

Rubies, like sapphires, are a form of corundum – the name for aluminium oxide. Unlike sapphires, which come in an array of colours, rubies are always red, and the colour derives from chromium in their chemical make-up. Shades vary from the ultra desirable, but challengingly named, pigeon’s blood ruby to much pinker varieties.

Historically, the most sought after rubies came from Burma (now Myanmar). However, nowadays Mozambique has become one of the largest suppliers of new rubies into the market.

After diamonds, rubies are the hardest of all gemstones and also the most expensive coloured gemstone.

Until recently, ‘The Sunrise Ruby’, which formed the centrepiece of a sensational ruby and diamond ring by Cartier, was the most expensive ruby in the world and the most expensive coloured stone. However, on 8th June 2023 Sotheby’s sold the world’s largest Mozambiquan ruby, which weighs 55.22 carats. It made a world record-breaking $34.8 million, thus becoming the largest and most valuable ruby ever to sell at auction.

The ruby and diamond necklace worn by Julia Roberts in the film Pretty Woman, was said to be worth about $750,000 shortly after the movie was made 30 years ago. The price of rubies has soared since then. Imagine what it might be worth today.

Old Master Sales, July, London

The Old Master Sales in London last week proved once again that freshness to the market and condition are key to paintings achieving spectacular prices. The perfect example of this was the beautiful Artist’s Studio with a Seamstress by the enigmatic Flemish painter Michael Sweerts (1618-1664), which came up at Christie’s.

This was painted in Rome sometime between 1646-1652 and was unknown to scholars having spent most of its life in a Belgian castle. It had never been cleaned or lined in its almost 400 year history and sold for an astonishing £12.6M (including premium), 6 times the previous world record for the artist! Christie’s also had a pair of recently re-discovered portraits by Rembrandt (1606-1669) which hadn’t been seen since 1824. Despite being on tiny oak panels measuring just 8 ½ x 6 ½ ins they made a well-deserved £11.2M (including premium).

One of the stars of Sotheby’s evening sale was the panel of the Pentecost by the unidentified 15th Century Bruges Painter, known as The Master of the Baroncelli Portraits. Despite appearing as recently as 2010 at Christie’s, where it sold for £4.19M, its beautiful execution and almost pristine condition helped it soar to £7.9M.

Sotheby’s also had a distinguished re-discovery in the form of a Saint Sebastian by Sir Peter Paul Rubens (1577-1640). This canvas was probably painted in Rome around 1608 for the Spinola family of Genoa, but had spent most of the last 100 years in St Louis, Missouri, USA undetected. It had appeared at an auction there in 2008, catalogued as attributed to Laurent de la Hire (sic). With its new attribution, it sold for £4.9M.

The week of sales totalled well over £100M, the best result for 6 years with Christie’s evening sale generating £53.9M, while Sotheby’s came in at £39M. The day sales, of lesser fry, were much quieter with slightly higher BI rates. Sotheby’s sale totalled £911,000, Bonhams £1.35M and Christie’s just over £2M. On average, 70% of the lots offered found buyers on the day and more will have sold subsequently suggesting that although Old Masters are not as fashionable as contemporary paintings, there is still a market for them.

What to wear for Wimbledon

For Ascot it’s all about hats, at Henley it’s blazers, but what to wear for Wimbledon…?

Let’s start with jewellery and what more fitting piece than a tennis bracelet. One of the most sought after easily worn pieces in any capsule jewellery collection and beyond, this now ubiquitous item came to prominence in 1987 when, during a match in the U.S. Open, Chris Evert ‘lost’ her diamond bracelet when the clasp broke. Play was suspended so that it could be retrieved, which it was.

She later said “When I competed, I wanted to wear something that gave me confidence and empowered me, both as a woman and an athlete. My tennis bracelet added a personal element to my style on the court and served as a daily reminder that I can do and be anything.” Who wouldn’t want some of that?

This style of line bracelet has been popular since the Art Deco period, but it was Chris Evert that brought it to such wide prominence and caused the change of name.

You’ll also be needing a stylish watch and there is a plethora of choices endorsed by tennis stars. Roger Federer became a brand ambassador for Rolex in 2006 with what was, at the time the largest single endorsement for any professional athlete. He was contracted to Rolex for 10 years for which he received $15,000,000. Others now in the Rolex stable are Dominic Thiem for the Daytona; Garbiñe Muguruza with the DateJust and Jo-Wilfred Tsonga with the Milgauss. If you want to dress the part but favour other brands, Nadal wears a Richard Mille and Serena Williams an Audemars Piguet diamond outrage.

Perhaps you will fancy something unique and eye catching to adorn your outfit, you might look at vintage novelty tennis related items. These two tennis racket brooches were sold at auction and the ruby and diamond brooch is Edwardian and set with ruby, pearls and rose diamonds.

Last year Ralph Lauren unveiled new uniforms for the court officials. The instantly recognisable polo shirt is now produced in wide navy blue and white stripes and they stated that they were combining the heritage of the brand with sustainable modern fabrics and modern silhouettes.

As for the outfit itself no-one does Wimbledon better than The Princess of Wales. As Patron of the All England Club and a keen tennis player herself, she often attends the championships and well as presenting the trophies.

In 2022 she chose polka dots by Alessandra Rich and a bright yellow dress by Roskanda. If you wish to emulate her style, similar dresses are available by these designers at about £1,400 each.

Whatever your style choice and however you enjoy watching Wimbledon, we hope you enjoy the championships and regardless of your outfit, the event is definitely best served up with Pimm’s; and strawberries and cream.

David Hockney soon to be 86 on July 9th

David Hockney is one of my all time favourite British artists and throughout his career he has created many truly iconic paintings. While it’s subjective to determine the “most famous” ones, here are some of his most notable works:

These are just a few examples of David Hockney’s most famous paintings, but his extensive body of work covers a wide range of materials, dates, subjects and styles, showcasing his endless versatility as an artist.

David Hockney is a renowned British artist known for his contributions to the Pop Art movement and his vibrant, colourful paintings, drawings, and prints. Hockney was born on July 9, 1937, the fourth of five children in Bradford, W est Yorkshire. He demonstrated a keen interest in art from an early age.

Hockney’s parents were Kenneth and Laura Hockney. His father, Kenneth, was a conscientious objector during World War II and worked as a conscientious objectors’ medic. Hockney’s parents were supportive of his artistic endeavours, even though they did not initially understand his decision to pursue art as a career. Throughout his life, Hockney maintained a close relationship with his family, particularly with his mother, who played a significant role in his life and artistic journey.

He attended Bradford Grammar School and then Bradford College of Art from 1953 to 1957, where he gained a solid foundation in traditional artistic techniques and disciplines. His fellow students included Derek Boshier, Pauline Boty, Norman Stevens, David Oxtoby and John Loker. Later, he pursued higher education at the Royal College of Art in London from 1959 to 1962, where he met R B Kitaj and also featured alongside Peter Blake in an exhibition there called ‘New Contemporaries’ which heralded the arrival of British Pop Art, a period when his artistic style began to take shape and evolve.

In the 1960s, Hockney rose to prominence as a key figure in the Pop Art movement, which challenged the traditions of art by incorporating popular culture and everyday objects into artworks. Alongside artists like Andy Warhol and Roy Lichtenstein, Hockney explored themes such as consumerism, mass media, and the impact of technology on society.

Here are a few examples of some of Hockney’s most expensive paintings at auction.

Here are some lesser-known facts about David Hockney: Hockney has a love of new Technology, especially that which will help him to make art, and he has embraced it in his artistic practice. He was an early adopter of the iPhone and iPad, and he has created numerous artworks using these devices. He even published a book of iPhone and iPad drawings titled “David Hockney: A Bigger Book.”

Hockney is secretly an author: In addition to his artistic endeavours, he has also authored several books. One notable example is “Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters,” in which he explores the possibility that some of the Old Masters employed optical devices such as the camera obscura to aid in their artwork.

Stage design: Hockney’s creative talents extend beyond the realm of visual arts. He has designed sets for numerous operas, including productions at the Glyndebourne Festival Opera, the Metropolitan Opera, and the Los Angeles Opera. His stage designs are known for their vibrant colours and innovative use of space.

Dual nationality: Hockney holds both British and American citizenship. He moved to California in the 1960s and became inspired by the vibrant landscapes and lifestyle of Southern California, which greatly influenced his artwork during that period.

Knighthood: In 1990, David Hockney was awarded the Order of the British Empire (OBE) for his contributions to the arts. Later in 2012, he was further honoured with a knighthood, becoming Sir David Hockney.

Love for nature: Hockney is drawn to the beauty of nature and has spent considerable time painting landscapes, particularly in his native Yorkshire. He finds inspiration in the changing seasons and has captured the essence of nature’s colours and textures in his artwork.

David Hockney has had several close friends and acquaintances throughout his life, including notable figures from the art world, literature, and entertainment industry. Some of his close friends include, Peter Schlesinger, an artist and photographer, was one of Hockney’s closest friends and a frequent subject of his paintings. They were in a relationship during the late 1960s and early 1970s.

Celia Birtwell, a renowned textile designer and fashion icon, became friends with Hockney in the 1960s, and he often used her as a muse in his paintings. Birtwell’s vibrant and patterned fabrics also influenced Hockney’s artistic style. Ossie Clark was a British fashion designer and a close friend of Hockney. Clark’s designs were known for their bohemian style, and Hockney often collaborated with him, creating artwork inspired by Clark’s fashion. Jonathan Silver was a major patron and collector of Hockney’s work. He was a close friend of the artist and played a significant role in supporting and promoting his career at his gallery space at Salt’s Mill in Bradford.

At 86 David Hockney is a shining example of how making art and being constantly busy and creative can stop the years creeping up on you, long may he continue!