As Chelsea Celebrates Gardens, We Uncover Their Hidden Worth

The RHS Chelsea Flower Show 2025, is currently underway. In recognition of Chelsea, we are considering an often-neglected area for insurance: the garden.

We will be sharing some recent auction highlights, illustrating the fascinating and valuable items that can be hidden in our outdoor spaces.

The history of British gardening has deep “roots” dating to The Romans. The first pleasure gardens were planted in England almost 2000 years ago. Domestic gardening, as understood today really evolved over the past two centuries. Currently, it is estimated that 78% of British adults have access to a private garden, with the UK garden market worth over £8 billion annually. It is clear, we are a nation of gardeners.

So let us turn our attention to these spaces. Earlier this year, Chiswick Auctions uncovered a fascinating piece in a London garden. What at first glance appeared to be a forgotten broken flowerpot, surrounded by weeds, turned out to be a significant discovery. This unassuming ceramic vessel was an unknown work produced by the eminent studio potter Hans Coper (1920 – 1981). (Chiswick Auctions, Design, 15th April 2025, lot 267). Notable for its monumental proportions, it was one of Coper’s largest creations. Coper’s work is highly desirable and can fetch hundreds of thousands of pounds.

Chiswick Auctions, Design, 15th April 2025, lot 267
Chiswick Auctions, Design, 15th April 2025, lot 267

Working with the family, the auctioneers found it commissioned by their late mother in 1964. Unfortunately, at some point, it had been broken into two pieces, the owner then choosing to place it in her London garden.

A lost treasure, the work was estimated at £6,000 to £8,000. Despite its condition, it sold for a total of £45,990.

Investing in garden statuary can significantly enhance an outdoor space, and historical influences continue to shape the design of our gardens.

This results in exceptional items from antiquity, occasionally being unearthed in British domestic gardens.

Toovey’s Auctions, Furniture etc, 15th May 2025, lot 2350
Toovey’s Auctions, Furniture etc, 15th May 2025, lot 2350

In May, auctioneers Toovey’s, offered an important bust of the Roman Emperor Septimius Severus (Toovey’s Auctions, Furniture etc, 15th May 2025, lot 2350). Produced in the late 2nd or early 3rd century AD, the sculpture was once part of the collection held at the Perthshire estate of Rossie Priory. It was subsequently obtained in the mid 20th century by the artist Edward Halliday CBE (1902 – 1984).

Halliday chose to exhibit it outdoors. Photographs from the 1950s, show the impressive figure of Septimius Severus on display in the garden of Halliday’s St. John’s Wood home, in one image even wearing a policeman’s helmet. The ancient figure of the emperor remained outdoors until he was consigned for auction.

The bust was offered with a pre-sale estimate of £40,000 to £60,000. The total selling price for this rare survivor was just over £142,000.

Edward Halliday additionally acquired a 2nd century AD cinerary urn also from Rossie Priory (As before lot 2351). This artifact was similarly utilised by the Halliday family as a garden ornament. The carved marble was estimated at £2,000 – 3,000, the result on this occasion was £5,176 (hammer price £4,000).

Several of Britain’s foremost artists and designers have created works specifically for outdoor use. These striking objects and artworks can be prominent features in British gardens.

Archibald Knox (1864 – 1933) was a pivotal figure in the Arts & Crafts movement. Knox’s work was wide ranging. As principal designer of Liberty & Co., his designs helped shape the Liberty ‘look’.

While many are familiar with Knox’s metalwork designs for Liberty, it is worth noting that he also created pieces for the garden. Marketed as ‘Modern Celtic Art’ the range included planters, garden urns, and objects in sandstone and terracotta.

These understated pieces deserve careful attention. In summer 2024, auctioneers Rosebery’s sold a scarce sundial designed by Knox, manufactured by Liberty & Co., circa 1905. (Lot 59, Rosebery’s, Design, 17th July 2024). The ‘Floralis’ pattern work in terracotta and brass sold for a total of over £6,000.

Lot 59, Rosebery’s, Design, 17th July 2024 top
Lot 59, Rosebery’s, Design, 17th July 2024 top
Lot 59, Rosebery’s, Design, 17th July 2024
Lot 59, Rosebery’s, Design, 17th July 2024

This collection can go unrecognised. If you are considering replacement costs, Liberty urns typically exceed £1,000 on the open market (for an example to illustrate see lot 1491, Mallams Auctioneers – The House & Garden Sale, 25th March 2025).

Lot 1491, Mallams Auctioneers – The House & Garden Sale, 25th March 2025
Lot 1491, Mallams Auctioneers – The House & Garden Sale, 25th March 2025

Edward Bawden (1903 – 1989) was a central figure in British art. As a printmaker, painter, and illustrator, he captured a distinctly English perspective. Surprisingly, his work extended to designing garden furniture. Initially creating furniture for his home in Saffron Walden, these pieces were produced commercially in the 1950s, by the Bilston Foundry in Staffordshire.

Bawden’s seating sometimes appears at auction and can occasionally go unattributed. In early 2024 an example of a Bawden cast iron bench emerged at Sworders. In apparently excellent condition it reached a hammer price of £4,000 (Sworders, Design, 16th January 2024, lot 180).

Sworders, Design, 16th January 2024, lot 180
Sworders, Design, 16th January 2024, lot 180

Other notable names include the Coalbrookdale Company (circa 1709 – circa 1927) renowned for its production of cast iron garden furniture, primarily during the 19th century.

Coalbrookdale originals can be worth several thousand pounds. For instance, a rare example of the Osmunda Fern Pattern bench, manufactured in the late 19th century was sold by Dreweatt’s last year. It achieved just over £10,000 (Dreweatt’s, Ken Bolan: My Mind’s Eye, 14th May 2024, lot 185).

Dreweatt’s, Ken Bolan My Mind’s Eye, 14th May 2024, lot 185
Dreweatt’s, Ken Bolan My Mind’s Eye, 14th May 2024, lot 185

Garden enthusiasts may appreciate a quote from British garden designer Gertrude Jekyll (1843 – 1932), “The lesson I have thoroughly learnt, and wish to pass on to others, is to know the enduring happiness that the love of a garden gives…”

To arrange a valuation of your items, call us on 01883 722736 or email us on [email protected].

 

Montblanc – Elegance in writing through a digital age

If anyone has watched the recent interpretation of The Talented Mr Ripley on Netflix, the originally titled ‘Ripley’, you will have seen such a plethora of stylish items, from Salvatore Ferragamo shoes to Alfa Romeos, and one of the most focused items appears to be Dickie Greenleaf’s pen. The Montblanc Meisterstuck 149 almost playing a starring role in the series.

Whilst there are many brands that create stunning pens, there really is only one choice when it comes to the real top level writing instruments that people long for. In the same way that Omega might actually make a better diving watch than Rolex, 99% of people still dream of owning a Submariner.

The brand started life in Germany in 1906, producing luxury writing instruments under various different names until 1909 when the name Montblanc became the famous brand that we know today. Inspired by one of the most famous mountains in the world, the emblem that is still used today is their representation of a snow-capped mountain, and features heavily in their products and publicity. Later on, the nibs of all Meisterstuck (German for Masterpiece) pens would be engraved with the number 4810, to represent the height in metres of the mountain the brand is named after.

During World War II, the factory that produced their range was destroyed and they had to rely on a facility in Denmark to produce their instruments, however post war they managed to shine with many new ranges being released and slowly becoming the brand that most people know them as.

During the 1960s and 1970s, and after being taken over by Alfred Dunhill, they became even more exclusive, abandoning the less expensive models and producing even more exquisite and elaborate examples of fantastic writing instruments with celebrities all queuing up to buy them. By the 1980s, if you were a rock star signing a contract, or a world leader signing a negotiation, you would be doing it with a Montblanc.

In the last 40 years, Montblanc has become synonymous with the art collaboration pens that they have embraced with items retailing for around the £8,000 mark, but with their jewelled collaborations have broken records The Montblanc Boheme Royal selling for a staggering £1.1 million. The Collaboration with Van Cleef & Arpels ‘Mystery masterpiece’ selling for just short of £550,000 and numerous other watches within their collections selling for astonishing figures.

The good news is, if you just want to write and enjoy a quality pen, Montblanc still have you covered in 2024 with a lovely ballpoint pen, the Pix available for £240… so if writing is your passion, and even if you aren’t signing multi million pound deals, one can still enjoy the elegance that a good pen brings.

The Ivory Bill – Addressing the Elephant in the room

What it means for you and your clients

February 2020, Rachel Doerr and I were sat in the law offices of Mishcon de Reya, having been asked to attend a discussion debating the 2018 Ivory Bill and how the enforcement and understanding of it would take place. Fast forward two months, and due to Covid, Ivory was the last thing on the minds of the government, or anyone else for that matter.

So, 2023 we are now at the point where the Ivory Bill of 2018 should now be clear in everyone’s minds, if you own ivory, or have clients with ivory – it’s even more important.

What Is It?

The Ivory Bill of 2018 was created to ensure that the United Kingdom was at the forefront of regulatory measures to assist in the reduction of the worldwide trade of ivory.

What was wrong with the old legislation?

To put it in simple terms – the understanding of the law. Many people unknowingly sold or bought ivory items that by definition, were illegal – but without expert opinion (and in some cases carbon dating equipment) it would have been impossible to be sure of what items were and were not legal, so the Ivory Bill 2018 was created.

What does the ivory bill mean now, in 2023?

The sale of most items of ivory within the United Kingdom is now illegal, therefore they will have no commercial value, there are some exemptions – here are the published examples by The Department for Environment, Food & Rural Affairs;

1. De minimis

Items with a volume of less than 10% by volume, and which were made prior to 1947. Items with this volume of ivory are not traded for their ivory content, and as such do not contribute to poaching. This limit will mean the UK has amongst the toughest approaches to this category of exemption internationally.

2. Musical instruments

Musical instruments with an ivory content of less than 20% and which were made prior to 1975. This will cover the vast majority of commonly used and traded instruments and accessories, such as pianos and violin bows.

3. Portrait miniatures

Portrait miniatures produced prior to 1918. Portrait miniatures are a discrete category of item which, although painted on thin slivers of ivory, are not valued for their ivory content. Sales of portrait miniatures will not fuel, directly or indirectly, the continued poaching of elephants.

4. The rarest and most important items of their type

Items made of, or containing, ivory produced prior to 1918 which are assessed by an independent advisory institution as of outstandingly high artistic, cultural or historical value, and are an example of the rarest and most important item of their type. These items are not valued for their ivory content, and the trade in them will not fuel the poaching of elephants.

5. Museums

Commercial activities which include sales, loans and exchanges to, and between, accredited museums. This ban will not affect the display of historic, artistic and cultural items to members of the public by accredited museums.

How does this impact my clients who own items of ivory?

If your client owns any items that fall outside of the exemptions this means they have no commercial value in the United Kingdom and cannot be sold under the Act.

If they are Exempt this means they potentially have a monitory value and will require a certificate of exemption from DEFRA to prove this before you can sell the item using the declare ivory scheme or hire out service.

It has become clear that some major insurers are now asking for any item that contains ivory to now have a certificate of exemption before it is insured – this can include many items, from furniture, to silver, and many other items. This will mean having a DEFRA certificate in the name of the client, not the retailer that it may have been purchased from.

Ivory was used for many purposes in the 17th to 19th centuries whether that be for decorative or practical purposes and people may be surprised as to what includes ivory in their construction.

At Doerr Dallas Valuations we can help clients identify what may need certificates, and assist them in applying for them – speak to our team to find out how you can make sure you or your clients don’t fall through the cracks of this legislation that will impact the industry nationwide.

You have £5,000 to spend – Yayoi Kusama objects

£5,000 to spend. A Limited Edition by the Japanese Contemporary artist Yayoi Kusama.

I would spend  my £5,000 on a limited Edition by the Japanese Contemporary artist Yayoi Kusama ( born 1929).

Image of Yayoi Kusama tea set

Yayoi Kusama tea set

I would choose one of her objects series, perhaps  a Tea Set (above), or group of mini pumpkins (below) They are all colourful, tactile, fun, attractive, look great on display and invite curiosity. Plus, they offer an investment opportunity, as Kusama’s work has an international appeal and great originality. While still being recognisably her work it is like a strong international brand.

Image of Yayoi Kusama's 11 mini pumpkins

Yayoi Kusama – Eleven ceramic Pumpkins, one red and 10 yellow, 6 x 8 cm. estimate $2-3,000

Her work comes up for sale all the time, is widely available and sells well around the world. This is of key importance with art investment; the more countries you can sell in the better your chances are of some financial uplift on your purchase price.

Image of single Yayoi Kusama mini pumpkin

Yayoi Kusama mini pumpkin

I have chosen a few examples which I would buy in a heartbeat, all are coming up for auction somewhere around the world currently and the estimates are all under £5,000.