how to tell silver from silver plate

Not all marks are hallmarks: How to tell silver from silver plate

If you want to know how to tell silver from silver plate, you are not alone. Many clients confidently separate their “silver” from their plated wares, only to discover that some of the pieces are not solid silver at all. The marks can look convincing, but appearance alone is not proof of precious metal.

It is easy to see how the mistakes occur; both hallmarked silver, and silver plate marks can appear similar. Both can include shields, letters, symbols and maker’s marks, even pseudo hallmarks that look convincingly official. However, whilst they may appear similar they tell very different stories.

The crucial thing is to be able to spot the differences with confidence and understand why the superficially convincing ‘hallmark’ may be a plate mark posturing as it’s more valuable counterpart.

From the mid-18th century onwards, silver plating became increasingly sophisticated. Manufacturers wanted plated goods to look luxurious and respectable, and by the 19th century the rise of an affluent middle class created a strong demand for glamorous tableware at an affordable price. There is therefore a wealth of both silver and silver plate. Silver plate appearing as Old Sheffield Plate, electrotype and electroplate, including a proliferation of electroplated nickel silver (EPNS) as methods of electroplating became better and more sophisticated.

To the unwary observer a row of symbols and letters stamped into metal in the same manner as a hallmark might look and feel authentic. But the authority of a hallmark comes not from appearance but from regulation, and once you understand the makeup of hallmarks the process of recognition becomes much easier.

British silver hallmarks form one of the most tightly controlled silver marking systems in the world. With minor variations a full hallmark will contain the following elements:-

Silver hallmarks

The Standard Mark

  • Lion Passant – A lion in profile walking left to right, one front paw raised and tail curled. This confirms the item is sterling silver (92.5% purity). 
  • Britannia – Occasionally used instead, indicating a higher fineness of 95.8%. (When I was a junior trainee, I remembered this because 95.8 was and still is, conveniently, the same frequency as Capital Radio.)

The Assay Office Mark

British assay office marks include:

  • London – Leopard’s head
  • Birmingham – Anchor
  • Sheffield – Crown (later a rose after the Queen’s silver jubilee in 1977))
  • Glasgow – Tree, fish, and bell
  • Edinburgh – Three-towered castle (with a thistle as the standard mark)
  • Dublin – Figure of Hibernia (with a harp as the standard mark)
Assay Office Marks
Assay Office Marks

“Assay” comes from the French essayer, meaning “to test”. This mark guarantees that the metal meets the stated standard. In the United Kingdom, wherever gold, silver, platinum or palladium are sold it is a legal requirement under the Hallmarking Act 1973 to display a specifically approved notice.

The Date letter

A single letter that changes annually, with differing fonts, cases and shield shapes.

These used to be particular to each Assay Office but were standardised in 1975.

Various silver marks and trademarks associated with Maxfield & Sons.
Various silver marks and trademarks associated with Maxfield & Sons.

The maker’s mark or sponsor’s mark

Usually initials registered to a specific silversmith or company. Together, these marks form a regulated and coherent system. They may also include a monarch’s head, known as the duty mark. 

Occasionally, special optional marks are added, for example to commemorate the Millennium or The Queen’s Golden Jubilee.

UK commemorative hallmarks
UK commemorative hallmarks

Silver plate on the other hand does not have regulatory marks. They are manufacturer’s marks and symbols, but do not indicate metal content.

Common characteristics of silver plate marks include:

  • Decorative symbols (for example, crowns, stars, animals)
  • Multiple pseudo-shields
  • Words or abbreviations indicating plating, including A1 and EPNS
  • Lack of the lion passant

The date letter trap is where many get caught out; the date letter in silver appears in a distinctive font and shield shape that changes with each cycle of letters. For example, a lowercase “g” in a pointed shield is not the same year as a lowercase “g” in a rounded shield, even though the letter is identical.

Many plated wares include a single letter that looks like a date letter but is not part of any official dating system. These letters may:

  • Represent a pattern number
  • Indicate a quality grade
  • Simply be decorative

Some companies, Elkington being a prime example, had their own regime of marks, which included a system for dates represented in a lozenge; so it can be possible to date silver plate, but not in the same manner as sterling silver.

There are certain marks that are particularly misleading on silver plate. These include

  • Crowned symbols – often mistaken for Sheffield or London marks
  • Multiple marks in a row – designed to resemble a hallmark group
  • Pseudo-animals – easily confused with the lion passant at a glance. However, none of these will ever be a lion passant in the correct stance and proportions used by assay offices.
A set of hallmarks and markings on an antique silver-plated item
A set of hallmarks and markings on an antique silver-plated item

Practical tips for spotting the difference between silver and silver plate

Unless it is Scottish or Irish silver look for the lion passant first. No lion means it is unlikely to be English silver.

Remember that hallmarks tell a clear story: maker, place, year, purity.

And finally, examine your piece. Silver plate often shows wear with copper or nickel alloy showing through in places.

Once you have established that an item is silver how do you decode the hallmarks? Not so long ago, every silver valuer carried a copy of a pocket ‘Bradbury’s’, the book of hallmarks. It was a professional necessity, but also a quiet point of pride. Much like a Barbour jacket in the 1980s, the more dog-eared, scuffed, and worn it was, the more kudos it had. A battered Bradbury’s suggested years of dedicated use.

Today, identifying hallmarks is far easier. There are numerous free online resources where both hallmarks and makers’ marks can be checked quickly and reliably. My personal favourite is
https://www.silvermakersmarks.co.uk/index.htm

The importance of distinguishing silver from silver plate has never been more important. With silver bullion prices at unprecedented highs, apparently small differences visually can be huge differences financially. These two tea trays demonstrate the point well. One is a silver-plated tray currently on sale with 1St Dibs for £421, the other a silver tray from A&C Silver is ticketed at £14,450.

Solid silver tea on sale at A&C Silver for £14,450
Solid silver tea on sale at A&C Silver for £14,450
A silver plated tray on sale with 1st Dibs for £421
A silver plated tray on sale with 1st Dibs for £421

In silver, as in life, looks can deceive; what matters is knowing what’s really in your hands.

Birmingham Date Letters
Birmingham Date Letters
an image of 3 oympic medals in bronze, silver and gold from Paris 2024.

From Wreaths to Gold: The Evolution and Value of Olympic Medals

The 2024 summer Olympics in Paris is the 33rd Olympics of the modern Olympiad and the third time that Paris has hosted the event; the previous occasions being in 1900 and 1924. Paris is only the third city to have put on the games three time, the other cities being London and Los Angeles.

This year approximately 11,000 athletes will be competing for the gold, silver and bronze medals awarded in each discipline. In the ancient games, Olympians received a wreath formed from an olive branch; and that only for the winner. Nowadays, there is something rather more substantive and enduring as a token of achievement.

The design of the medals is the responsibility of the host city’s organising committee and varies with each iteration of the Games. The first Olympic medals in 1896 were designed by French sculptor Jules-Clément Chaplain and depicted on the obverse, Zeus holding Nike, the Greek goddess of victory; the reverse showed the Acropolis. They were made by the Paris Mint, which also made the medals for the 1900 Olympic Games and are responsible for this year’s medals. The medals for 2024 are currently stored at the Mint prior to of the start of the games.

The tradition of awarding gold, silver and bronze medals was first instigated at the Summer Olympics in 1904 in St Louis, Missouri, although competition place medals were retrospectively awarded to competitors in the 1896 and 1900 games.

It is the International Olympic Committee (IOC) which determine the physical properties of the medals. Although they were rectangular in 1900, in every other year they have been circular. Over time the designs have been honed, originally medals were handed out, then pinned to chests and then finally in 1960 they were hung around the neck; initially with a laurel chain and subsequently on a ribbon. The three tier victory podium was not introduced until 1931. Prior to this, medals were awarded at the closing ceremony with athletes wearing evening dress.

Until 1912, the gold medals were made of gold. This would be prohibitively expensive these days, but they are still made of silver gilt and at current prices the gold medals from the 2020 Olympics held in Tokyo in 2021 are worth about £630. The silver medals are made from sterling standard silver, which is 92.5% silver; and the bronze medals are predominantly copper at about 97% with zinc and tin alloy to give strength.

Sir Steve Redgrave with his five gold medals from 5 consecutive Olympic games.

An Olympic medal is the pinnacle of any athlete’s career and monetary value is irrelevant compared with the physical embodiment of years of training, sacrifice and perseverance. That said, and without seeming crude, in our world we are sometimes required to put prices on the ‘priceless.’

In Paris this year the successful athletes will be receiving medals that symbolise the motto of the modern Olympics, ‘ Faster, Higher, Stronger – together.’; medals made from gold, silver, copper, tin and zinc. I suspect however, that the athletes might view them as the embodiment of blood, sweat and tears.

 

Clyde Purnell’s 1908 Olympic Games gold medal for football fetched £18,000 (plus premium) at auction in June 2024. This medal, produced prior to 1912, is made from 15 carat gold, but nonetheless the sale price far exceeds the scrap metal price, which is a little under £1,000.

Swimmer Michael Phelps is the mostdecorated Olympian of all time. He has won 28 medals, 23 of which are gold. He has enjoyed being on the front cover of Sports Illustrated twelve times.

We wish all our Olympians ‘bon courage’ and enjoy Paris.

 

Read more on the history and memorabilia surrounding the Olympics.

Read more articles by Jenny Knott.

Military Medals

This past month has seen some fantastic celebrations commemorating the 75th anniversary of VE Day, obviously the times we are currently in have dictated that those were somewhat muted however the overall event was a welcome respite from what has been a difficult few weeks for everyone, I for one enjoyed an afternoon tea in the garden whilst listening to a gramophone.

This again has brought to the fore the actions and courage of some of what could arguably be described as ‘Our greatest generation’ and that interest has brought a somewhat renewed attention on the medals and awards that they may have been awarded.

 

Medals of course have been collectible since they were introduced, with their interest intertwined with the ever-fascinating world of military history and relics. What a collector may be buying is not a round disc of metal with a ribbon, but actually a story – perhaps a pivotal moment in military history, or an honour bestowed upon a great person of ancestral interest.

The very nature of such a recondite subject means that each individual collector will have a certain punctilious approach to their field, be it a certain conflict, a certain regiment, or a search for long lost family pieces even. Conflict and war beclouds many generations and such interest can be widely spread over hundreds of years of history.

Military Medals can, and often do come with a wealth of ephemera, be it uniforms, weapons, log books, diaries and the like – the inclusion of such items really does add to the value of the collection because as mentioned before, people are buying not only the medal, but the history of a person, battle – or a combination of both.

Vice-Admiral Gordon Campbell

So when it comes to valuing medals, the task is made far more interesting by the research that needs to be done – military records are consulted and dates are researched, for example; the medals belonging to a soldier killed on the first day at The Battle of The Somme are worth substantially more then a soldier killed on any other day. These unique factors make valuing some medals more of a submersion into military narrative rather than a hands on experience.

Gordon Campbell’s Victoria Cross group made £700,000 at auction in 2017

The illustrated Victoria Cross group with triple DSO awarded to Vice-Admiral Gordon Campbell of the Royal Navy has a description that reads like something straight out of a ‘Commando’ boys comic book, with tales of “conspicuous gallantry”, and “consummate coolness”, this group made £700,000 under the hammer back in 2017 and with certain groups like this being as rare as they come its value has most likely increased substantially in the last three years as well.